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      • KCI등재

        영상매체에 나타난 김수영 이미지 연구 -드라마 <명동백작>(2004)을 중심으로

        손미영,Son, Mi-young 국제문화기술진흥원 2022 The Journal of the Convergence on Culture Technolo Vol.8 No.6

        This study examines the strategy of delivering the drama's poet Kim Soo-young and his literary works to the public through the drama <The Count of Myeong-dong> (2004). This drama shows Kim's inner self and his literary view by inserting poems into scenes where the poet suffers internal conflict, while presenting relatively less well-known poems to broaden the public's understanding of poetry. In addition, the drama maintains viewers' interest by properly placing elements of conflict, and effectively shows how the conflict affected his life and the world of time. Therefore, the drama <The Count of Myeong-dong> is a meaningful text that embodies a poet named Kim Soo-young in three dimensions along with the historical transformation and social problems of the time and the literary chapter of the time through the video.

      • KCI등재

        온라인 패션쇼핑몰의 성공적 창업에 대한 탐색적 사례연구: 소호쇼핑몰의 기업가적 과정을 중심으로

        손미영,Son, Mi Young 한국감성과학회 2022 감성과학 Vol.25 No.3

        This study targets four Soho fashion shopping malls that are operating successfully in the online fashion market. This study analyzed the entrepreneurship process by dividing it into three stages. The results of the case study are as follows. In the case of Company S, the founder, who had little work experience, started an e-commerce business with a sense of fashion and entrepreneurship. It is a contemporary, casual brand with competitive prices, design power, and diverse product assortment, and the business performance was achieved through data management and analysis and the diversification of distribution channels. In the case of Company B, the founder, who had little work experience, started a manufacturing and e-commerce business by leveraging their SNS network capabilities and entrepreneurial spirit. It is a contemporary fashion brand with product competitiveness of specific items and start-up characteristics, and performance was achieved through the establishment of brand identity and market expansion. Third, Company M and Company C are examples of Soho fashion shopping malls where the founders with more extensive work experience at the time of founding their respective start-ups focused on brand recognition as their core competitiveness. In the case of Company M, the apparel brand was launched with a wealth of experience and design spirit. It is a fashion designer brand that stands out for its sensibility, and the owner has achieved performance through various entrepreneurial activities that broaden the corporate horizon. Company C is a manufacturing and e-commerce brand that was started with design capabilities and an entrepreneurial spirit. It is a luxury fashion brand that focuses on emotional expression, and the outcomes, such as brand recognition and sales, were achieved through active customer management. The results of this study can be used as basic data in education for and research of Soho shopping malls and the prospective founders.

      • KCI등재

        영상매체에 나타난 이육사 표상 연구 -드라마 <절정>(2011)을 중심으로

        손미영,Son, Mi-young 국제문화기술진흥원 2020 The Journal of the Convergence on Culture Technolo Vol.6 No.4

        본 연구는 드라마 <절정>(2011)을 통해서 드라마에서 시 텍스트가 삽입되는 방식과 시인의 표상화 방식을 검토한다. 이 드라마는 시인이자 독립 운동가였던 이육사를 중심인물로 내세우고, 그의 생애를 따라가는 서사 구조를 택하고 있다. 드라마는 시인의 생에서 가장 극적인 순간에 그의 시를 환상적인 이미지와 함께 삽입함으로써 드라마의 서정성과 영상미를 극대화한다. 시와 함께 제시되는 이미지는 이육사의 치열한 고난을 극대화하는 한편으로, 시를 이 고난의 결정체로 그려낸다. 이로써 드라마 <절정>은 이육사의 시를 활용함으로써 중심인물 이육사의 내면세계를 영상으로 형상화한다. 이육사의 시를 이미지와 함께 활용하여 시의 아름다움과 곧은 정신세계를 지닌 시인의 표상화를 동시에 꾀하는 것이다. 이는 시인이자 독립 운동가였던 이육사를 행동하는 지식인으로서 균형감 있게 그려낸 결과이다. 드라마 <절정>은 영상을 통하여 시와 시인의 표상화를 진정성 있게 수행한 주요한 텍스트이다. This study examines the way poetry text is inserted in dramas and the way poets represent themselves through the drama "The climax" (2011). The drama features Lee Yuk-sa, a poet and independence activist, as a central figure and chooses a narrative structure that follows his life. The drama maximizes the lyricity and visual beauty of the drama by inserting his poems with fantastic images at the most dramatic moments of the poet's life. The image presented with the poem maximizes Lee Yuk-sa's intense hardship, while portraying the poem as a crystal of this hardship. Thus, the drama "The climax" uses Lee Yuk-sa's poetry to visualize the inner world of the central character Lee Yuk-sa. Lee Yuk-sa's poems are used in conjunction with his image to simultaneously represent the beauty of poetry and the upright spirit of the poet. This is the result of a balanced portrayal of Yi Yuk-sa, a poet and independence activist, as an intellectual who acts. The drama "The climax" is the main text that sincerely performed the representations of poems and poets through video.

      • KCI등재

        기후변화에 대한 소비자의 인식과 복식행동 연구

        손미영,Son, Mi Young 한국패션비즈니스학회 2017 패션 비즈니스 Vol.21 No.4

        The purpose of this study was to analyze the impact of climate change cognition on clothing behavior of fashion consumers to understand the impact of climate change on the fashion system. An online survey was conducted of 385 people in their 20s-50s working in the fashion industry as well as general consumers. Data collected from surveys were analyzed by factor analysis and t-test. Results are as follow: First, climate change cognition consists of four sub-dimensions, which are 'knowledge of climate change' and 'recognition of climate change in Korea'. Second, clothing behavior related with climate change consists of six sub-dimensions, which are 'environmentally-friendly fashion purchases', 'new clothes-wearing style affected by climate change', 'ethical fashion consumption', 'pursuit of functional fashion', 'pursuit of seasonless fashion', and 'clothes-wearing in response to climate change.' Last, the group with higher cognition of climate change than the group with lesser cognition had significantly higher degree of trying new styles created because of climate change, making ethical fashion purchases, pursuing functional fashion, and wearing clothes in response to climate change.

      • KCI등재
      • 1인가구의 연령대별 패션 소비실태 연구: 2006~2017년 가계동향조사를 중심으로

        손미영 ( Son Mi Young ) 한국방송통신대학교 통합인문학연구소 2020 통합인문학연구 Vol.12 No.1

        본 연구에서는 년 년까지 2006 ~2017 1인가구의 연령별 패션소비실태를 파악하기 위해서 국가통계포털(KOSIS)에서 2018년 가계동향조사의 원자료를 추출하여, 1인가구와 전체가구의 연령대별로 패션소비실태를 의류와 신발, 이미용, 장신구로 구분하여 분석하였다. 본 연구의 분석결과를 요약하면 다음과 같다. 첫째, 2007년~2017년 전체가구와 1인가구의 소득, 가계지출, 소비지출의 경우, 전체가구 및 1인가구 모두 평균소득이 2007년부터 증가하다가 2015년을 기점으로 전체가구는 20%, 1인가구는 7% 감소하였다. 둘째, 2006년~2016년 1인가구의 소비지출 추이의 경우, 주생활 및 식생활, 의생활 전반 소비지출이 전 연령대에서 증가하였고, 주생활과 식생활의 지출이 의생활지출보다 더 크게 증가하였다. 셋째, 2007년~2017년 1인가구의 패션지출규모는 의류, 미용, 신발류, 장신구 순이었으나 신발류 지출규모가 2007년부터 2010년까지 반짝 증가함을 볼 수 있으며, 소득과 함께 전체 항목에서 꾸준히 증가하였다. 그러나 소득대비지출(%)를 살펴보면, 신발류를 제외한 나머지 패션제품의 소득대비지출(%)가 2009년에 감소하다가 2015년을 기점으로 증가함을 보였다. 이는 2000년 이후 패션시장에서 운동화를 비롯하여 신발류가 패션 트렌드의 초점이 되면서 급격히 증가하였던 사회적 현상을 반영한 것으로 사료된다. In this study, in order to identify the fashion consumption of single-person households by age from 2006 to 2017, KOSIS extracted raw data from the 2018 Household Trend Survey and the fashion consumption of single-person households and total households by age group were analyzed by categorizing clothing and footwear, beauty and jewelry. The results of this study are summarized as follows. First, in the case of total households and single-person households in 2007-2017, the average household income of all households increased from 2007, but as of 2015, the total households decreased by 20% and single person households decreased by 7%. Second, in 2006-2016, consumption expenditure on clothing, food and shelter of single-person households increased in all age groups, and expenditure of shelter and food increased higher than clothing expenditure Third, the fashion expenditure of single-person households in 2007 ~ 2017 was in order of clothing, beauty, footwear, and jewelry, but the size of expenditure on footwear rapidly increased from 2007 to 2010, and all fashion items increased steadily with the income. However, regarding the expenditure (%) on income, the expenditure (%) on income of fashion products excluding footwear decreased in 2009 and increased from 2015. This seems to reflect the social phenomenon that the spending of sneakers and footwear has rapidly increased since 2000, as sneakers and footwear became the focus of fashion trends in the fashion market.

      • KCI등재

        소호패션쇼핑몰 창업 후 사업지속에 대한 사례연구: 종단적 연구를 중심으로

        손미영 ( Mi Young Son ) 대한가정학회 2024 Human Ecology Research(HER) Vol.62 No.1

        This study analyzed the current operational status, business continuity, and business continuity strategies of 11 Soho fashion shopping malls through a longitudinal case study (2019/2020 and 2022/2023). The aim was to determine how Soho fashion shopping malls are continuing their business having been successfully established in the fiercely competitive current online fashion market. Regarding changes in shopping mall operation status, all cases displayed changes in items, distribution channels, marketing channels, core values, and profit structures. After establishing the businesses, a crisis arose due to the COVID-19 pandemic, leading to difficulties in creating new customers. Moreover, there was excessive business expansion, resulting in saturation of the online platform store market. This meant companies were experiencing reduced sales (5) or difficulties in maintaining their business (3). However, there were differences in the direction of overcoming the crisis and continuing or converting the business. These revealed that to continue the business after successful establishment of an online fashion shopping mall, it is essential to have the expertise of entrepreneurs, work performance, and marketing ability, as well as differentiation capabilities such as product power and management strategy and core competitiveness that provides a relative advantage over other shopping malls. Customized government support at the level of the start-up ecosystem is also essential for the survival and business continuity of a SOHO online fashion shopping mall with poor human and material resources.

      • KCI등재
      • 코로나19 이후 패션소비지출의 변화 연구 : 한국 가계소비 지출을 중심으로

        손미영 ( Mi Young Son ) 한국방송통신대학교 통합인문학연구소 2022 통합인문학연구 Vol.14 No.1

        본 연구에서는 코로나 가 가계의 패션제품 19 소비지출에 미친 영향을 알아보기 위해, 통계청 가계 가계동향조사 자료를 중심으로 2017년~2020(2021 2/4분기) 의생활소비지출패턴을 소득분위별 및 세대별, 가구원수별로 분석하였다. 분석 결과는 다음과 같다. 첫째, 코로나19 이후 전체가구의 소득이나 처분가능소득, 흑자액은 미약하지만 증가했으나 가계지출 및 소비지출은 감소했고, 식생활지출은 증가했으나 비소비지출 및 의생활지출은 감소했다. 둘째, 1분위를 제외한 나머지 소득분위에서 소비지출과 가계지출은 감소했고 흑자액과 흑자율이 증가했다. 모든 소득분위에서 대부분의 의생활 세부항목의 지출이 감소세를 보였으나 코로나19 직후 5분위의 시계·장신구 지출이 증가했다. 셋째, 가계지출과 소비지출은 Z세대와 사일런트세대는 증가했지만, X세대, 베이비부머세대는 감소했다. 의식주 소비지출패턴은 세대에 따라 상이했으며 Z세대는 의식주 지출이 모두 증가한 반면, 밀레니얼세대, X세대, 베이비부머세대의 의생활은 감소했고 식생활 및 주생활은 증가했다. Z세대는 의생활 전체 항목에서 지출이 증가한 반면 X세대 및 베이비부머, 사일런트세대에서 대부분의 항목에서 감소했다. 넷째, 3인가구 및 4인가구에서 소비지출을 대폭 축소했으며, 전반적으로 가구원 수가 증가할수록 식생활·비소비지출과 의생활·주생활 지출의 간격이 더 벌어졌다. 의생활 세부항목에서도 대체로 감소세를 보였으나 유일하게 시계·장신구 항목이 3인 및 4인가구에서 증가했고 일부 항목에서는 2021상반기 지출이 2020년도 지출을 초과했다. In this study, in order to examine the impact of COVID-19 on household consumption expenditure on fashion products, the household consumption expenditure patterns from 2017 to 2020 were analyzed by monthly income quintile and generation, and number of household members. The analysis results are as follows. First, after COVID-19, the income, disposable income, and surplus of all households were weakly increased, but household expenditure and consumption expenditure decreased, and food expenditure increased, but non-consumption expenditure and clothing expenditure decreased. Second, in all income quintile except for the first quintile consumption/household expenditure decreased and surplus increased. In all income quintile, expenditure on most items of clothing showed a decline, but expenditure on watches/accessories in the fifth quintile increased. Third, especially the surplus rate increased by 15% in Generation Z. The consumption patterns of food, clothing and shelter differed by each generation. Generation Z increased expenditure on all items of clothing, while Gen X, baby boomers, and the silent generation decreased in most items. Fourth, 3-person and 4-person households reduced consumption expenditure. Clothing items decreased in all households, only watches/accessories increased in 3-person and 4-person households, and in some items, spending in the first half of 2021 exceeded spending in 2020.

      • SCOPUSKCI등재

        대장게실의 발병양상에 관한 방사선학적 분석

        손미영(Mi Young Son),장재천(Jae Chun Chang),황미수(Mi Soo Hwang),김선용(Sun Yong Kim),박복환(Bok Hwan Park),심민철(Min Chul Sim) 대한소화기학회 1990 대한소화기학회지 Vol.22 No.1

        Recently, colonic diverticulosis in Korea is one of the rapidly increasing diseases but it is different from that of western countries in its incidence or developing pattern. So, the authors reviewed 3589 cases of double contrast study of the colon performed for 32 months, from Jan 1st, 1987 to Aug 30th, 1989 at the Department of Diagnostic Radiology, Yeungnam University Hospital to analyze current disease pattern of the colonic diverticulosis. The results were as follows: l) The prevalence was 8.5% (304/3589)and predominant in male(1.9:1). 2) The mean age of patients was 48.4 years and older in female, but their prevalence was not increased with advancing age over 6th decade. 3) The mean number of diverticula was 6.3. 4) Diverticulosis involved several anatomic locations more commonly than one location. 5) Left sided colonic diverticulosis was found in relatively older age group and more frequently involved descending colon than sigmoid colon most commonly seen in western people. 6) Recently, the prevalence of colonic diverticulosis is increasing in both the right and left colon, which is thought to be due to various factors and partly to the routine use of double contrast study of the colon.

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