http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
- 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
- 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
RISS 인기검색어
- 검색키워드
- 저자 : 백정숙(白貞淑) (검색결과 54 건)
- 무료
- 기관 내 무료
- 유료
-
백정숙(Baek Jeong Suk)(白貞淑),김용운(Kim Yong Un)(金龍雲) 대한중국학회 2016 중국학 Vol.55 No.-
于堅의 시는 지배 이데올로기의 詩化에 대한 반대를 기점으로 한다. 그로 인해 그의 시는 몽롱파의 문혁 비판에 동조하지 않고, 일상의 진실에 근거한 디테일의 추구로 나아가는 모습을 보여준다. 중심부로부터 멀리 떨어진 昆明에서 지루한 시간, 무료한 일상, 의미 없음의 집적을 겪고 있었던 그는 雲南의 시공에 대한 天人合一이라는 자기 시의 특별한 분위기 속에서 개혁개방으로 인한 균열을 체험하게 된다. 시장화의 속도는 익숙한 모든 것들을 소멸시키거나 오염시키게 되고, 그 속에서 디테일의 진실을 추구하던 于堅은 자신의 사회적인 의미를 깨달아 가면서 현실비판의 안전지대를 확대해 가게 된다. The basic point that YuJian’s poetry was trying to get across is against turing the ruling ideology into a poetic statement. He disagreed with criticizing the Cultural Revolution of ‘Misty poetry’ in this sense. The contents of YuJian’s poetry are in pursuit of depicting the details of one’s realistic daily life. His poems are boring in general, however, based on the subjectivity and self-consciousness. After the end of the Cultural Revolution, his Avant Garde poetry could earn the positive reviews during the time when the left was collapsing and the right was forming the new organization. He lived a dull and monotonous life in Kunming far away from the capital city so he expressed his unique and artistic style ‘unity of man and nature’ about Yunnam’s nature. But he recognized there was a crack in his consciousness of ‘unity of man and nature’ after China’s reform and opening up. Marketization destroyed everything familiar and he gradually expanded the safe zone where he could criticize the reality as he realized his social position. YuJian’s poetry was changed from naturalism to realism. His poetry shows the expectation of freedom. And on the other hand, it reflects the awareness of sanctity of life by warning of environmental destruction.
-
-
백정숙(Paek Jung-sook) 근대서지학회 2021 근대서지 Vol.- No.24
이 연구는 1926년 3월에 창간하여 1944년 1월까지 18년 동안 발행되었던 『아이생활』(초기에는『아희생활』)에 게재된 만화가 어떤 작품들이 있었는지 살펴보고자 한다. 일제 강점기에 발행된 잡지 가운데 가장 많은 만화가 게재된 것이『아이생활』이다. 통권이 몇권인지 정확하지는 않지만 현재까지 실물로 확인 할 수 있는 『아이생활』은 159권이다. 이 가운데 만화가 게재된 것은 91권이고, 게재된 만화편수는 118편이다. 연재만화들이 다수 있어서 작품 종수를 파악해 보니 60종이다. 만화를 발표한 작가는 김길, 박천석, 한가람, 은방울 김동길, 박은혜, 마균, 임홍은, 김진수, 이보경, 김안재, 이방인, 나원봉, 김상욱, 김현재, 임동은, 남궁순, 도토리, 범택이, 김상수 등 20명 가량이고 이 가운데 많은 활약을 했던 작가는 임홍은, 김진수이다. 『아이생활』에는 창간호부터 김길(金吉)의 <수남이와 노랑이>가 게재되면서 만화가 꾸준히 실렸고, 1940년 10월 김상수의 <우리집 바둑이>를 끝으로 만화는 자취를 감추었다. 『아이생활』이 발행된 18년 가운데 14년 동안 지속적으로 만화가 게재되었다. 1934년 임홍은이 등장하기 전까지는 ‘그림이야기’ 형태의 만화와 외국작품이 대부분인 짧은 유머만화가 주를 이루었으나 임홍은이 등장하여 <무쇠의 모험>을 연재하면서 본격적인 연재만화의 장을 열었다. 『아이생활』의 대표적인 만화는 1년 이상 장기 연재를 했던 연재만화들이다. 박천석의 <복동군의 모험>, 임홍은의 <무쇠의 모험>, 김진수의 <꿀꿀이의 세계일주> 시리즈, 임동은의 <해동이> 등이 있다. 1934년 11월 이전에는 외국만화에 많이 의지하다가 이후에는 모두 국내만화로 채워졌다. 『아이생활』이 기독교 잡지의 성격을 갖고 있어서 만화 내용에는 서구의 가치관과 기독교 색채가 짙게 나타난다. This study aims to examine the types of the cartoon & comics published in Aisaenghwal(Child’s Life) which was published for 18 years until January 1944 since the first publication in March 1926. Among the magazines published during the Japanese colonial period, Aisaenghwal(Child’s Life) published the most cartoon & comics. It is not exactly known how many volumes were there, but there are 159 copies of Aisaenghwal(Child’s Life) that can be verified in real so far. Among them, 91 volumes contain cartoon & comics and the total number of published cartoon & comics was 118. There are many serial cartoon & comics that can be categorized into 60 different kinds. There are about 20 writers who released cartoon & comics, including Gil Kim, Cheon-Seok Park, Hangaram, Eunbangwool Dong-Gil Kim, Eun-Hye Park, Gyun Ma, Hong-Eun Lim, Jin-Soo Kim, Bo-Kyung Lee, An-Jae Kim, Bang-In Lee, Won-Bong Na, Sang-Wook Kim, Hyun-Jae Kim, Tong-Eun Lim, Soon NamGung, Dotori, Bumtaeki, and Sang-Soo Kim. Among them, Hong-Eun Lim and Jin-Soo Kim are the most active writers. Since the first issue of Aisaenghwal(Child’s Life), cartoon & comics have been steadily published as “Sunami and Yellow” by Gil Kim was published, but the cartoons disappeared after Sang-Soo Kim’s “Our Dog, Badoogi” in October 1940. Cartoon & comics have been published continuously for 14 of the 18 years since Aisaenghwal(Child’s Life) was published. Until Hong-Eun Lim appeared in 1934, cartoon & comics were in the form of ‘picture stories’ and short humor cartoons which were mostly of foreign works. Hong-Eun Lim serialized “The Adventures of Moosoe” and opened a full-fledged serial comics venue. The representative cartoon & comics of Aisaenghwal(Child’s Life) are the comics that have been serialized for more than a year. Cheon-Seok Park’s “Adventures of Bokdong-gun”, Hong-Eun Lim’s “The Adventures of MooSoe”, Jin-Soo Kim’s “Ggulgguli’s Around the World” series, and Tong-Eun Lim’s “Haedongi”. Before November 1934, they relied heavily on foreign cartoon & comics, but after that time, all of they were all filled with Korean cartoon & comics. Since Aisaenghwal(Child’s Life) has the characteristics of a Christian magazine, Western values and Christian colors are strongly expressed in the cartoon contents.
-
-
-
-
-
-
-
백정숙(Paek Jung Sook) 역사비평사 2017 역사비평 Vol.- No.118
During the Korean War (June 1950~armistice signed July 1953), the type of published cartoons outnumbered that of textbooks. It was the very first time to witness this exceptional situation ever since the first publication of a comic book in Korea after the independence. Cartoons were utilized in various forms for effective propaganda; not only on leaflets, but also on newspapers, posters, and even pamphlets. During this era, the works of Korean cartoonists were either propaganda cartoons or entertainment cartoons which were for their livelihood. It was also the time of new cartoonists and the opportunity for practicing. Cartoons were the major means of ideological & psychological warfare and they were used in notably various forms: The cartoon newspaper ‘The Cartoon Victory, 『만화승리』’ published by The South Korean Defense Ministry, anti-communism cartoon pamphlet ‘A Communism Invasion and the Countermove of U.N, 『공산침략과 유엔의 응수』’ from USIS, and the cartoon magazine ‘Hwal-sal, 『활살』’ published by the North Korean army represent the tense psychological warfare between the two sides. In addition, such psychological war can also be witnessed in the contents of entertainment cartoons which were published in a large scale. This research mainly focus on discovering the development of the Cold War culture in Korean society by analyzing the cartoons of the Korean War era.
KCI
스콜라연관 검색어 추천
이 검색어로 많이 본 자료
활용도 높은 자료
