낮은 시그널링 오버헤드를 가지는 폐-루프 다중 안테나 시스템

조희정(Heejeong Cho),김남구(Namgoo Kim),고정훈(Jeonghun Ko),유성숙(Seongsook Yoo),임민중(Minjoong Rim),김세형(Sehyoung Kim) 한국통신학회 2004 한국통신학회 학술대회 및 강연회 Vol.2004 No.4

코울리지의 대화시에 나타난 여성 청자와의 관계성

조희정(Cho Heejeong) 새한영어영문학회 2011 새한영어영문학 Vol.53 No.2

This paper aims at investigating the ways in which Samuel Taylor Coleridge’s conversation poems delineate the poet’s relationship with women. Repudiating the current critical belief that Coleridge shows male-dominant attitudes in his works and trivializes feminine qualities, this paper argues that Coleridge’s poetry reveals his consistent aspiration toward a genuine relationship with a woman. As the communicative exchanges and sympathetic connection with the Other constitute part of Coleridge’s lifelong pursuits, his conversational poems accordingly document the poet’s profound interest in the meaningful encounter with the Other. Poems written to Sara Fricker, such as “The Eolian Harp,” appear to have reached a peaceful consensus between the male speaker and the female auditor. Upon careful analysis of these poems, however, one can detect traces of unresolved tensions and anxieties that may have resulted from his damaged marriage life. In contrast, Coleridge’s conversation poems to Sara Hutchinson display his deepening belief in “other-centered ethics,” which partially deconstructs the discourse of gender in his contemporary days. Coleridge’s androgynous view of his loving self in relation to the beloved lady, along with his communicative longing for her voice, convey the poet’s subtle way of re-negotiating gender categories.

여성적 소네트와 샬롯 스미스의 낭만주의 시학

조희정(Heejeong Cho) 19세기영어권문학회 2009 19세기 영어권 문학 Vol.13 No.2

Charlotte Smith's Elegiac Sonnets, one of the most influential collections of sonnets in the late eighteenth century, initiated the sonnet revival and re-shaped the poetic form. Traditionally, the sonnet form had been exclusively employed by elite male poets, and the female in this genre had been assigned a largely passive position. As is evident in the examples such as Laura, Petrarch's ideal lover, the female image in the sonnet had been far from a realistic one, denying women a proper identity. Resisting this tradition, Smith recreated a female image within the textual space of sonnets and succeeded in establishing “the sonnet claim” in a feminine voice. Smith's translation of Petrarchan sonnets is significant in that it reveals the process by which she overcomes the male-dominant tendency of the sonnet and discovers a woman's identity. Whereas Petrarch tends to present the idealistic image of an objectified woman, Smith aims at a self-presentation in a highly specific and realistic manner. In her sonnets, the poetess emerges as a “gentlewoman” who suffers from material deprivation, and her painful circumstances, in turn, lead the reader to rescue the female in distress, specifically by the act of purchasing a copy of her poetic collection. Smith also authors several sonnets in the voice of Werther, the famous tragic hero in Goethe's novel. These sonnets display a highly sentimental tendency, revolving around self-pity and an extreme sense of isolation. In contrast, Smith's sonnets in her own voice distance themselves from Werther's overt sentimentalism; instead, she elevates her own woe and grief to the position of universal human sufferings. Smith also seeks sympathetic identification with the reader, suggesting that the solidarity with other humans is the only way of securing comfort in her distressed situation.

타자성의 재발견

조희정(Cho, Heejeong) 새한영어영문학회 2017 새한영어영문학 Vol.59 No.3

This paper aims to discuss the intersubjective relationship depicted in Hardy’s Poems of 1912-1913 and Hughes’s Birthday Letters, resorting to Levinas’s philosophical view of otherness. Hardy’s Poems of 1912-1913 foreground the movement of Emma’s ghost and thereby liberate the deceased wife from the masculine confinement she experienced during her real life. Furthermore, the poet-speaker expresses his wish to listen closely to the voiceless ghost rather than merely utter his own thought. Several poems contained in Hughes’s Birthday Letters revolve around the failed communication between the poet and his late wife. Yet, other poems appear to be aware of the ethical relationship with ‘other,’ who cannot be subsumed under the control of the male subject’s perception. Although the two poets start to realize a possibility of genuinely intersubjective relationship only after their wives’ death, their poetics of mourning awakens the readers and leads them to recognize their responsibility toward ‘other.’

『고딕 이야기들』에 나타난 가부장적 종교와 희생되는 `마녀`들: 「클레어 수녀원」과 「마녀 로이스」를 중심으로

조희정 ( Heejeong Cho ) 한국근대영미소설학회 2017 근대 영미소설 Vol.24 No.1

This paper aims at analyzing two stories in Elizabeth Gaskell`s Gothic Tales, focusing on the struggles of female characters oppressed by patriarchal society. Feminist critics claim that the tales foreground the ways in which females are victimized by males at both domestic and social levels. Especially, Gaskell`s rationalistic ideas, influenced by unitarianism, enable her to investigate the religious communities` patriarchal control over women. Some of the stories trace the tragic lives of women who face death after they are singled out as `witches.` In “Poor Clare,” although Sir Gisborne`s careless behavior is the main source of evil, Bridget`s ultimate death through starvation attests to her sacrifice as a `witch,` who has the potential to threaten the patriarchal order. “Lois the Witch” depicts the scenes of witch hunting and reveals the ways in which this collective madness victimizes `other` in order to maintain the stability of the religious community. Both of these two stories employ narrators who sympathize with the sacrificed female characters, but they do not show their critical attitude toward the patriarchal religions in an overt manner. Rather, the narrators invite the readers to meditate on the traumatic events and feel the need to construct a healthier community.

운율과 소리를 통한 영시 교육 방법의 모색

조희정(Heejeong Cho) 한국영미문학교육학회 2017 영미문학교육 Vol.21 No.2

This paper attempts to suggest ways in which the instructor can call students’ attention to phonological elements in English poetry and integrate considerations of these elements into discussions of thematic/social/historical issues raised by the text. In English-speaking culture, reading aloud is regarded as one of essential steps to approach poetry. As Korean students usually encounter English poetry in the form of written texts, it is difficult to lead them to take interest in the experience of listening to poetry. Yet, English poetry speaks not only through its content but through its meter and sound as well, and understanding the importance of phonological factors opens a new horizon for students who are learning to interpret poetic texts in English. For example, the iambic meter, which is regarded as the most prevalent form in English poetry, sometimes gives way to a different kind of meter, emphasizing this exceptional part of the text where the poet delivers an important message. At other times, poetic texts intentionally deviate from the iambic meter, and this deviation adds effectively to the textual meaning process. Also, rhymes often show interesting connections with the content of the poem. Rhyming words may reveal where the focus of the poetic text lies, and changes occurring in the rhyming pattern of the poem may expose more fundamental changes in the speaker’s psyche or the poem’s overall meaning. Alliteration and assonance also perform a significant function in understanding English poetry. Through enhancing students’ aural experience of English poetry, the instructor can invite them to appreciate and analyze the text in a more in-depth way.

로맨스 플롯의 좌절과 제국주의 주체의 불안감 ­로버트 사우디의 『파괴자 탈라바』

조희정 ( Heejeong Cho ) 21세기영어영문학회 2015 영어영문학21 Vol.28 No.3

This paper attempts to illuminate the ways in which the anxiety of the imperial subject in the Romantic period gets translated into gender anxiety in Robert Southey’s Thalaba the Destroyer. Critics who work on Romantic colonial discourse have emphasized that contemporary texts dealing with the unknown world are saturated with unexpected instability. As the newly discovered space is frequently gendered feminine in colonial discourse, this instability often goes hand in hand with masculine anxiety about the female in the unknown world. The narrative of Thalaba the Destroyer relies on the sympathy between its hero and readers, especially because Thalaba resembles the traditional protagonist in the medieval romance, whose fierce fights with the evil elements result ultimately in the possession of his desired woman. Yet, despite the apparent similarity, Southey deploys the generic conventions of the medieval romance only to frustrate the readerly expectation. The marriage between Thalaba and his beloved Oneiza leads to the abruptly introduced death of the bride. Along with Southey’s depiction of Oneiza as an active agent of both her own life and narrative progress, her unexpected demise points to the hero’s failure to establish a stable relationship with the heroine in the realm of the text. Instead, the failure of romance indicates the fact that the reunion between Thalaba and Oneiza is deferred beyond the domain of narrative. Moreover, Oneiza re-appears in the text in the form of a vampire, causing an abrupt change in the progress of narrative and an enormous distress in Thalaba’spsyche. The vampire woman, whose depiction highlights its difference from human beings, embodies the threat posed by the foreignness of the female in the unknown world. Also, the vampire disrupts the traditional male/female opposition, as its mouth simultaneously plays the function of the penetrating and the receptacle. In this sense, the corrective penetration performed by Moath, Oneiza’s father, appears to recover the order of patriarchy. Yet, Thalaba’s inability to take part in the murder of the vampire denotes his lack of control over his own married wife, revealing the limit of the patriarchal order established by the elimination of the vampire. Thalaba also encounters Maimuna, a sorceress disguised in the form of a beautiful damsel, and her slender golden thread arouses the hero’s desire. Yet, the thread ultimately ensnares Thalaba, conveying the uncomfortable message that materialistic desire may lead to the destruction of the imperial subject.

다중 코드 CDMA 시스템에서의 MIMO 기술 성능

조희정(Heejeong Cho),김남구(Namgoo Kim),고정훈(Jeonghun Ko),유성숙(Seongsook Yoo),임민중(Minjoong Rim),김세형(Sehyoung Kim) 한국통신학회 2004 한국통신학회 학술대회논문집 Vol.2004 No.11

찰스 톰린슨의 “만남”의 시학: 낭만주의 대화시와의 관계를 중심으로

조희정(Cho Heejeong) 문학과언어연구회 2018 문화와 융합 Vol.40 No.3

본 논문은 찰스 톰린슨의 시를 그가 주창한 만남의 시학과 관련지어 읽는 것을 목표로 하며, 그 과정에서 톰린슨의 시학이 낭만주의 대화시에 나타난 주제적 요소들과 밀접하게 관련되어 있다는 점을 밝히고자 한다. 대화시의 가장 중요한 주제는 인식 주관과 외적 세계를 둘러싼 것이라고 할 수 있다. 사무엘 테일러 코울리지와 윌리엄 워즈워스는 시를 통해서 인간의 정신과 인식된 대상의 합일을 추구하며, 이를 통해 인간들 사이의 공동체적 관계 또한 재정립하고자 한다. 톰린슨의 시는 20세기라는 변화된 역사적 시대에 맞게 유사한 과업을 수행하고자 시도한고 볼 수 있다. 그는 근대적 인식론에 내재한 문제점들에 주목하면서 인간 정신을 외적 세계와 연결할 수 있는 이상적인 방식을 제시한다. 외적 세계를 시각적으로만 인식하는 대신, 톰린슨은 모든 종류의 감각적 인식을 동원할 것을 제안하는 것으로 보인다. “헤엄치기”라는 은유는 인간이 자연 속으로 빨려 들어가 물의 포옹 속에서 움직이는 것을 나타낸다. 톰린슨의 시에서, 밀착된 관계의 이미지는 일상적 대화 상황에 스며들어 있는 상호주관적인 영역으로 확장되기도 한다. 그가 제안하는 만남의 시학은 고립된 개인의 외로움을 치유할 수 있는 중요한 순간들을 보여 주며, 낭만주의 시대로부터 이어지는 통찰력의 중요성을 재평가할 수 있는 계기를 제공한다. This paper aims to understand Charles Tomlinson’s poetry with regard to his poetics of encounter, closely connected with the thematic elements explored in Romantic conversation poetry. In the conversation poem, the most important theme involves the relationship between the perceiving subject and the outer world. Samuel Taylor Coleridge and William Wordsworth seek to unite the mind and the perceived object in their poetry, and in this process, re-establish a communal relationship between human beings. Tomlinson’s poetry also attempts to accomplish a similar task in the changed historical era of the 20th century. He investigates the problems inherent in modern epistemology and shows his ideal way of connecting the human mind with the world surrounding it. Instead of perceiving the outer world merely with eyes, Tomlinson suggests that we need to utilize all kinds of sense perception. The metaphor of “swimming” represents man’s immersion into nature and his movement within the embrace of the water. In Tomlinson’s poetry, the image of a close relationship extends toward the intersubjective dimension embedded in situations of everyday conversation. His poetics of encounter delivers moments of healing the loneliness of the isolated individual and leads the reader to re-evaluate the significance of the precious insights inherited from the Romantic period.

고속패킷전송 이동통신시스템에서의 저속 단말기를 위한 주파수-시간 스케쥴링

조희정(Heejeong Cho),김동현(Donghyun Kim),김남구(Namgoo Kim),고정훈(Jeonghun Ko),임민증(Minjoong Rim),김세형(Sehyoung Kim) 한국통신학회 2003 한국통신학회 학술대회논문집 Vol.2003 No.11