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진현부 동의공업대학 2000 論文集 Vol.26 No.1
In the early novels of Thomas Hardy's, their themes and backgrounds are mostly described centuring around the isolated country-sides and country folks in the Southwessex regions of England. It may be worth noticing that the primitive persons in the remote districts have ever lived traditional living modes or natural ways of lives, especially poverty- stricken livelihood full of emotional and lyrical mood. For they have never kept in contact with modern civilization of the 19th century. Even until the latter parts of 19th century what is called modern civilization has not yet begun in the province So in his early novels such as Under the Green Wood Tree(1872). and Far From the Madding Crowd(1873) I can regard many a traditional or primitive imagery in their humble and innocent dwelling. For instance they are old ballads, humours, myths and variety of ancient customs etc. Most of them are always inclined to symbolize something comic or tragic I belive it sure that they hold invaluable worth to study his early novels, because they are pure as well as rare isolated from the era of Norman Conguest. In this premise I would create a theme from his novels: Thomas Hardy's Pastoral Novels and their Morality writing out this paper.
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진현부 동의공업대학 1998 論文集 Vol.24 No.1
This is a study which analyses human bondage in the tragedies of Thomas Hardy. Thomas Hardy is the great 19th century writer of tragedy born in the Wessex region of England. A variety of tragical implications can be found in his tragedies, which mainly portray life's adversities or predicaments. From this research I have determined their characteristics which are concerned with uncivilized environments, human character and inheritances. In addition to this I have made conclusions about the background of Hardy's philosophical ideologies in regard to life's adversities, which are based on Determinism and Free will. The main portion of this study examines the human bondage originated in the adversities created by Hardy's tragical experiences. Some of these may even be unavoidable situations. I believe these situations constitute human bondage. Almost all of Hardy's characters must die for the cause and effect provoked by human bondage, but in doing so they sacrifice themselves for the freedom from the bondage, as demonstrated by their own spirit of sacrifice. Examples include Eustacia's death for Egdon Heath, Henchard's death for character. and Tess' death for aristocracy. Consequently I believe m the truth that human bondage symbolizes not merely the limitation of human faculty. but more than this it emphasizes human challenge represented by Hardy's great tragedies.
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Thomas Hardy 소설의 Wessex 신화와 그 비극성
진현부 신한영미어문학회 1998 새한영어영문학 Vol.39 No.-
In the novels of Thomas Hardy there are many kinds of myths and they reflect the tragic view of life. Most of the myths originate from Hardy's native place, the Wessex region of England. The myths in his novels have reflected the writer's own spritritual realities on the myths, such as unconsciousness, fantasies, inspriration, and many other dreams. They have also symbolized a variety of imageries such as those of religions and superstitions-Gods, paganism, Satan, wotchesand many other demons. Most of them have consisted of the traditional patterns of folklore; legends and many ballads. Some of them are demonstrated by aesthetic elements-paintings, music, or sculptures chiefly affected by Gothic art forms. They show how deeply Hardy's fictions are rooted in the myths. Such ancient and instinctive mythic elements may be explained as his obssessiveness with the natural settings yearning for old rural scenery and its mode of pure life. But on the other hand, the mythic imageries are always conflicting with modern scientific ones, resulting in tragedies. Hardy's tragedy has been much affected by two schools. One of them is Greeks tragic dramatists, and the others are German philosophers in the 19th century. In his novels, Hardy has created a universe which holds one of the greatest perpetual mysteries of life, hidden deep in our unconscious. Blinded by their innocence, I have found that the characters are found by the underlying theme of Scape-Goat, that of sacrificial imagery in his tragedies. I believe Hardy's myths and tragedy are inherently barriers in human life. To conquer such will open the door to a promising vision of life.
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