義原君(1661~1722) 墓 出土織物에 관한 연구

조효숙,안지원 한국의류학회 2002 한국의류학회지 Vol.26 No.9,10

The purpose of this study is to categorize the type of fabrics and to analyze weaving method on the silk fabrics from ewongun's Tomb. The conclusions of this research are as follow. 1) Among the 26pieces of excavated clothes, 98% of them were made of silk fabric and among them 84% used high-quality non-patterned silk. I would assume, therefore, that the tomb was owned by a person who had a dignified yet humble taste of higher society. 2) The weaving methods of textiles are plain weave, twill weave, satin weave. Plain weave includes spun silk tabby, fine filament silk tabby, raw silk tabby, thine silk tabby, damask on tabby, twill weave includes twill damask with different directions, satin weave includes non-patterned satin damask, 5-end satin damask(4/1 warp faces ground, 1/4 weft faced pattern). As the result of literature survey, I settled the names of textiles as follows; tabby was called Myunju(綿紬), Saeju(細紬), Saengcho(생초), and Sookcho(숙초) according to the kind and density of silk threads used; Damask on tabby was called Hwamunju(花紋紬) Twill damask was called Hwamunnung(花紋綾); Satin damask was called Hwamundan(花紋緞) if they bear patterns by themselves or Mumundan(無紋緞) if they don't have any patterns on them.

흡연습관이 운동습관이 혈중 총 콜레스테롤에 미치는 영향

조효숙,남형천,정동혁 한국스포츠리서치 2003 한국 스포츠 리서치 Vol.14 No.1

The purpose of this study is to suggest the direction for antismoking campaign, the appropriate training habits and control by investigating the effect of smoking habits and training habits to serum total cholesterol(STC). This investigation applied, to 520 healthy men, out-Patients at K hospital comprehensive health center in Sungbuk-Gu, Seoul with questionnaires, based on interview and self-report related to smoking habits and training habits. In this study the means and standard deviations for all items were calculated based on the data. The data verified through Independent Group t-test and Independent Group one way ANOVA with SPSS for Window Release 7.5. The significant level for verification of hypothesis was 5%. The result of this study are as follows: 1. The difference in level of STC in smoking group and non-smoking group. The smoking group contained higher level of STC by 23.31mg/dl, which was significantly different in statistics(p<.05). 2. The difference in level of STC in training group and non-training group. The training group contained higher level of STC by 27.72mg/dl, which was significantly different in statistics(p<.05). 3. The difference in level of STC in I group(non-smoking with training), II group(non-smoking with non-training), Ⅲgroup(smoking with training), IV group(smoking with non-training). The level of STC was lowest in I group and highest in Ⅳgroup, which was significantly different in statistics(p<.05). 4. The difference in level of STC in smoking with training group and smoking with non-training group by the amount of smoking per day and the duration of smoking. Regardless of the duration of smoking, the smoking with non-training group contained higher level of serum total cholesterol, which was significantly different in statistics(p<.05). In conclusion, training have an effect on the level of smoker's STC and smoking with non-training is a chief risk factor for disease related to STC. Considering the relation between smoking and training, smoking with training approved to be effective in decreasing the level of STC. Even for smokers with regular training or regular training or reducing the amount of smoking with regular training will be effective in preventing disease related to STC.

Silk fabrics of Koryo and their relation to those of neighboring countries.

Cho Hyo-Sook 부산대학교 문화유산보존연구소 2000 한국전통복식연구소 학술심포지움 Vol.- No.-

The Characteristics of Pattern Designs in Hanbok Fashion Fabrics

Cho Hyo-Sook,Kim Sunkyung 한복문화학회 2004 한복문화학회 학술대회 Vol.- No.-

A Study on the Characteristics of Women`s Danryeong from the mid Joseon Period

Hyo Sook Cho,Hyun Joo Lim 한국복식학회 2011 International journal of costume and fashion Vol.11 No.1

This study analyzes excavated Danryeong of the same period to understand djfferences between female and male Danryeong, and to identify characteristics of female Danryeong. including their purpose. then-name and women`s wearing of them. The subject female Danryeong were estimated to be worn in the late 15th century and the early 17th century. and newly-discovered female Danryeong. along with those examined in the Song Mi-kyeong`s study, were studied This study found that female Danryeong have distinctive characteristics from male`s in many aspects such as ease of a garment, sleeve design, Hansam (a layered sleeve to cover hands). shape of Moos (side pleats). Goreum (a coat string), Dae (a belt). From this finding, the purpose of female Danryeong can be assumed: a ceremonial robe, which is different from that of mem`s official robe. Female Danryeong began to disappear as Wonsam. a ceremonial topcoat. emerged. From the transitional Danryeong and excavated Wonsam, female Danryeong were estimated to be used as ceremonial robes in the mid Joseon period when Wonsam had yet to be created: and they were estimated to be called Dansam or Wonsam.

20세기 치마·저고리의 소재 연구

조효숙(Hyo Sook Cho),임현주(Hyun Joo Lim) 한국복식학회 2012 服飾 Vol.62 No.6

This study analyzed the fabrics of Chima, Jeogori of the 20th century. It was based on Kyungwoon Museum relics, newspaper articles and photographs. This research focused on the transition process that has been organized into three stages. The first stage is from the opening of a port to the colonial period in Korea. By this time, the casual wear Hanbok was made with the traditional cotton and woolen textiles in addition to quite a lot of upscale clothing textiles. Stage two is from 1970s to the period after the liberation and Western Costumes represent the time of when the suit was mixed. At the time of the war, due to social and economic difficulties, convenience and practicality were emphasized rather than focusing on aesthetic characteristics. Third period is from the 1980s to the 1990s when the Hanbok was no longer considered a casual wear. Instead, its high quality and elegance redefined it to be a formal wear.

의원군 일가의 복식에 표현된 문양연구

조효숙(Cho. Hyo-Sook) 한복문화학회 2002 韓服文化 Vol.5 No.4

Patterns of the Uiwongun(義原君) family were arranged in both regular and irregular ways, but the most frequent method was allover arrangement in the irregular arrangement. The types of textile patterns were plant patterns, animal patterns, lucky image patterns and natural image patterns, of which the patterns of lucky images and plants were most frequent.<br/> As for the formative characteristics of patterns, the most frequently employed pattern was lotus, which is found much in the remains of Uiwongun(義原君) and Andong-gweon-ssi(安東權氏). Yeonhwamanchomun(蓮花萬草紋) was designed in the Bosangwha(寶相華) style, which had lotus as the main pattern and was strongly formative, so gave a luxurious impression. That many lotus patterns were founded was thought because lotus had symbolized eternal life in Buddhism. A cloud pattern was mainly used with a dress for ornaments of man. It was noticeable that two items of dragon-in-cloud patterns combined with dragon patterns, which are usually found in Chinese court textiles, were found. Lucky image patterns took a relatively large part of patterns found, and two kinds of textile with gilded lucky characters were found in Andong-gweon-ssi's(安東權氏) dress. There were unique lucky patterns such as Palgilsang-mun(雜寶紋) and Jabbo-mun(定陵) that had been used as incantations, which were also found in textile unearthed from Jeongreung(;if:,t) Royal Tomb. It is believed that. considering the unique patterns, the textile of the Uiwongun(議員君) family must have been high quality one imported from China rather than ordinary one available to common people and the family as a royal one could indulge in such luxurious clothing.<br/>

김여온(1596-1665)묘 출토직물에 관한 연구

조효숙 ( Hyo Sook Cho ) 대한가정학회 2006 Family and Environment Research Vol.44 No.1

근대 아동한복 연구

조효숙 ( Hyo Sook Cho ),최은수 ( Eun Soo Choi ) 대한가정학회 2007 Human Ecology Research(HER) Vol.45 No.1

조선시대 직물에 나타난 보배무늬의 변화 경향과 구성 유형

조효숙(Hyo-sook Cho),이은진(Eun Jin Lee) 한국복식학회 2015 服飾 Vol.65 No.7

Treasures patterns are simplified designs of vessels used in everyday life, which were symbols of luck. Treasures patterns on textiles are largely assorted into four groups: eight auspicious patterns of Buddhism, eight immortal patterns of Taoism, seven treasures patterns of King Chakravarti in the Buddhist Scriptures and normal treasures patterns. Among them normal treasures patterns are most commonly used. Records in the Joseon documents show these patterns as being composed of seven treasures patterns or eight treasures patterns. But observation of the actual relics show that these patterns ranged from four to ten patterns. Korean traditional textiles treasures patterns began to appear in Korea on the relics of the last of Goryeo period. They were used as sub-patterns among main patterns of dynamically rising cloud patterns with five heads. Treasures patterns in the early Joseon period were commonly used as sub-patterns, and cloud and treasures pattern were prime examples of this. In the 16th century, lotus vine pattern, small flower vine pattern, or small flower pattern were often used as main patterns and treasures patterns were regularly used as sub-patterns. The robe of the Great Monk of Seo San was unique, in that both main and sub patterns consisted of the treasures patterns. From the 17th century, treasures patterns began to be used as main patterns. For example, a relic with eight alternatively arranged treasures patterns were found. Though there were still some cases where the patterns were used as sub-patterns, they begin to appear bigger than the previous period and became similar to main patterns in size. In the 18th and 19th centuries, there were various cases where treasures patterns were combined with flowers, fruits, animals, and letter patterns and used as main patterns. And there are many different methods of representing and developing the patterns.