신전통춤 개념으로 본 달구벌입춤 전승 형태 연구

봉정민 영남춤학회 2024 영남춤학회誌 Vol.12 No.1

본 연구는 대구의 지역에서 시작된 향토적 지역성을 지닌 전통춤, 달구벌입춤이 자생적으로 전승되어가는 과정에서 오는 변형과 특성에 관하여 연구해보고자 한다. 2000년대 들어서 나타나는 전통춤 공연활동에서 볼 수 있는 전통의 변형작업 즉 신전통춤 현상은 달구벌입춤에서도 살펴볼수있는데, 바로 원형과 변형 사이에서 다양한 시도와 작업으로 형태를 변화하고 있다는 것이다. 이러한 시도와 작업은 달구벌입춤의 전통과 새로운 방향성에 대한 연구에 토대가 될 것이며 올바른 전승활동을 제시하는데 의미가 있을 것이다. 이 연구는 선행된 학술연구와 문헌을 통하여 자료를 정리하였으며 실연장소에서 채록한 영상을 통해 분석하였다. 또한 전수과정을 통한 교육과정에 의해 연구하였다. 신전통춤으로 보는 달구벌입춤은 전통재구성 작업을 통해 전승되고 있다. 움직임의 형태는 원형을 유지한 채 음악에 심미감을 주는 변화나 홀춤을 군무화하는 과정에서 나타나는 무대구도의 다양하고 화려한 변화 등을 보인다. 세대의 변화를 수용하는 전통예술의 계승은 진화한다고 보여진다. 전통춤의 달구벌입춤도 시대적 감각에 맞게 양식화 체계화 된 것처럼 신전통춤으로 규정되는 전통재구성으로 보아야 한다. 달구벌입춤은 전승과정을 거치며 진화한 것이다. 물론 이러한 작업의 과정 중 저평가 되는 작업들은 소멸하게 될 것이고 자생적으로 호평받는 작업들이 이어져 춤을 전승해나가게 된다. 이러한 신전통춤의 작업들이 시도되어지는 것은 무분별한 변형이 아닌 진화하는 전통춤 전승방법으로 전해지게 될 것이다. 나아가 전통예술의 새로운 전승 패러다임을 등장하게 하며 올바르고 의미있는 전통 계승 방안을 가져다 줄 것이다. In this study, we would like to study the transformation and characteristics that come from the process of the natural transmission of traditional dance and the Dalgubeolip Dance with local regional characteristics that originated in Daegu. We would like to study the traditional transformation work that can be seen in the traditional dance performance activities of the 2000s, that being the traditional dance phenomenon and the traditional form of the Dalgubeolip Dance. Through this, we will find meaning by presenting the proper traditional activities as a foundation for research on the tradition and new directions of the Dalgubeolip Dance. The Dalgubeolip Dance, seen as a new traditional dance, has been passed down through traditional reconstruction work. The shape of its movement maintains its original form while showing changes that give a sense of mystery from music, along with various and splendid changes in the stage composition that appear in the process of group dance. The inheritance of traditional art, that which embraces generational change, is expected to evolve. The traditional dance, Dalgubeolip Dance, should also be regarded as a traditional reconstruction defined as a new traditional dance, just as it was stylized according to the tastes of its time. The Dalgubeolip Dance also evolved through the process of tradition. Of course, pieces that are unappreciated will be forgotten, and the work that receives favorable reviews on its own will continue to be handed down along with its dance. The trials that this new traditional dance work will face will not be an indiscriminate transformation, but an evolving traditional dance tradition. In addition, it will introduce a new traditional paradigm in traditional art, which will bring about a proper and meaningful way to inherit tradition.

[PAF 포커스 183_우리 예술춤의 새 주역들 26] ‘신전통춤’의 이론을 깊게 연구하고 실천하겠다

봉정민 현대미학사 2019 공연과 리뷰 Vol.25 No.2

[무용(2)] 신전통춤의 진화, 진정한 악가무의 형식: ‘무악지우(舞겦之友)’ - 윤미라무용단

봉정민 현대미학사 2023 공연과 리뷰 Vol.29 No.1

한의학적 이론을 기반으로 한 춤치료 프로그램의 개발

봉정민 현대미학사 2021 공연과 리뷰 Vol.27 No.1

서평: 발레 페다고지

봉정민 대한무용학회 2018 대한무용학회논문집 Vol.76 No.6

고령사회의 노인복지 무용치료프로그램의 필요성 및 활성화 방 안 연구

봉정민,박혜란,윤미라 대한무용학회 2023 대한무용학회논문집 Vol.81 No.3

This study is meaningful in examining the necessity and expected ef- fects of dance therapy programs for the welfare of the elderly and pre- senting data in a study on how to revitalize dance therapy programs for the healthy life of the elderly in preparation for an ultra-aging society. To this end, the current status of the movement program was inves- tigated for senior welfare centers across the country. Dance programs were operated significantly less than practical dance and gymnastics programs. However, dance has a health promotion and therapeutic func- tion for the elderly, and a dance treatment program with dynamic char- acteristics is considered suitable for the elderly in physical decline, and the dance field needs to be gradually expanded. Many previous studies have shown that dance programs have a positive effect on the elderly in terms of physical, emotional, and social aspects. Therefore, based on the previous research and the current status survey of this study, we would like to present a plan to revitalize the dance treatment program.

한국의 정상 성인과 만성신부전 환자에서 신피질 두께의 측정

봉정민 ( Bong Jeong Min ),이현희 ( Lee Hyeon Hui ),이준승 ( Lee Jun Seung ),정우경 ( Jeong U Gyeong ),이종호 ( Lee Jong Ho ),양달모 ( Yang Dal Mo ) 대한신장학회 2003 Kidney Research and Clinical Practice Vol.22 No.5

배 경 : 신피질 두께는 다양한 선장 질환의 진단에 유용하게 이용되고 있으나 정상 수치에 대해서는 잘 알려져 있지 않다. 이에 초음파로 한국의 정상 성인과 신대체 요법 시행 전의 만성신부전 환자에서 신피질의 두께를 측정하여 정상수치를 확인하고, 비가역적인 신부전 상태와 구별되는 신피질의 두께를 제시할 수 있는지 알아보고자 하였다. 방 법 : 건강 검진에서 이상이 없는 243명의 성인과 혈중 크례아티닌이 4 ㎎/dL 이하인 57명의 만성신부전 환자에서 초음파로 신피질의 두께를 측정 하였고, 만성신부전 환자들은 Cockcroft-Gault 공식을 이용하여 크레아티닌 청소율을 계산하였다. 결 과 : 정상 성인에서 신피질의 두께가 남자는 0.74±0.15 ㎝, 여자는 0.69±0.13 ㎝로 남자의 평균치가 컸고 (p<0.005), 좌우로 나누어 보면 좌측이 0.76±0.14 ㎝, 우측이 0.67±0.13 ㎝로 좌측의 평균치가 컸으며 (p<0.005), 남녀와 좌우 구분 없이 계산하면 0.72±0.14 ㎝로 측정되었다. 만성신부전 환자를 당뇨군과 비당뇨군으로 나누어 비교할 때 신피질 두께의 차이는 없었고, 비당뇨군 환자를 크레아티닌 청소율 (Ccr) 30 mL/min을 기준으로 나누어 비교하면 <30 mL/min는 0.630.10 ㎝>30 mL/min는 0.79±0.11 ㎝로 차이를 보였다 (p<0.001). 결 론 : 한국 정상 성인에서 신피질의 두께는 평균 0.72±0.14 ㎝ (0.41-1.25)로 측정되었고, 신부전 환자에서 대략 0.72 ㎝를 경계로 Ccr 30 mL/min 전후가 구분되어짐을 알 수 있었으나, 정상 수치의 범위가 넓고 크레아티닌 청소율이 30 mL/min 이상인 신부전 상태에서는 신피질의 두께가 정상 수치를 보이므로, 신부전 환자의 진단 및 치료를 결정할 때에는 임상적인 상황과 신장 조직 검사 같은 침습적 방법을 고려해야 한다. Background : The thickness of the renal cortex is useful in all aspects of nephrology but no normal range has been established. Therefore, we investigated the renal cortex thickness by ultrasonography in normal Korean adults and chronic renal failure (CRF) patients before renal replacement therapy. For the purpose of evaluating the normal range then, we are going to predict the threshold range of cortex thickness in irreversible renal failure status. Methods : In 243 healthy Korean adults and 57 CRF patients with the creatinine level, ≤4 mg/dL were measured the renal cortex thickness. Creatinine clearance was calculated on the basis of the Cock-croft-Gault formula. Results : In normal adults, the difference between male and female was 0.74±0.15 cm, 0.69±0.13 cm respectively, male was greater than female (p<0.005) and the average value of the left and right renal cortex thickness was 0.76±0.14 cm, 0.67±0.13 cm, the left kidney was greater than right one (p<0.005). The combined average value of the left and right renal cortex was 0.72±0.14 cm. In CRF patients, There was no difference of cortex thickness between diabetes patients and non diabetes but in non diabetes patients, the difference between Ccr <30 mL/min and Ccr ≥30 mL/min was 0.63±0.10 cm, 0.79±0.11 cm (p<0.00l). Conclusion : The overall mean of cortex thickness in korean normal adults was 0.72±0.14 cm (0.41-1.25) and approximately, a threshold of 0.72 cm was identified for the cortex thickness that allowed us to distinguish Ccr <30 mL/min from Ccr ≥30 mL/min in CRF patients. But the cortex thickness alone is not a sufficient marker to predict reversibility. We should consider other invasive procedure such as kidney biopsy.

21C 전통춤의 예술성과 대중성의 양립적 발전형태에 관한 연구

봉정민 ( Jung Min Bong ),윤미라 ( Mi Ra Yoon ) 대한무용학회 2023 대한무용학회논문집 Vol.81 No.2

This study identifies and analyzes how overseas traditional or folk dances are located in society as art and recognized by the public in the 21st century, identifies each chapter, shortcomings, and peculiarities, and suggests the direction to move forward through comparative analysis. As for overseas cases, three were selected: Flamenco of Spain, Hula of Hawaii, and Kabuki of Japan, which are recognized as traditional folk dances representing each country in the world and whose methods are contented as part of global tourism products or entertainment business. We positively examine the coexistence or development of artistry and popularity through three different aspects of traditional dance to obtain a basis for application and examine negative cases that may occur when applied. It is not just a way to popularize traditional dance, but to study the ideal form of development in which artistry and popularity are compatible. In addition, by grasping the current status of the popularity of Korean traditional dance, it is suggested that it is appropriate to add a new method that can be applied in Korea or apply it with examples of projects that can be changed. Therefore, this study aims to increase the artistic value of Korean traditional dance and to be the basis for the development of content that is popularized worldwide along with expertise.

음양오행과 그리스 로마 신화를 접목한 치료적 움직임(기무) 프로그램 개발 연구

봉정민 ( Jung Min Bong ),김예지 ( Yea Ji Kim ),인창식 ( Chang Shik Yin ) 대한무용학회 2024 대한무용학회논문집 Vol.82 No.1

This study developed the movement of oriental medicine. It also found similar feature points of contact by combining Western Olympus gods and the five lines of yin and yang. These characteristics make it useful and interesting for the West, the East, and all classes. QMu, developed by combining Yin and Yang Five Elements with Greek and Roman mythology, has three characteristics. It is the breathing method that accompanies contraction and relaxation of the first muscle. Second, we use the principle of yin and yang. The movement of yin and yang reflects the characteristics of Apollo, the sun's god, and Artemis, the moon's god, which is a symbol of yin. The third uses the principle of five lines. The movements of the Five Elements help participants regain balance between their bodies and minds by experiencing the characteristics and emotional expressions of each god in Wood (Thursday), Fire (Tue), Gold (Metal), and Water (Water). The program was developed in the hope of experiencing harmony between the body and mind, while also making the body feel a deep bond as a part of nature, promoting emotional and psychological changes, and promoting health and well-being.

산조춤의 특성과 예술적 가치에 관한 연구

봉정민 ( Jung-min Bong ),최지원 ( Ji-won Choi ) 대한무용학회 2019 대한무용학회논문집 Vol.77 No.2

The purpose of this study is to derive characteristics and artistic value of Sanjo dance. In this study, the analysis of six Sanjo Dances shows that Sanjo Dance has a value of music dance, has an open structure, and is a representative dance to know the identity of a dancer. Therefore, Sanjo Dance is a futuristic Korean dance, and it has the characteristic of dance that can be evolved by the age.