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文學批評의 道德的 接近에 관한 硏究 : 그 歷史와 展開 Its History and Development
李洧植 배화여자대학 1984 培花論叢 Vol.3 No.-
This study is researched to find the history and development of the moral approach of literary criticism. Of the various types of criticism practiced today, the moral approach has undoubtedly the longest history: Plato was concerned with the moral effect the poet might have in his ideal Republic. Horace declared that poet should try to blend together the delightful and the useful and concluded that teaching with pleasure is his business. The followers of Horace, like Julius Casesar Scaliger and Philip Sidney, echoed the theory again. Samuel Johnson did not hesitate to judge the moral content of the writers in his critical works. Matthew Arnold argued moral excellence and moral interpretation of life. And Tolstoy stressed 'Christian Art'. In the 20th century, the major critics of moral approach are as follows; Moral evaluation had expressed chiefly by Neo-Humanist (Irving Babbitt and Paul Elmer More). On the other hand, T.S. Elot declared the necessity of an alliance between religion and literature. And F.R. Leavis and Yvor Winters expressed the traditional concern for the moral end of literature. Especially F.R. Leavis did it in his novel criticism. He regarded the novel as moral fable.
李洧植 배화여자대학 1994 培花論叢 Vol.13 No.-
Dickens has figured in more theses and dissertations than any other victorian. Great Expectations is one of his master pieces. Criticism of this novel has stressed both the moral seriousness and the technical achievement. The purpose of this thesis is to examine the novel focusing on novel-typology, technique, view of life and morality. First, this work belongs to novels of development and shows many distintive features of detective story; In the vertical structure it belongs to novels of development and in the horizontal structure many features of detective story are found. In this respect Dickens made a great contribution to establishing the tradition of the both types. Second, Dickens chooses the discursive method which simply tells us about characters. His distintive methods of characterization lie in the portrayal of character's outlook or appearance and habits. Third, Dickens presents readers the way of behaving and living as a true gentle-man. In the novel we find the fact that those who belong to the class of a gentle-man are not gentleman-like and the other way, those who don't belong to the class are truely gentleman-like. Dickens tells us that it makes little difference whether one is a gentleman or not. What truely makes a gentleman depends on not one's outward show but one's heart and manner. Fourth, Judging from punitive deaths and rewarded marriages shown in the novel, We can read the author's will or aspiration toward virtue through his in-tended moral distribution.