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현동희 건국대학교부설조형연구소 1992 조형연구 Vol.1 No.-
We are able to see the specific artistic order in Korea traditional arts which was built through long period. That is not only stands for the beauty closed up in the Korean society but also systematical orders in the creative conceptions. This kind of order has a thread of connection with the arts of western styles which are based on systematical approaches and functional designs and the constructural modernism. These Korea traditional arts especially shapes of lattics, patterns of small wrapping clothes, etc. have been used from very moment of their creations up to now to the our real life so we could regard them that these are attracitive to human mind and have some general values in terms of formal art. So, we might be reach to the analysis of the artistic theory which supporting the universities. In this research, I would like to have a formal analyse with a systematical approach method. The subject of this study might be Korean traditional arts which are in existence up to now and the final goal of this might be to draw out s general asthetic view. I set up the subject of this study on the Korean traditional plastic art so as that I could have more understanding on the specific personality of Koreans, especially perceptions on the forms, including myself. Also, I realise that I should sort out the order and perception of the Korean original beauty which can be seen on the Korean art not through the usual methods of approach ideologically or subjectively toward Korean styles of asthetic view but systematically with the objectivity and the structural fomula. Because we have betteridea of living standards, experiences and the sence of value, so, we are able to for see the traditional art in a new view point, therefore, we have to consider what we could abtain from its result and how we could reflect it to today`s art. In this study, I have a definition of the background and specific points of Korean traditional art, its diversity afterwards. And with this definition I would like to make it clear the boundary of the art and methods of the sampling, in addition, I am going to classify and arrange the art which was give from photographs. On account of limited space, I would rather stretch my study to the classification of art and I will leave more analysis on the specific characteristics which is shown in the formal art next time.
수학적 형태Ⅰ : Its development based on modernism 모더니즘을 배경으로 한 전개양상의 고찰
현동희 건국대학교 조형연구소 1995 조형연구 Vol.3 No.-
In modern times, systematic patterns have become popular as geometrical patterns are adapted to all fields of plastic arts, and systematic mathematical patterns are widely applied in the domain of design. In the beginning of 20th century, modern arts had accepted the mathematical pattern as one of the elements in plastic arts, and even the methods of constructing plastic arts had developed in mathematical way. These trends have become the foundation of modern design. In the respect, this study will be focused on the mathematical patterns developed based on modernism, and further will show the geometrical patterns of 20th century as the essential element of plastic arts, which began with pour geometrical non-objective arts. That is, this study will show how geometrical non-objective arts have been developed towards concrete arts, define mathematical concept, and also examine the relation or linkage between the mathematical patterns and concept of design. Contents of this article are as follows : Ⅰ. Plastic arts and Mathematics Ⅱ. Mathematical expression in geometrical non-objective arts Ⅲ. Development of mathematical expressions after Mondrian Ⅳ. Mathematical expression in concrete arts Ⅴ. Mathematical patterns and design concept
玄東姬 建國大學校生活文化硏究所 1988 생활문화ㆍ예술논집 Vol.11 No.-
The demands of design are increasing, gradually according to advance of the industrialized society. In this process, the field of design is divided and specialized into multiple purpose. The fields of modern-design make much of basic design and suddenly have a tendency of independence as a specialized research field in recent. In the modern design, basic design was taken a consideration and acknowledged as a independent specialized field, the meaning and method of its term was little well-known to the people and was not agreed on the opinions among professionals of this field. It is a transitionary phenomenon because this theory is remain in growing stage. Therefore, its term was often used synoym as "basic plastic art" or "composition". In this point, the first chapter in this article described the meaning of basic design and it's position, importance and function in the modern design, and also approaches the purpose of study. In the following chapter, introduced contents and methods of education of basic design of Bauhaus and finally introduced the contents of education process and education methods as a independent specialized field with the cases of related universities in the Japan. Contents of this article are as follows; 1. Introduction 2. Modern design and basic design 3. Bauhaus and education of basic design 4. Basic design as a independent specialized field 5. Conclusion