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조명숙(Cho Myong-Suk) 한국시학회 2009 한국시학연구 Vol.- No.24
The study has looked upon the aspects and meaning of rhetorical perception that appear in the poetry of 『Shimunhak』(시문학). The rhetorical perception in poetry of 『Shimunhak』(시문학) attempts to recognize the world through methods such as metaphor, metonymy, synedoche. It provides the foundation of perception that reflects the poet's view of the world ,and at the same time, reveals philosophical and artistic perspectives that allow deeper analysis of poetry text. The poetry of 『Shimunhak』(시문학) mostly perceives the world through metaphorical reproduction, and pursues lyricism through creating images of sensational subjects, revealing rhetorical perception as a perceiving action of the poets' view of the world at the time. The metaphorical perception shown in the poetry of 『Shimunhak』(시문학) appears as the aspect of perception of the new world created by poets' restructuring process based on metaphorical reproduction. By using metaphorical imagination, a poet exhibits his will to reshape and newly create the world. Also, making an image of sensational subjects with language is a perceiving action as a sensational action that reveals images in poetry. Sensationally visualizing the characteristics of poetry's subjects acts as a device for achieving effective revelation of the view of the world that is intended by the poet to be reshaped, and to make more apparent lyricism of poetry. The study found that the rhetorical perception in the poetry of 『Shimunhak』(시문학) forms an internal motive that can be continued from the early and mid 1930s poets' view of the world to the rhetorical perception of modernistic poetry based on intellectualism. Therefore, if the importance of rhetorical perception shown by the poetry of 『Shimunhak』(시문학) shown in the study can be expanded, it can be expected to create a cornerstone, together with aspects of rhetorical perception by the poets of 『Shimunhak』(시문학), to clearly recognize the view of the world by the poets of the 1930s.