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이문재 한국T.S.엘리엇학회 2006 T.S. 엘리엇 연구 Vol.16 No.2
Mun-Jae LeeFor the postmodern theorists, Derrida and Foucault, the 'death of subject' means the disappearance of subject that can exist independently from his present cultural or social situations, that is, the absence of the rational or autonomous subject. The precursor of postmodernism, Nietzsche's proposition that God is dead points out that our past metaphysical tradition has broken down, resulting in the present axiological anarchy.On the other hand, for the modernist writers, such as Eliot and Joyce, the present world lacks the frames of reference for their literary characters to live by, even though the characters, not to mention their own writers, never stop to search for them, including the eastern and western religions. At least for the time, their characters, for example, Prufrock, Gerontion, Stephen, and Bloom, never possess the positive identities, which in turn prove to be the split selves. In particular, Prufrock as a character typical of Eliot's early poetry shows his uncertain and sometimes split self, which seems to be partially due to his own strong self-consciousness. Noticeably, the self-consciousness cannot be thought without the modern intellectual development, to which the seventeenth-century scientific revolution and Cartesian dualistic rationalism have contributed. Prufrock's characteristic split consciousnesses or selves reflect his contemporary world's epistemological changes rather than his own microcosmic world. In a sense, the "dissociation of sensibility", one of Eliot's major critical terms, indicates the literary situation which our epistemological changes since the seventeenth-century, including philosophical or scientific development, have brought along.
이문재,Lee, Mun-Jae 대한출판문화협회 1998 출판저널 Vol.236 No.-
디자이 오사무가 일제강점기와 한국문학과의 연관성을, 무라카미 하루키가 90년대 한국과 일본문학의 한 특성을 설명해 줄 것이다. 두 일본작가 사이에 존재하는 시기에 대한 문학사적인 반성도 가능하다. 두 작가 사이 공백기의 책임은 일본문학계와 출판계가 져야 할 것이다.