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RISS 인기검색어
- 검색키워드
- 저자 : Heejeong Cho (검색결과 69 건)
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조희정(Cho, Heejeong) 새한영어영문학회 2017 새한영어영문학 Vol.59 No.3
This paper aims to discuss the intersubjective relationship depicted in Hardy’s Poems of 1912-1913 and Hughes’s Birthday Letters, resorting to Levinas’s philosophical view of otherness. Hardy’s Poems of 1912-1913 foreground the movement of Emma’s ghost and thereby liberate the deceased wife from the masculine confinement she experienced during her real life. Furthermore, the poet-speaker expresses his wish to listen closely to the voiceless ghost rather than merely utter his own thought. Several poems contained in Hughes’s Birthday Letters revolve around the failed communication between the poet and his late wife. Yet, other poems appear to be aware of the ethical relationship with ‘other,’ who cannot be subsumed under the control of the male subject’s perception. Although the two poets start to realize a possibility of genuinely intersubjective relationship only after their wives’ death, their poetics of mourning awakens the readers and leads them to recognize their responsibility toward ‘other.’
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조희정(Heejeong Cho) 한국영미문학교육학회 2017 영미문학교육 Vol.21 No.2
This paper attempts to suggest ways in which the instructor can call students’ attention to phonological elements in English poetry and integrate considerations of these elements into discussions of thematic/social/historical issues raised by the text. In English-speaking culture, reading aloud is regarded as one of essential steps to approach poetry. As Korean students usually encounter English poetry in the form of written texts, it is difficult to lead them to take interest in the experience of listening to poetry. Yet, English poetry speaks not only through its content but through its meter and sound as well, and understanding the importance of phonological factors opens a new horizon for students who are learning to interpret poetic texts in English. For example, the iambic meter, which is regarded as the most prevalent form in English poetry, sometimes gives way to a different kind of meter, emphasizing this exceptional part of the text where the poet delivers an important message. At other times, poetic texts intentionally deviate from the iambic meter, and this deviation adds effectively to the textual meaning process. Also, rhymes often show interesting connections with the content of the poem. Rhyming words may reveal where the focus of the poetic text lies, and changes occurring in the rhyming pattern of the poem may expose more fundamental changes in the speaker’s psyche or the poem’s overall meaning. Alliteration and assonance also perform a significant function in understanding English poetry. Through enhancing students’ aural experience of English poetry, the instructor can invite them to appreciate and analyze the text in a more in-depth way.
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조희정(Cho, Heejeong) 새한영어영문학회 2016 새한영어영문학 Vol.58 No.3
This paper attempts to investigate Charlotte Smith’s The Emigrants with emphasis on the solidarity between the “abandoned mothers” in the text. In the period when motherhood was celebrated as an instinctive emotion, Smith’s poem rejects the prevalent view of motherhood and foregrounds the political and economic factors that threaten the “abandoned mothers.” As Smith herself suffered from the hardships arising from her marital failure and materially deprived condition, the speaker of The Emigrants reveals a strong sense of bond between herself and various mother figures in the text. Also, The Emigrants expresses anger toward the social circumstances, which alienate women from political power and continue to oppress them. Smith’s representation of the “suffering globe” bleeding from her breast criticizes patriarchal militarism. At the end of the poem, her final conversion of “fraternity” into “peace” as one of the ultimately revolutionary agendas conveys her disbelief in “fraternity” defined exclusively as male bonding.
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SooChurl Cho,JungWoo Son,BoongNyun Kim,JaeWon Kim,HeeJeong Yoo,JunWon Hwang,DaeYeon Cho,UnSun Chung,TaeWon Park 대한신경정신의학회 2012 PSYCHIATRY INVESTIGATION Vol.9 No.3
Objective-The purpose of this study was to investigate the association between the T102C polymorphism in the serotonin 2A receptor gene and attention-deficit/hyperactivity disorder (ADHD) in Korean patients. Methods-A total of 189 Korean children with ADHD as well as both parents of the ADHD children and 150 normal children participated in this study. DNA was extracted from blood samples from all of the subjects, and genotyping was conducted. Based on the allele and genotype information obtained, case-control analyses were performed to compare the ADHD and normal children, and Transmission disequilibrium tests (TDTs) were used for family-based association testing (number of trios=113). Finally, according to the significant finding which was showed in the case-control analyses, the results of behavioral characterastics and neuropsychological test were compared between ADHD children with and without the C allele. Results-In the case-control analyses, statistically significant differences were detected in the frequencies of genotypes containing the C allele (χ2=4.73, p=0.030). In the family-based association study, TDTs failed to detect linkage disequilibrium of the T102C polymorphism associated with ADHD children. In the ADHD children, both the mean reaction time and the standard deviation of the reaction time in the auditory continuous performance test were longer in the group with the C allele compared to the group without the C allele. Conclusion-The results of this study suggest that there is a significant genetic association between the T102C polymorphism in the serotonin 2A receptor gene and ADHD in Korean children.
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로맨스 플롯의 좌절과 제국주의 주체의 불안감 로버트 사우디의 『파괴자 탈라바』
조희정 ( Heejeong Cho ) 21세기영어영문학회 2015 영어영문학21 Vol.28 No.3
This paper attempts to illuminate the ways in which the anxiety of the imperial subject in the Romantic period gets translated into gender anxiety in Robert Southey’s Thalaba the Destroyer. Critics who work on Romantic colonial discourse have emphasized that contemporary texts dealing with the unknown world are saturated with unexpected instability. As the newly discovered space is frequently gendered feminine in colonial discourse, this instability often goes hand in hand with masculine anxiety about the female in the unknown world. The narrative of Thalaba the Destroyer relies on the sympathy between its hero and readers, especially because Thalaba resembles the traditional protagonist in the medieval romance, whose fierce fights with the evil elements result ultimately in the possession of his desired woman. Yet, despite the apparent similarity, Southey deploys the generic conventions of the medieval romance only to frustrate the readerly expectation. The marriage between Thalaba and his beloved Oneiza leads to the abruptly introduced death of the bride. Along with Southey’s depiction of Oneiza as an active agent of both her own life and narrative progress, her unexpected demise points to the hero’s failure to establish a stable relationship with the heroine in the realm of the text. Instead, the failure of romance indicates the fact that the reunion between Thalaba and Oneiza is deferred beyond the domain of narrative. Moreover, Oneiza re-appears in the text in the form of a vampire, causing an abrupt change in the progress of narrative and an enormous distress in Thalaba’spsyche. The vampire woman, whose depiction highlights its difference from human beings, embodies the threat posed by the foreignness of the female in the unknown world. Also, the vampire disrupts the traditional male/female opposition, as its mouth simultaneously plays the function of the penetrating and the receptacle. In this sense, the corrective penetration performed by Moath, Oneiza’s father, appears to recover the order of patriarchy. Yet, Thalaba’s inability to take part in the murder of the vampire denotes his lack of control over his own married wife, revealing the limit of the patriarchal order established by the elimination of the vampire. Thalaba also encounters Maimuna, a sorceress disguised in the form of a beautiful damsel, and her slender golden thread arouses the hero’s desire. Yet, the thread ultimately ensnares Thalaba, conveying the uncomfortable message that materialistic desire may lead to the destruction of the imperial subject.
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조희정(Cho Heejeong) 새한영어영문학회 2011 새한영어영문학 Vol.53 No.2
This paper aims at investigating the ways in which Samuel Taylor Coleridge’s conversation poems delineate the poet’s relationship with women. Repudiating the current critical belief that Coleridge shows male-dominant attitudes in his works and trivializes feminine qualities, this paper argues that Coleridge’s poetry reveals his consistent aspiration toward a genuine relationship with a woman. As the communicative exchanges and sympathetic connection with the Other constitute part of Coleridge’s lifelong pursuits, his conversational poems accordingly document the poet’s profound interest in the meaningful encounter with the Other. Poems written to Sara Fricker, such as “The Eolian Harp,” appear to have reached a peaceful consensus between the male speaker and the female auditor. Upon careful analysis of these poems, however, one can detect traces of unresolved tensions and anxieties that may have resulted from his damaged marriage life. In contrast, Coleridge’s conversation poems to Sara Hutchinson display his deepening belief in “other-centered ethics,” which partially deconstructs the discourse of gender in his contemporary days. Coleridge’s androgynous view of his loving self in relation to the beloved lady, along with his communicative longing for her voice, convey the poet’s subtle way of re-negotiating gender categories.
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