Chloral hydrate와 Hydroxyzine의 경구투여와 $N_2O-O_2$ 병용투여시 진정효과에 관한 연구

홍성준,이긍호,Hong, Sung-Joon,Lee, Keung-Ho 대한소아치과학회 2002 大韓小兒齒科學會誌 Vol.29 No.4

경희대학교 치과대학병원 소아치과에 내원한 환자 중, negative이거나 definitively negative로 분류되는, 전신적으로 건강한(ASA I) 4세미만의 아동 20명(평균 30.8개월, 남아 12명, 여아 8명)을 대상으로 하여, 두 차례의 진료를 시행하였다. 첫 진료시 chloral hydrate(50mg/kg)와 hydroxyzine HCl(25mg)만을 경구투여하고, 동일한 대상에게 두 번째 진료시 chloral hydrate (50mg/kg)와 hydroxyzine HCl(25mg)의 경구투여와 함께 $N_2O-O_2$를 병용하여 통상의 보존적 처치를 시행하였다. 각 치료과정 별로 나타나는 진정효과를 Houpt의 평가표(수면, 울음, 움직임, 전반적 행동지수)에 의해 측정하였고, pulse oximeter를 이용하여 맥박수 및 동맥혈 산소포화도의 차이 등을 비교, 평가하여 그 결과 chloral hydrate와 hydroxyzine HCl의 경구투여와 함께 $N_2O-O_2$를 병용한 경우가 chloral hydrate와 hydroxyzine만을 경구투여한 경우에 비해 어린이의 행동조절에 더 바람직한 진정요법인 것으로 판단된다. The purpose of this study was to compare the clinical sedation effect of chloral hydrate and hydroxyzine combination with and without nitrous oxide/oxygen inhalation when young children were sedated for dental treatment. The uncooperative 20 children aged, 21 to 47 months of age(ASA Class I), participated in the study. The author examined 20 children(male 12, female 8). Each patient was assigned to receive chloral hydrate(50mg/kg) and hydroxyzine(25mg). Next appointment, each patient was assigned to receive $N_2O-O_2$, choral hydrate and hydroxyzine. Sleep, crying, movement, and overall behavior response were evaluated, and the sedative effects were evaluated by Houpt's rating scale. Pulse rate and peripheral oxygen saturation were also measured for monitoring the sedated patients during treatment period by pulse oximeter. The result were as follows : 1. In the evaluation of sleep scores, crying scores, and movement scores, chloral $hydrate/hydroxyzine/N_2O-O_2$ combination group was significantly rated high(p<0.05). 2. In the evaluation of overall behavior scores, chloral hydrate/hydroxyzine/$N_2O-O_2$ combination group was significantly rated high(p<0.05). 3. In the evaluation of overall behavior evaluation scores(by Houpt), 93.3% in chloral $hydrate/hydroxyzine/N_2O-O_2$ combination group and 63.3% in chloral hydrate/hydroxyzine combination group were rated "good" or "very good". 4. There was no adverse side effect(i.e. respiratory depression) in both group.

『무소뵤에 고초모노가타리(夢想兵衛胡蝶物語)』론 - 작품 내 이국적 요소를 중심으로 -

홍성준 ( Hong Sung-joon ) 한국일어일문학회 2020 日語日文學硏究 Vol.114 No.-

Among the numerous works by Kyokutei Bakin, one of the authors who had the most readership from the late Edo period to the Meiji era, "Musobyoe kocho monogatari" was particularly popular so that it was published in the next edition. In this article, we try to look at the work from a new perspective by adding the keyword 'foreign land' to the existing interpretation. It is pointed out that the publication of "Musobyoe kocho monogatari" has nothing to do with the background of the heightened interest in foreign lands. Through this, we look at the interest in society's foreign land at the time the work was published, and how Bakin portrayed the foreign land when writing the work. It can be understood that Barkin's "Musobyoe kocho monogatari" is a work that solved the reader's curiosity and aroused interest in foreign lands at this time. The various elements related to foreign lands in the work reflect the curiosity of a country that exists in the imagination and cannot go directly, and the characteristics of the times in the late modern times, when foreign cultures are introduced.

근세후기 소설을 통해 본『소설신수(小說神髓)』의 「소설의 비익(裨益)」 분석

홍성준(Hong, Sung-Joon) 일본어문학회 2021 일본어문학 Vol.95 No.-

『小説神髄』は、日本の文学界が西洋の思潮の影響を受けて変化し始めた過渡期の時点に、その動きを主導した評論集である。『小説神髄』では、独自的な小説論を繰り広げ、｢小説(Novel)｣という文学ジャンルを中心に、當時の文学界を論理的に分析することで、江戸時代まで娯楽的な媒体であった小説の地位を芸術的なジャンルに引き上げた。 逍遥の考えた小説は、政治から自由な芸術自体としての文学ジャンルだったのだが、こういう彼の考えが『小説神髄』では小説を美術に喩えて説明することとして表れている。逍遥の言う小説の｢直接の裨益｣は、美術作品と同じく、人々に娯楽を与え感動させることであり、婦人や子供だけでなくあらゆる人たちに感動を与えることであると語った。そして｢間接の裨益｣は、｢人の気格を高尚になす事｣｢人を勧奨懲誡なす事｣｢正史の補遺となる事｣｢文学の師表となる事｣の四つを挙げた。 小説の｢直接の裨益｣と｢間接の裨益｣をまとめると、結局小説の志向するのは人を楽しませ、人の心を感情的に動かす、すなわち感動を与えることであるといえる。逍遥によると、彼の過ごした時代は、西洋の小説が導入され｢完全な小説｣として認められたし、日本の小説は改良と発展が必要な｢未熟な小説｣に過ぎなかった。日本の小説が完全ではないというのは、近代に至って文学が求められた人間の感情に対する探求が足りないということを意味する。逍遥はこのように日本の小説を批判しながら西洋の小説を受け入れなければならない當為性を説明し、その過程で小説の与える裨益をまとめたのである。 『Shosetsu Shinzui』 was published at a transition period when the Japanese literary world began to change under the influence of Western trends. It is a review book. In 『Shosetsu Shinzui』, he developed his own novel theory and logically analyzed the literary world at the time focusing on the literary genre called ‘Novel’, raising the status of novels into an artistic genre. The novel that Shoyo thought was a literary genre as an art itself free from politics, and his thoughts are expressed in『Shosetsu Shinzui』by comparing the novel with art. According to Shoyo, the ‘direct benefit’ of a novel is to entertain and impress people just like a work of art, and to impress everyone, not just women and children, is the direct benefit of a novel. And ‘indirect benefits’ are characterized in terms of ‘enhancing people’s dignity’, ‘recommending and chasing people’, ‘supplementing true affairs’, and ‘becoming an example of literature’. Combining the ‘direct benefit’ and ‘indirect benefits’ of the novel, it can be seen that the purpose of novels is to give pleasure to people and move people’s hearts emotionally, that is, to impress them. According to Shoyo, the era in which he lived was recognized as a ‘complete novel’ when Western novels were introduced, and Japanese novels were nothing more than ‘immature novels’ that needed improvement and development. As such, Shoyo criticized Japanese novels, explained the justification for accepting Western novels, and summarized the benefits of novels in the process.

일본근세기 지식인 모임과 지식의 형성 - 토원회(兎園會)와 『토원소설(兎園小說)』을 중심으로 -

홍성준 ( Hong Sung-joon ) 한국일어일문학회 2018 日語日文學硏究 Vol.106 No.2

本硏究は、18-19世紀の日本において盛んに行われた知識人の會と考證隨筆の執筆が「知識」の形成とどのような關わりを持つのかを考察した成果の一部分である。 兎園會とは、曲亭馬琴を中心とする知識人の會で、珍しい話や奇談を交わしながら互いの知識を共有し見聞を廣めるために1825年に結成された。兎園會には樣々な分野で活躍する知識人たちが參加し、そのため異なる關心分野と專門分野の知識が共有できた。兎園會で話し合って共有した知識は、『兎園小說』として編纂された。その內容は、知人の消息から世間の噂話のような「情報」をはじめ、隱語や故事關連の內容などの「知識」も含まれている。このことは兎園會が單に「情報」の共有のみを目的に結成されたのではなく、「知識」共有の性質をも持っていることを意味する。 このように知識人と呼ばれた文人たちが中心となって結成された會を通して多くの「知識」が共有され、これが文字として書かれ書籍が編纂されたことをきっかけに、知識は會から外へ廣がった。江戶や京都、大阪のような書籍流通の中心地で知識が形成され、書籍流通の活性化によって知識が擴散されたのである。 This research is a part of the result of considering how the association of intellectuals vigorously conducted in Japan in the 18th and 19th century and the writing of essay writing correlated with the formation of "knowledge". Toenkai was formed in 1825 to share knowledge and spread the view while exchanging rare stories and strangers at a meeting of intellectuals by Kyokutei Bakin. Intelligent people who are active in various fields participated in the Toenkai, so it was possible to share knowledge of different areas of interest and expertise. The knowledge shared by discussing at Toenkai was compiled as "Toenshosetsu". The content includes "information" such as gossip stories of the public from the fate of acquaintances, "knowledge" such as contents of lyrics and story-related content. This means that Toenkai was not formed solely for the purpose of sharing "information" but also has the property of "knowledge" sharing. Many "knowledge" was shared through the association formed mainly by writers who were called intellectuals, and as a result of the fact that this was written as a letter and books were compiled, and then knowledge spread out from the party. Knowledge was formed in the center of book distribution such as Edo, Kyoto, Osaka, knowledge was spread by revitalization of book distribution.

교정치료후 교합조정에 관한 연구

홍성준(Sung Joon Hong) 대한치과의사협회 1989 대한치과의사협회지 Vol.27 No.8

자동차 재제조 부품에 대한 환경성 평가

홍성준 ( Sung Joon Hong ),조희욱 ( Hee Wook Cho ),홍존희 ( John Hee Hong ),권문식 ( Moon Sik Kwon ) 한국전과정평가학회 2007 한국전과정평가학회지 Vol.8 No.1

4차 산업혁명 신기술로 무장한 기뢰위협과 우리의 대응방안

홍성준(Sung-Joon Hong),정인식(In Sik Jeong),박승수(Seung-Soo Park) 한국해군과학기술학회 2020 Journal of the KNST Vol.3 No.2

19세기 일본 서간을 통해 본 문인의 교류 - 교토대학 문학부 소장 교쿠테이 바킨(曲亭馬琴)의 서간을 중심으로 -

홍성준 ( Hong Sung-joon ) 한국일어일문학회 2021 日語日文學硏究 Vol.116 No.-

日本の近世は、出版業が発達し多くの書物が流通され、読書を楽しむ人が増加した時期である。これに従い、文人の執筆活動も活発になり、文人の間における知的·学問的交流もまた持続的に行われた。 19世紀に活躍した曲亭馬琴は、作品のほかにも日記、書簡、随筆など、様々な記録物を残した。馬琴の作者人生のなかで後半期の記録がほとんどであるが、彼の当時の交友関係と思想、彼をめぐる事件や事故を把握できるという点で、これらの記録物は大変重要な価値を持つ。 その中でも、書簡は馬琴の身近な文人らと交わした安否と問答の内容が中心となっていることから、文人の間における交流の状況を把握するに重要な意味を持つ。馬琴の書簡の研究は、彼の交流した文人との人的交流と作品内容の共有と批評を中心とする知的交流に分けることができる。このように書簡の綿密な分析と検討作業を通じて日本近世後期の文人の交流の様相の一部を把握することができる。 In the modern Japanese era, as the publishing industry developed and many books were distributed, the number of people who enjoyed reading increased exponentially. Accordingly, the writing activities of literary people began to broaden in spectrum, as both intellectual and academic exchanges amongst them kept on expanding and developing actively. In addition to his works, Kyokutei Bakin, who was active in the 19th century, left a variety of documents such as diaries, epistles, and essays. Although most of Bakin's documents are from the latter half of his life, these documents are of great value in that he can grasp the relationship and thoughts of his companionship and the events and incidents surrounding him. Among them, the epistle has an important meaning in examining the exchange situation between literary people as it is centered around the contents of questions and answers and in regards with Bakin exchanged with nearby literary people. The study of Bakin's epistle can be divided into human exchanges with literary people he exchanged and intellectual exchanges centered on sharing and criticizing the contents of his work. As such, it is possible to grasp a part of the exchange pattern of Japanese literary people in the late modern era through a close analysis and review work.

야마다 비묘 「무사시노」론 -본문의 차이를 중심으로-

홍성준 ( Hong Sung-joon ) 한국일어일문학회 2017 日語日文學硏究 Vol.102 No.2

야마다 비묘는 언문일치체의 선구자로서 잘 알려져 있다. 그는 기존의 문체 에서 벗어나 속어를 적극적으로 사용하는 독특한 회화체를 활용하여 참신한 문체를 선보였다. 「무사시노」는 1887년 11월 20일ㆍ11월 23일ㆍ12월 6일자 요미우리신문에 연재되고, 1888년 8월 20일에 『나쓰코다테』의 간행과 함께 다시 발표되었다. 본 작품은 상편ㆍ중편ㆍ하편의 3부 구조이며, 각각 가부키의 단락 구성과 유사하게 구성되어 있다. 그런데 요미우리신문의 초출본과 『나쓰코다테』 수록본사 이에는 약 8개월이라는 시간 간격이 있으며, 이 시기에 작품에 수정이 가해져 있음을 확인할 수 있다. 첫째로 작품 서두와 말미에 오는 글을 수정하여 작품의 사실성을 높이고, 둘째로 시제를 과거형에서 현재형으로 변경하여 독자가 작품 세계 속에 실제로 존재하고 있는 것처럼 느끼게 하고, 셋째로 와카를 이용하여 작품의 분위기를 적절히 전환하고 있다. 또한 독자 옆에서 작품을 설명해 주는 화자를 등장시킴으로써 독자가 작품 세계 속으로 보다 깊게 빠져들 수 있도록 하였다. 본고에서는 역사상 있었던 일을 그린 작품인 「무사시노」가 독자에게 미지 의 세계와도 같은 과거의 세계를 이해시키기 위하여 다양한 수법을 이용하고 있음을 확인하였다. 또한 이러한 비묘의 수법이 작품의 판본에 따른 차이를 통 해서 명확해짐을 지적하였다. Yamada Bimyo is well known as a pioneer of the modern colloquial style. He showed off novel style by using a unique conversation style which is actively using everyday language depart from the existing language style. "Musashino" had been published serially in the Yomiuri shimbun at November 20, 23, December 6, 1887, and re-published with publishing "Natsukodate" at 20 August, 1888. This work has three parts structure. Each is structured similarly to Kabuki`s paragraph structure. By the way, there is an 8 months interval between publishing by Yomiuri shimbun and publishing by "Natsukodate", and then it can be confirmed that the work has been modified, at this time. Firstly, modifying the article at the beginning and end of the work to enhance the reality of the work, secondly, changing the tense from the past to the present to make the reader feel as if they are actually in the world of work, thirdly, using Waka to change the atmosphere of the work appropriately. Also, by introducing a speaker to explain the work next to the reader, the reader is able to dive deeper into the work world. In this paper, Musashino, a work that depicts what happened in history, has confirmed to the reader that it uses a variety of techniques to understand the past world as well as the unknown world. In addition, it pointed out that Bimyo`s method is made clear by the difference according to the edition of the work

『椿說弓張月』と崇德院怨靈譚 -爲朝像の造型に關わる点に注目して

홍성준 ( Sung Joon Hong ) 한국일어일문학회 2012 日語日文學硏究 Vol.82 No.2