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- 저자 : 정찬규 ( Chan-gyu Jeong ) (검색결과 8 건)
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정찬규 ( Chan-gyu Jeong ),박성은 ( Seong-eun Park ),서민규 ( Min-gyu Seo ),임기민 ( Ki-min Lim ) 한국정보처리학회 2022 한국정보처리학회 학술대회논문집 Vol.29 No.2
본 논문은 에어컨 토출구 살균조명용 UV-LED 에 관한 연구이다. 서론에서는 에어컨 토출구에 증식하는 곰팡이의 문제점과 원인에 대해 조사 분석함으로써 연구의 목적을 설명하였다. 본론에서는 내부를 살균하며 동시에 무드조명의 역할을 수행함으로써 얻을 수 있는 장점과 작동방식에 대하여 설명하고, 가능성을 확인하기 위한 실험을 계획하였다. 실험계획과 실험결과에서는 이전 다른 실험과의 차이점과 실험계획을 설명하고, 실험결과에 대해 설명하며 이번 실험에서의 한계점 및 보안할 점도 함께 설명하였다. UV-LED 의 설치 위치를 예시를 들며 설명하였다. 결론에서는 본 논문에서 설명한 연구의 내용을 종합하고, 향후 연구의 진행방향과 추가적으로 필요한 실험 및 적절한 UV-LED 의 파장선택에 대해서 기술하였다.
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WILLA CATHER의 鄕愁 : My Antonia를 中心으로 Concentrating on My Antonia
鄭燦珪 진주산업대학교 1980 論文集 Vol.18 No.-
Willa Cather, novelist of the Prairie, presents My Antonia, the most autobiographical of her Nebraska novels, in the form of a memoir written by a New York lawyer, Jim Burden, more than 20 years after his boyhood association with Antonia Shimerda, daughter of a Czech family that has immigrated from Bohemia to a farm in Nebraska. The story is not a common love story, but on the whole reminiscences of the past times, past glories,past joys and past tragedies between the Burdens and the Shimerdas, concentrat ing on Jim Burden, an orphan boy, and Antonia Shimerda, four years senior to him. Hence this story could be interpreted as a phase of the concrete and detailed inside history of Americanism, how the melting pot had spontaneously molded the various immigrants' nostalgia into Americanism without forcing them to desert their original nostalgia for their respective native lands. On the other hand the vicissitudes of her life also symbolize the procession of the United States' development.
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Theodore Dreiser의 作品을 通한 社會發展을 위한 提訴
鄭燦珪 진주산업대학교 1977 論文集 Vol.15 No.-
Born in Indiana in 1871 of German-Catholic parentage and brought up in the family background which was a series of exposures to poverty, emotional instability, and religious bigotry in the home, and blighted by misery and humilation in the late nineteenth century in America, Theodore Dreiser was one of the few novelists who had written their own experience into their novels with so little transposition. And life in America, as he knew it, was absorbing but also ruthlessly rough, and often nasty. He was as fascinated by what goes on in back streets and alleys, away from the glare and glitter, as by the lives of the wealthy under the bright lights. Hence most of his pieces-particularly An American Tragedy, his masterpiece, show an alertness to the picturesque, especially as it emerges from a drab background, -Clyde Griffiths, the young hero, is guilty, then the whole American society is also guilty.
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정찬규 진주산업대학교 1979 論文集 Vol.17 No.-
Booker T. Washington born to slavery between a Negro cook for the slaves working at a plantation, Virginia, and a nearby whiteman whose exact name was not clarified in 1858 or 1859, outgrew from his slavery with an impassioned desire to learn, acquired his own education with serious efforts, won his surroundings' confidence with his diligence and faithfulness, received recognition of his superb ability, got the whites' sympathy and co-operation with his self-sacrificing services to help others and a modest compromise against the whites' discrimination, brought substantial emancipation based on intelligence and economy through indispensable education for their fundamental necessity for the social promotion of the black people after the legal emancipation, and became a famous Negro Moses not only within the U.S.A. but throughout the world.
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The Mark Twain-Stephen Crane-Ernest Hemingway School
鄭燦珪 진주산업대학교 1976 論文集 Vol.14 No.-
Ernest Hemingway said that “all modern American literature comes from one book by Mark Twain called Huckleberry Finn". And Robert Wooster Stallman also said, “Modern American literature has its beginnings in Mark Twain and Stephen Crane" Hereupon hypothesizing a Mark Twain-Stephen Crane-Ernest Hemingway school in modern American literature, I investigated the related writers' cross influences one after another, comparing their common careers and resemblances in their theme, techniques:styles, symbolism, etc. with one another's. Thus I tried to testify the reasons why and how the above three novelists have correlationship and influences one another whose influences are still prevailing among even the present-day novelists called the terse, laconic school.
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鄭燦珪 진주산업대학교 1975 論文集 Vol.13 No.-
Stephen Crane is the herald of the twentieth-century revolution in American 1iterature as the writer of the first complete1y naturalistic novel, Maggie: A Girl of the Streets and the first example of modern American impressionism, The Red Badge of Courage dealing with slums, prostitution, alcholism, vice, poverty, crime, and other unpleasant subjects, and portraying war realistically from the view-point of the individual soldier with a wholy imaginary construction, since the author had never been in any military engagement which were associated with the hard boiled schoo1 of naturalism. Crane's two greatest works-Tha Red Badge of Courage and The Open Boat-represent two opposite methods of creation: from imagined experience and from actual experience.On the contrary to his theory that the artist can write about life only after first experiencing it, Crane reproduced the immediacies of battle in The Red Badge of Courage long before he had seen and suffered actual shellfire, while the single marve1 he wrung from personal experience was The Open Boat, and the marve1 of it is that he manipulated the who1e experience into art without altering the facts. My interest in his methods of creation is concentrated on what kinds of sources and how his imaginations were conceived: his imaginations were derived from the reproductive imaginations of conversations with veterans of the Civil War, readings-the Bib1e, Bierce, Kipling, Poe, Twain, Tolstoyl, the four vo1umes of Battles and Leaders of the Civil War written almost exclusive1y by veterans Colone1 Hinman's Si Klegg, andothers-and in what he inherited from experiences on the diamond and on the gridiron, mixed with creative imaginations.
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鄭燦珪 진주산업대학교 1981 論文集 Vol.19 No.-
Benjamin Franklin was the epitome of the Enlightenment and the American Revolution: the versatile, practical embodiment of rational man in the eighteenth century, and the first of america's men of letters, both in time and importance from the colonial time to the birth of a nation and of a national literature. Distrusting the mystical or mysterious, he became a Deist who advocated the way to wealth through his Poor Richard's Almanack, an annual booklet full of wit and wisdom or 25 years. Although some sensitive readers damned Franklin, on his own testimony, as selfishly opportunistic, the number of subscribers reached ten-thousand at that time and his maxims contributed to the fundamental concept formation of their way of life. It is admirable that so many proverbs, published more than two centuries ago, have been assimilated into our daily quips, and I am convinced that he was really a man of great administrative ability again.
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