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China's New Role in the Region of the Middle East: A Policy Debate
Chuchu Zhang,Chaowei Xiao 인하대학교 국제관계연구소 2019 Pacific Focus Vol.34 No.2
Along with China’s growing presence and interests in the Middle East, Bei-jingfinds it increasingly challenging to sit on the sidelines of regional con-flicts and tensions and has called for establishing China’s new role in theregion. By adopting content analysis to examine 53 articles written by Chi-nese elites, this study analyzes how the concept of China’s new role in theMiddle East is understood by this group. In particular, it addresses the fol-lowing questions: What is new about China’s new role? What are the pol-icy debates of Chinese elites? And, has China’s policy fundamentallychanged or not? This studyfinds that the concept of“China’s new role inthe Middle East”is still under heated debate. This concerns what extent,and in which aspects, China should abandon the non-interference and non-involvement policy in the Middle East; whether China should identify itselfas an order participant or order shaper; and which countries China shouldattach most importance to when conducting role adjustment in the region.The article alsofinds that China’s elites and decision makers oscillatebetween prioritizing China’s economic interests and geopolitical concernswith respect to this issue. This argument is tested by using the ordinaryleast squares model. The article concludes that the new role is too vagueto be institutionalized at this stage, which reflects China’s dilemmabetween expanding its influence and discursive power in the Middle East’srule-setting, and trying to maintain its current risk-aversion policy by notturning any Middle Eastern country or major international player in theregion, such as the United States, into a hostile force.
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Navigating Middle Eastern Disputes: The “Two‐Goods” Approach of China's Constructive Intervention
Zhang, Chuchu,Ashwarya Sujata 인하대학교 국제관계연구소 2023 Pacific Focus Vol.38 No.3
In recent years, China has sought to modify its traditional low‐key approach to the Middle East by adopting a “constructive intervention” strategy. Our research examines what China's self‐described constructive intervention entails and how it intends to implement its novel approach. Combining quantitative and qualitative research, we analyze the discourse of Chinese Ministry of Foreign Affairs spokespeople at press conferences and telephone call‐ins. Our findings indicate that the narratives of spokespeople are rich in nuance and employ various strategies to obscure their positions, including oscillatory statements, no statements, indirect statements, and responses of “no idea.” The constructive intervention is essentially a selective intervention strategy, and it provides Beijing with greater latitude and flexibility to adjust its decisions and maneuvers in order to achieve “two‐goods” foreign policy: (i) changing the undesirable elements and (ii) preserving the favorable elements of the status quo.
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乔,晨恩(Qiao, Chenen),曾德(Zeng, De),贾,露(Jia, Lu),章楚楚(Zhang, Chuchu) 한국정치사회연구소 2021 한국과 국제사회 Vol.5 No.1
敦煌舞是中国古典舞蹈流派之一,是中国古代舞蹈历史上最具民族特色 的舞蹈。融合了古代西域国家的民族舞特点,同时又具有浓郁的佛教色 彩,展现了古代中国的乐舞艺术,直接或间接地反映了古代人民的生活状 况,蕴含着中国古代舞蹈的形态和时代特征,以及中国一千多年的文化和 历史。敦煌壁画保存了大量古代舞蹈资料,为当代舞蹈家提供了创作的灵 感。舞蹈家通过对敦煌壁画舞蹈进行研究和再创作,再现了古代敦煌舞蹈 的舞蹈服装及音乐,丰富了当代敦煌舞蹈作品的内容。现如今对敦煌舞蹈 的学术研究并不多,特别是近年来对敦煌舞蹈的代表作品《缘起敦煌》的研 究是前所未有的。因此,本研究就以敦煌舞蹈的历史发展为线索,对2015 年创作演出的敦煌舞蹈《缘起敦煌》通过文献研究,案例研究,影像研究, 对《缘起敦煌》作品的特性,即对其创作背景和特性,形式和内容,音乐, 服装,道具,动作等进行分析。希望通过此次研究,进一步了解敦煌舞蹈, 包括敦煌文化悠久的历史和丰富的意义等,最终为敦煌舞蹈的传承和发展 做出贡献。 Dunhuang dance is one of the Chinese classical dance genres, and it is the dance with the most ethnic characteristics in the history of ancient Chinese dance. Incorporating the characteristics of the folk dance of the ancient Western Regions countries, and at the same time having a strong Buddhist color, it shows the ancient Chinese music and dance art, directly or indirectly reflects the living conditions of the ancient people, and contains the form and characteristics of ancient Chinese dances, and Chinese culture and history for more than a thousand years. Dunhuang frescoes preserve a large amount of ancient dance materials, which provide inspiration for contemporary dancers. Through the research and re-creation of Dunhuang mural dances, the dancers reproduced the dance costumes and music of ancient Dunhuang dances and enriched the content of contemporary Dunhuang dance works. However, there are not many academic studies on Dunhuang dance, especially in recent years, the research on the representative work of Dunhuang dance Yuanqidunhuang is unprecedented. Yuanqidunhuang looks at the creative inheritance of Dunhuang dance, and hopes to contribute to the development of related fields in the future through the systematic analysis of Yuanqidunhuang . Therefore, this research takes the historical development of Dunhuang dance as a clue, through literature research, case studies, and video research on the Dunhuang dance Yuanqidunhuang created and performed in 2015. The characteristics of the work of Yuanqidunhuang are the background of its creation. Analyze characteristics, form and content, music, costumes, props, actions, etc. It is hoped that through this research, we can further understand Dunhuang dance, including the long history and rich meaning of Dunhuang culture, and ultimately contribute to the inheritance and development of Dunhuang dance.
KCI
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