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陸根雄 한양대학교 한국학연구소 1986 韓國學論集 Vol.9 No.-
Man Hae's poetry is singing the experience of religious transition, and is that of salvation. Accordingly, the expierience that speaker sings with scheme of ritual rebirth. The atitude to complete a myphological world on the history was the relighion and life of the ancients. The speaker on Man Hae's poetrys wanted and hoped to implement such an ancient ritual rebirth. Thefore, he understood the history as an agony and desired the history to be purified. It is deeply related to our social surroundings on which these poem was written. Namely, this can mean to abolish 'The period when lover keeps silence. These agonies was described as 'prison', 'night' and 'devil' It is described as an ordeal to be tolerated through 'boat'. Agany and ordeal reenacting the sacred history repeatedly are appered as a course to complete the hierophany. Being completed through Rites of passage, and the scheme of rites can be found in 「Farewell is creation of beauty」 and 「please tolerate」.「Art of Life」. 「Wild Rose」 and 「Flower knows first」show that the sacredness identify the profanity. Being 「Zen out of Zen」 described by Man Hae equals the identity of nature and human-being. But the intrinsic nature on Man Hae's poetrys exists to united the historical and mythological imaginatin. This means that Man Hea's poetry forms simultaneously the historical reality and mythological transcendency. The speaker on Man Hae's poetry has character like a Buddist saint and it must and described on 「Meditain」. Therefore, the rebirth on Man Hae's poetry has a specific imaginatin within histcrical reality based on the mythological imagination of the ancients. It is historical renewal, purification and eternal return of history. Thefore, lover is paradoxically me and also you, man and also God, history and also myth.
육근웅 한민족문화학회 2001 한민족문화연구 Vol.9 No.-
Seojeongju was known as 'Poet of mask'. Because showed various unfolding of poetic tendency Aidentitiidentity that mean identity means which originate in identitas that is Latin language that it means 'Entirely identical thing'. This Aidentiti used, but look tendency that is settled by horse of real form persimmon(正體感) recently being translated by 'Identity(正體性)', 'Identify(同一性)', 'Subjecthoocd(主體性)' etc. Zone Keats said that 'poet in self-identity never stay'. This phrase emphasizes attitude which open of poet for the world. In other words, poet is that wish to do to form own by new existence constantly. Poet dreams change of identity. Therefore, it will search existence that change that grasp poet's identity. This treatise studied change process of identity that appear to Seojeongju's poem. The result is as following. Seojeongju shows speaker's state which undergo confusion of identity. Seojeongju that is born as descendant of fallen yangban(兩班) causes confusion between yangban(兩班) and servant. This confusion does that symbolize confusion of colony highbrow's identity. Identify(同一性) that rotate with body and separation of psyche to Seojeongju's poem, or speakers who entertain gypsy complex are. Show speaker's state which indulge pleasure of the flesh at early. But, for Seojeongju, body is no more than to target who should be overcome. Because body was target of pain naturally . So, speaker at middle is tiped by psyche who is detached from body. Speakers of identity(正體性) that is mythical and is Hinayana(小乘) that actuality or history is deleted to Seojeongju's poem are.