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자카드직물의 문양표현에 영향을 미치는 의장(design)방법 연구
송경자(Song Gyeong-Ja),진영길(Chin Young-Gil) 한국복식학회 2005 服飾 Vol.55 No.4
The purpose of this study was to research the design methods to express jacquard design using CAD. For this study, two design patterns were divided; in addition, each design pattern is applied to two different weaving types, single woven fabric and double well cloths. As a result, 16 samples were produced by applying 4 design methods (warp shrunk as half size design/weft shrunk as half size design - A, warp shrunk as half size design/weft original size design - B, warp original size design/weft shrunk as half size design - C, warp original size design/weft original size design - D) to the two design patterns with the two weaving types. The result of this study can be summarized as follows. 1. The most delicate design method was Method D. However, Method B which took half the time less than Method D was almost as delicate as the Method D on the surface. 2. Method B was judged as a considerably efficient method for time and cost. 3. Method D was considered as most suitable for elaborate parts and delicate lines. However, it was considered uneconomical since it took the longest time. 4. Mettled A took 2.5 times less time than Method D. Therefore, Method A was more applicable to producing high density design. 5. Method C is not considered as a useful method as it showed rough surface and took long time by applying high design zoom except intentional design.
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권순정(Soon Jung Kwon),송경자(Gyeong Ja Song) 한국복식학회 1999 服飾 Vol.43 No.-
This purpose of present study was to examine the figures and colors of hanbok textile. The data were collected from 489 pieces, selling at hanbok shops in Taegu, Pusan, and were analysed. Result of this study was as follows: 1) Figures As the hanbok figures, tradition figures were used a great many among the figures. The next was natural, geometric, abstract figures. The reactionism trend was worthy of notice in figures and traditional design occupied most of them. 2) Color In the hue, YR, R, RP group were used concentratedly. Because 5,6,7 level were used a great many among the value, value was represented lightly more than midium light. Because 2,3,4 level were used a great many among the chroma, chroma was represented duller than midium chroma. Thus, hanbok color was used mainly in a several party and korean were tendancy to like natural the sence of color.
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CAD를 활용한 자카드 텍스타일 디자인 개발 프로세싱 연구 : 넥타이 디자인을 중심으로 On Based Nec-tie Design
송경자,진영길 한국의류산업학회 2005 한국의류산업학회지 Vol.7 No.1
This study attempts to address the development processing of yarn-dyeing jacquard design by using jacquard textile design professional CAD system to create high valued worth products. To carry out this purpose, two kinds of necktie samples were designed and each of them was different in three types of weaving method. The results arc as follows; All over typo is appropriate when the motive's size is small. And the work can be finished within short time and design can he illustrated by basic jacquard system. However, one point type can represent rather big and audacious motive but it needs lots of working hours and jacquard system. Though the motives are identical, showed many changes in cubicle representation according to weaving methods and the structure. To express simple and modest design, single fabric woven is suitable and in the need of colorful and technical design, expressing by double weft cloths and triple weft cloths rather than single firbric woven are better to give creativity and colorfulness. For the production of jacquard design, cad system using ability is important but the understanding and study of the whole process of weaving development should he made.
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권순정,송경자 한국의류산업학회 2002 한국의류산업학회지 Vol.4 No.2
This research was designed to study the Korean dress design trends and different kinds of ancient patterns applied to the Korean dresses in 2001. The trend sources were collected by the HANBOK monthly journal and the symbolism of patterns associated with these patterns being used the prevalent Korean dress collection in markets. The results of the research can be summarized as following; The most of Korean dress image was elegant of ancient mode. Main colors of the traditional Korean jacket were white, yellowish white and green. However, main color of the traditional Korean skirt was represented as red. A plant pattern was the most popular pattern in a practical purpose. It looks beautiful and it is also easily manufactured with open space. Copying other patterns definitely damage the elegance of the Korean dress. It is time for us to not only keep our own traditions but also study and develop new patterns. Designers must study to develop the image and patterns which are agreed with consumer's taste.
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