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무용저작물 공동저작자의 공동저작물에 관한 저작재산권 행사방법 - 서울고등법원 2018. 1. 26.자 2017라21187 결정을 중심으로
이루라 ( Ru-ra Lee ) 대한무용학회 2019 대한무용학회논문집 Vol.77 No.2
In the case that authors created a dance jointly and some of them used it excluding other owners of author's property rights, the court ruled that it was not the infringement of copyright but just the violation of the exercise method of author's property rights of authors. In this type of case, we should determine the dance performance be a work and the joint creators be authors. If we could admit the joint creators created the works, then we should judge that this case constitutes an infringement of copyright. In this regard, scholars and courts have different point of view, so a change in the law is needed.
업무상 저작물 규정과 무용 창작자의 권리 - 마사 그레이엄(Martha Graham)의 사례에 비추어
김희권 ( Hee-kweon Kim ),이루라 ( Ru-ra Lee ) 대한무용학회 2020 대한무용학회논문집 Vol.78 No.1
Martha Graham, the doyenne of American modern dance, created full many a dance performance; but, after her death, her heir could inherit just a little copyright. It's because the provision of works made by an employee in the course of his duties. Similarly, according to Korean Copyright Act, the authorship of a work made by an employee of a legal person, etc. shall be attributed to him. However, all the requirements listed in the article does not fulfilled, dance creator is an author. Dance creators must surely know the condition they can be authors, and exercise their rights actively.
김희권(Hee-Kweon Kim),이루라(Ru-Ra Lee) 한국콘텐츠학회 2014 한국콘텐츠학회논문지 Vol.14 No.8
우리 저작권법에서는 무용을 연극저작물의 일종으로 규정하고 있다. 그러나 연극과 무용의 개념상 차이점 또는 법적 취급상 차이점 등을 고려해 볼 때 무용저작물을 독립시키는 것이 타당하며, 이는 많은 선진국의 사례를 보아도 그러하다. 연극은 대사를 통해 의사를 전달하며 무용은 신체의 움직임을 통해 감정을 표현한다는 차이가 있기 때문이다. 그러므로 무용을 연극저작물에서 분리시킬 때 무용저작물만의 고유한 논의가 이루어질 수 있을 것이다. In national copyright law, dance is included in dramatic works. Considering the differences of conception of drama and dance or that of legal handling, however, it is reasonable that choreographic works be separated; so are the cases of many different developed countries. It is different that through lines emotion is communicated in drama but through physical movements in dance. Thus as dance is separated from dramatic works, it is possible to discuss unique qualities of choreographic works.
방탄소년단(BTS)의 삼고무 공연에서 촉발된 전통춤의 무용저작권 인정 논의와 저작권법의 목적과의 관계
김희권 ( Hee-kweon Kim ),이루라 ( Ru-ra Lee ) 대한무용학회 2019 대한무용학회논문집 Vol.77 No.1
Dance consists of lots of basic actions which do not have any copyright, therefore it is hard to decide how to recognize the protection of copyright. So is the traditional dance, especially it uses various cultural heritage, therefore it is hard to decide who has copyright and to some degree can he exercise the right. By the way, the ultimate purpose of Copyright Act is the improvement and development of the culture; when copyright owner exercises his right, he always takes account of it.
김희권 ( Hee-kweon Kim ),김정은 ( Jeong-eun Kim ),이루라 ( Ru-ra Lee ) 대한무용학회 2018 대한무용학회논문집 Vol.76 No.6
Dancers are performers in dance performance. Performers have a great effect on the circulation of works connecting authors and users, and create a different impression depending on skill and character even of the same works. Nevertheless, comparing to authors, the rights of performers are incomplete realistically. In this thesis, therefore, we analysis the rights recognized to performers, examine foreign cases, and propose the rights to be newly introduced. It has academic significance in the aspect of the protection of the right of labor with dance performers and the discussion of the actual necessity.
박승순(Park, Seung-Soon),김희권(Kim, Hee-Kweon),이루라(Lee, Ru-Ra) 한국체육과학회 2018 한국체육과학회지 Vol.27 No.2
In order to recognize dance performance as choreographic work, it should be creativity in choreography. However, there isn’t creativity in basic actions that consist of choreography, so it"s the problem how to recognize the creativity of the dance. In this case, it can be considered if the dance corresponds to the compilation works by analogical application of the concept of compilation works. Basic actions can be materials; i f the creativity is recognized in selection, arrangement or constitution of materials then the dance performance can be choreographic work. This choreographic work can be copyrighted in the scope of the compilation work.