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존 클레어의 노스버로우 소네트 연구: 시 쓰기와 정신건강
오호진 ( Oh Ho-jin ) 한국현대영어영문학회 2020 현대영어영문학 Vol.64 No.2
This is to study John Clare’s sonnets written in his Northborough period. His Northborough sonnets, organized by a list-structure and groups of seven rhyming couplets, exhibit the alienation from the natural world which has previously been his refuge and delight. The landscape in his Northborough sonnets is clearly no longer a place of safety and stability. Instead, it is filled with fear. The alienation might refect the unstable and frightened mind that he had while he had lived like a shadowy solitary stranger in Northborough. He suffered from the fear: "fear of prying neighbours, fear of madness, fear of poverty and loneliness, fear of disorientation and of being irrecoverably lost". Eventually, throughout writing a poem, he might be anxious to recover the mental stability severed by the move from Helpston to Northborough. (Hanbat National University)
오호진 ( Ho-jin Oh ) 대한영어영문학회 2000 영어영문학연구 Vol.26 No.2
After mid-eighties, ecocriticism like feminism becomes to be what will survive from the intellectual ferment of the 1960s. It is true that ecocriticism comes in many guises and brings conflicting agendas. But we can put simply what ecocriticism means. Just as feminism criticism examines language and literature from a gender-conscious perspective, and Marxist criticism brings an awareness of modes of production and economic class to its reading of texts, ecocriticism takes an earth-centered approach to literary studies. All ecological criticism shares the fundamental premise that human culture is connected to the physical world, affecting it and affected by it. Ecocriticsm takes as its subject the interconnections between nature and culture, specifically the cultural artifacts of language and literature. It is extraordinary how profoundly the romantics seem to have thought so many of the problem which ecology think. Romantic poetry seems often to express an ecological point-of-view. Both preferring what nature can teach to what man has taught, and finding true and unalienated life in rural, pre-industrial communities seem equally characteristic of the Green movement and romantic poetry. For that reason, Green Romanticism will be at the center of any historically-informed ecocriticism. William Wordsworth’s poetry is best suited to the easy conservationism, one of the so-called shallow ecological attitudes. His can be quoted praising the rural life of individuals and decrying the depersonalized life of people in industrialized cities. His bears witness to a profound interchange between man and nature,one of many questions from ecocritics and theorists. His “Nutting” is an ecological poem because of the clarity and sympathetic intelligence with which it looks into the reasons why we destroy our environment. He has learn to understand some of the motives for his behaviour, but his poem recognizes that knowing the reasons is not the same as either knowing the answers or solving the problem. His early poem, “Lines left upon a seat in a yew-tree” is concerned with the man-nature relation, but it approaches the subject indirectly. Again, it is no simple poem about the influence of natural objects, but rather it concerns the failure of one recluse to derive comfort from the external scene. It suggested that the recluse failed to feel comfort because he cast the same misanthropy and self-pity on the landscape as he did on the cities. In order to derive comfort from nature, he should have experienced the profound interchange between himself and nature. This experience was described in “I wandered lonely as a cloud” perfectly. Nowhere is the interrelationship between the natural world and the human world more forcefully celebrated than in “I wandered lonely as a cloud”. Finally, when we recognize that some doctrines in ecocriticism are ‘How is nature represented in this poem? and What role does the physical setting play in the subject of this poem?’, the main subject of the man-nature relation in Wordsworth's poetry is to be suited with ecocriticism. <Taejon National University of Technology>
차량 구동용 전동기의 PWM 스위칭주파수에 따른 열적 강건성 검토
오호진(Ho-Jin Oh),김찬호(Chan-Ho Kim),김남호(Nam-Ho Kim),정상용(Sang-Yong Jung),이중호(Jung-Ho Lee) 대한전기학회 2021 대한전기학회 학술대회 논문집 Vol.2021 No.11
차량 구동용 전동기의 고속화 추세에 따라 입력 전류의 PWM 스위칭주파수가 증가하고 있으며 전동기 감속비 증대로 인해 사이즈 저감 및 고출력밀도화가 가능하게 된다. 전동 기의 사이즈 저감 및 고출력밀도화는 방열면적 감소 및 발생 온도 증가로 인해 전동기의 열적인 문제를 수반하며 이에 따라 전동기의 열 해석이 요구된다. 본 논문에서는 매입형 영구자석 동기전동기 (Interior Permanent Magnet Synchronous Motor, IPMSM) 의 PWM 입력 전류의 스위칭주파수에 따른 온도 포화 결과를 열 등가회로 해석을 통해 비교, 분석했으며 온도 결과를 기반으로 감자해석을 진행해 PWM 스위칭주파수에 따른 열 강건성을 분석하였다.
오호진 ( Ho Jin Oh ) 한국현대영어영문학회 2014 현대영어영문학 Vol.58 No.4
John Clare(1793-1864) wrote many poems in his own voice as an uneducated poet, as a peasant poet, and as a dialect poet. He walked around the natural world of his parish, Helpston, to observe various named and unnamed wild flowers with his full affection. Then, he concentrated to describe their peculiarities in his poetry and prose in extraordinary detail before his asylum period. Thanks to his real experiences as a gardener, his friends, like Thomas Porter, and some pre-Linnaean botanical writings to which his friends gave him access, he acquired useful knowledge on wild flowers. With this, he described and celebrated more than 370 flowers and other plants in his writings as an affectionate amateur botanist. We can see his affection for these wild flowers in his nature poems, “Noon,” “May,” and “June”. It is true that his nature poems lack formal correctness, but they are successful in making us feel the freshness, the directness, the spontaneity of observation and feeling. Therefore, he is a good poet because he had access to true and permanent natural experiences though he used unpolished spelling, the local dialect, and uncertain grammar.