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Louise vincent, Caryn McEwen 숙명여자대학교 아시아여성연구원 2005 Asian Women Vol.20 No.-
This article draws on solicited diary entries detailing the lives and lovesigher education in South Africa. The research participants are ocupants of a privileged place in society with aces to education, and a midle -class lifestyle, have control over their reproductive functioning, are not wives, mothers or homempotentially have access to fulfilling, status-rich and materialy rewarding occupations which make independence both of their parental families and of male partners a real possibility. Theirs then, is a world of information, choice and the emergence of a critical gender consciousness, it might be of these women. One way of gauging the extent of the emergence of a critical consciousness among women is to examine the extent to which, in the stories they tell about their intimate and structure of the traditional romance genre and in particular, to the positioning of themselves in their stories as passive, submisive, dependent subjects while their partners are dominant and active. The present article argues that far from the d empowered women in the study remain locked into romantic naratives of love with their concomitant passive construction of femininity. In a social context characterised by putative sexual emancipation, these young women find themselves in the l and gender politics while at the same time living a reality of feminine oppression.
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Louise Vincent,Caryn McEwen Research Institute of Asian Women Sookmyung Women' 2005 Asian Women Vol.20 No.-
This article draws on solicited diary entries detailing the lives and loves of eight young undergraduate women at an elite institution of higher education in South Africa. The research participants are occupants of a privileged place in society with access to education, and a middle-class lifestyle, have control over their reproductive functioning, are not wives, mothers or homemakers, and potentially have access to fulfilling, status-rich and materially rewarding occupations which make independence both of their parental families and of male partners a real possibility. Theirs then, is a world of information, choice and opportunity and if of anyone at all in society we would predict the emergence of a critical gender consciousness, it might be of these woman. One way of gauging the extent of the emergence of a critical consciousness among women is to examine the extent to which, in the stories they tell about their intimate relationships, they depart from, or conform to both the content and structure of the traditional romance genre and in particular, to the positioning of themselves in their stories as passive, submissive, dependent subjects while their partners are dominant and active. The present article argues that far from the democratisation of intimacy, the young, seemingly privileged and empowered women in the study remain locked into romantic narratives of love with their concomitant passive construction of femininity. In a social context characterised by putative sexual emancipation, these young women find themselves in the unenviable position of having to play a game of liberated sexual and gender politics while at the same time living a reality of feminine oppression.
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