V'narod운동과 社會參與文學의 연구 : 開化思想을 기조로 한 계몽문학, 그 史的 『현장』을 찾아서

全榮慶 同德女子大學校 1987 同大論叢 Vol.17 No.1

Modernization of Korea began from the 1876 Treaty of Friendship(the Treaty of Kangwha) and the opening of ports like, Wonsan and Inchon. Ideas concerning Westernized Enlightenment were introduced by Yu kil-Chun, So Chae-p'il and the like during the Coup d'Edat of 1884(Kapsin Chong-byon) and the Reform of 1894(Kabo Kyongjang). Especially, with the introduction of Essays on Evolution of European Culture in 19th centry Locke, Voitaire, Diderot and the like dazzeed the Korean readers and the ideas of Westernized enlightenment literature were introduced into such as various works song & of a newtype(ch'angga) the new novels, new western style poems, new school drames. But the annexation of Korea by Janpanee imperialism caused our nation to be depressed. So the Anti-Japanee movement and the Save-the-Nation drives broke out in every corner of Korea. Cultural and literary leaders who were baptized with the thoughts of Western Enlightenment finally brought about the March Ffirst Movement. In other words, that movement could be said to be the first fructification of the 1890's enlightenment(or literature) movement. After the March First Movement, national self-consciousness and identity could be seen in the New Trends of Literature-naturealism, decadantism, romanticism and new trend school-which were introduced by Younger writers. Through repeated arguments pro and con in journalistic writings, ideologies, which could be regarded as comming from enlightenment to a certain extent were to be found in Lobor Disputes amonag the Korea Tenant Farmers and Wworkers. But totalitarian rule of Japanese imperialism lead to an illiteracy rate which amounted to over 80% of the Korean population so that it was indeed very dark period. In order to overcome this trend there arose a contrary literacy movement sponsored by the Cho-Son Ilbo and V'narod movement(rural enlightenment movement) sponsored by Dong-A ilbo. These movements promoted national self-consciousness and national identity and at the same time, they implicitly instigated the anti-Japanese movement. The literature of this time participated in these movements in a positive way. The works of New Trend School or Ideological works and Hulk(the soil) which is Yi Kwang-sh`s enlightenment novel, could be said to express the struggle of the last enlightenment thoughts of the period and at the same time they represent a struggle of the Korean people.

`開闢'과 20年代詩文學攷

전영경 경기대학교인문대학국어국문학회 1980 京畿語文學 Vol.1 No.-

朴勝喜의 土月會 攷 - 東亞日報의 『記事』와 『廣告』를 중심으로

전영경 경기대학교인문대학국어국문학회 1981 京畿語文學 Vol.2 No.-

新傾向派 문학의 『背景』攷 : The Prologue of the history of literature in the 1920's 20년대 문학사 서설

全榮慶 同德女子大學校 1992 同大論叢 Vol.22 No.1

The Korean(Chosun) literature of the New Trend School is an another name of the early proletarian literature which appeared in place of the bourgeois literature. The new trends of literature appeared by the First day of March independent Movement in 1919. They were the naturalistic literature of the organ magazine "Changjo" (1919), the realistic Literature of "Paehuh"(1920) , and the romantistic literature of "Paekjo"(1922). The early modern literature generally depended on the fin-de-siecle sentimentalism, being constant to the decadent and spiritless literature through the works in relation to tear and exclamation. By this time Park, Chong-hwa emphasized the "Powerful Literature", and successively Kim, Ki-jin came to suggest the class-literature in "Promerade Sentimental". However, lacking in theoretical support, his class-Literature was not real Proletarian literature. For, his works were no more than admiration for V' narod or narodnik, they were never socialistic proletarian literature. In other words, they didn't go astray from the scope of the works adherent to revolution. Some critics criticized that they did not astray from the scope of the works based upon the idealistic literature of poverty. But it is certain that after the First day of March independent Movement New Trend School played a role of awakening the Korean(Chosun) people from the despairs resulting from the failure of the National Independent Movement. The New Trend School participated in the popular movemet-the participation in the social, the adolescent and the farmenr-labor association for the sake of the "Powerful Art". Developing into the literature of resistance, it was swept in the social movement in the long run. So, New Trend School was not the class-literature but the hazy literature of "resistance" the subject of which was the "poverty" In the case of the novels, a rickshaw-man who was hungry some days, or a poor tenaat-farmer were appeared in the novels. Therefore New Trend School was considered not the "Class-literature" hut the "Living relaxed Literature. " Therefore New Trend School turned into the proletarian literature because the "Korean Proletarian Artistic Federation"(Korea Proleta Artista Federatio abbreviation : KAPF) was inaugurated. It was absorbed into the organization of the KAPF. So to speak, the proletarian literature was the extension of New Trend School and succeeded to it, but they conspicuously differed in it's contents. In short, it was developed into the proletarian literature.

岸曙 金 億 硏究 : -그 人間과 文學, 定型詩 고집의 背景에 대하여-

全榮慶 同德女子大學校 1986 同大論叢 Vol.16 No.1

-1- The poet Kim Uck who was kidnapped to North Korea in 1950, was born in the northwestern area of the Korea peninsula in 1893. This was in the late Yi-dynasty when the future of hte Korea was at the mercy of the superpowers that besieged the Korean peninsula. In early 1910's after Yi Kwang-su, Chu Yo-Han and Kim Dong-In Left for studies abroad, Kim Uck also went to Tokyo, Japan to study. He entered the Liberal Arts College of Keiou University, where he became interested in Western Literature and under the influence of Romanticism, Symbolism and fin-de siecle Aestheticism. He first strarted to translate Western Literature and next he set about to write creative poems. After this, he had a career as a teacher, journalist, broadcaster, administrator of a publishing company, etc. He devoted his whole life to literary work. -2- Kim Uck published I books of his own original poems, 13 book of translated poems; all togeter he pulished 22 books of poems. Among them, The Dance of Mental Anguish(translated anthology), and Kim Ahn Seo's anthology(original poems) are worthy of notice. The former is a collection of Verlaine, Turgenev, Sologub, Yeats and Grourmont, etc. This is the earliest collection of poems translated by Kim. Most of all Verlaine's poem, Art Portigue had a decisive influence on Kim and his own poetry. Verlaine's detinition and style of rhythm, rhyme and poetical music influenced Kim Uck to write his own poetry according to "Rhymed Verse Insistence". He employed this "Rhymed Verse Insistence" through out his life. The second work was his definitive and conclusive anthology of his "Rhymed Verse Insistence". It also was faithful to the rhythm, rhyme and poetical music. This was his decisive work which perhaps can be said to be tainted by the definition and style of "Rhymed Verse Insistence". -3- But treating Kim Uck's works simply as tainted by Verlaine's Art poetigue could raise certain questions. His own 「Peculiar Flow of Thought」is deeply present in his works. In some respects, his 「Peculiar Flow of Thought」 represents a distinctive Korean sentiment which uniquely characterizes and pervades all his works. Because of such a unique process we can classify his works "Folk Song". If we judge his works according to certain literary trends, Kim Uck's literary spirit can be seen as an attempt to recreate the 「Peculiar Flow of Thought」 and 「Melody」 that the Korean people has preserved. This is true eventhough there remains old fashioned mannerism and conventionalism in the peotic diction of his work.

朴勝喜의『土月會』攷 : 東亞日報의『記事』와『廣告』를 중심으로

全榮慶 同德女子大學校 1985 同大論叢 Vol.15 No.1

KAPF 硏究 : Bringing An Mak's "The Brief History of the Korean (Chosun) Proletarian Artistic Movement" on Focus 一安 漢의 『朝鮮プロタリア 藝術運動略史』를 中心으로

全榮慶 同德女子大學校 1992 同大論叢 Vol.22 No.1

Korean proletarian literature began in the inauguration of the "Korean(Shogun ) Proletarian Artistic Federation"(the set phrase of Esperanto : Korea Proleta Artistic Federatio,=abbreviation : KAPF) in August 1925. It had been since around 1923 in form of New Trend School but the trend of literature urns not the real proletarian literature. In other words, New Trend School appeared scolding sentimentalism, selfscorn and spiritlessness the bourgeois literautre - naturalistic, realistic, and romantistic literautre - had in common. It was New Trend School that was a remarkable trend of the Korean modern literature. In a sense, it was also the prepation for the proletarian literautre and the literature in a transition period. Kim, Ki-Jin and Park, Young-hee who led New Trend School had a gap In achieving the purposive consciousness they thought by means of the only New Trend School Movement. Above all it could be said that !hey inaugurated KAPF to fill a gap. In some, sense, Proletarian was the extension arid the succession of Mew Trend School but they conspicuously differed in it's contents. While New Trend School was the hazy literature about "poverty" and "resistance", proletarian literature obviously insisted the property of class and it's contents showed the political consciousness. The other characteristic of the proletarian literature was its organic property. The KAPF was not the literary organization for promoting fraternity but the organization which had political characteristic. They fulfilled political movement in the field of literature and art through the organization. Therefore enlightening the public by organizing and accomplishing the literature, they attracted them into the organization. After all the essence of the proletarian literature could be said to be the apolitical literature whose end justified the means. In other words, the end was not placed on literature itself but on achieving political purpose by means of the literature. Besides, in estimation literary works, the significance was sought not from the literary point of view but from the political point of view. They commonly said that not foam but contents were important in literature. It itself was the proletarian literature. On account of such a purposive consciousness, the proletarian literature suffered and many writers were imprisoned lateron. Many writers withdrew from the KAPF and were converted dishonorably in contrast with their own opinions. At last Park, Young - hee said "Ideology was acquired but art was lost." and left the KAPF declaring herself for conversion. Finally, KAPF was disjointed owing to the suppression of Japan on May 1935.

백희나 그림책에 나타난 상상 놀이 연구

전영경 한국문예창작학회 2022 한국문예창작 Vol.21 No.3

Imaginative play occupies most of children's play. Children tend to break away from realistic limitations and try to work everything out according to their own needs. Based on experience and observation, children freely imagine without purpose and develop play in various forms.Inside of imginative play, children tend to think abstractly and freely express their feelings or actions away from real life by using and transforming object other than it's purpose.In addition, the balance of assimilation and adjustment achieved in imaginative play moves children away from egocentric viewpoints toward objects and environments toward a rational and objective perspective. Based on the fact that Baek Heena's picture book reveals children's imaginative play based on everyday materials, this paper examines the characteristics and meaning of Baek Heena's imaginative play in Cloud Bread, The Pink Rope, The Bath Fairy, Moon Sharbet, Strange Mother, Magic Candies, The Strange Visitor. First of all, Picture books based on nature are characterized by an imaginative play based on the process of observing nature and understanding the changes in nature. Through this,, they experience environmental crises, understand that all living things are interconnected in nature, and develop a sense of responding to changes. Picture books based on objects have the characteristics that imaginative play is completed only by adding meaning to the essence of objects.By playing imagination through familiar objects in life, children experience indirect experiences, understand their inner self, and empathize with others. Lastly, the imaginary play of the picture book about fairy and goblin has the characteristic of welcoming strangers and learning how to understand and live together with others. Children fill their boredom and loneliness through these imaginary plays and anticipate what will happen in the future. Through imaginative play, children grow little by little by looking at and embracing negative emotions and anxieties on their own, while acting as they please. In this process, it is important to continue to experience a sense of security, such as affection and solidarity. This is also the reason why the creation and research of various imaginary picture books is more necessary. 상상 놀이는 아동의 놀이에서 대부분을 차지하고 있다. 아동은 현실적인 제한에서 벗어나 자신의 요구에 따라 모든 것을 해결하려고 시도하는 경향이 있다. 아동은 경험과 관찰을 바탕으로 목적 없이 자유롭게 상상하며 놀이를 다양한 형태로 발전시킨다. 상상 놀이에서 아동은 사물이나 대상을 실제와 다른 용도로 변형하고 활용하면서 추상적인 사고를 하고 실제 생활에서 벗어나 자신의 감정이나 행동을 자유롭게 표출한다. 또한 상상 놀이에서 이루어지는 동화와 조절의 균형은 사물과 환경에 대한 자기중심적인 관점에서 벗어나 합리적이고 객관적인 관점으로 아동을 나아가게 한다. 본고에서는 백희나의 그림책이 일상 소재를 바탕으로 한 아동의 상상 놀이를 세밀하게 드러낸다는 점에 착안하여 백희나의 그림책 구름빵 , 분홍줄 , 장수탕 선녀님 , 달 샤베트 , 이상한 엄마 , 알사탕 , 이상한 손님 에 나타난 상상 놀이의 특성과 의미를 고찰하였다. 먼저, 자연을 소재로 한 그림책은 자연을 관찰하고 자연의 변화를 이해하는 과정을 기반으로 상상 놀이가 진행되는 특성이 있다. 이를 통해 환경 위기를 경험하며 자연 속에서 모든 생명체는 서로 연결되어 있음을 이해하고 변화에 대응하는 감각을 기른다. 사물을 소재로 한 그림책은 사물의 본질에 인물의 삶이 더해져 의미가 부여됨으로써 비로소 상상 놀이가 완성되는 특성이 있다. 삶에서 친숙한 사물을 매개로 상상 놀이를 함으로써 아동은 간접경험을 하며 자기 내면을 이해하고 타인에게 공감한다. 마지막으로, 선녀와 도깨비를 소재로 한 그림책의 상상 놀이는 낯선 이를 환대함으로써 타인을 이해하고 더불어 살아가는 방법을 습득하게 하는 특성이 있다. 아동은 이러한 상상 놀이를 통해 심심함이나 고독함을 채우며 앞으로 벌어질 일을 기대한다. 상상 놀이를 통해 아동은 원하는 대로 마음껏 행동하면서 부정적인 감정들과 불안을 스스로 들여다보고 보듬으며 조금씩 성장한다. 이 과정에서 애정과 연대와 같은 안전감을 지속적으로 경험하는 일이 중요하다. 다양한 상상 놀이 그림책의 창작과 연구가 더 필요한 이유이기도 하다.

『同友會』와『螢雪會』, 그리고 『土月會』에 대하여 : 1920年代의 한국 『新劇』硏究

全榮慶 同德女子大學校 1971 同大論叢 Vol.2 No.1

First-Line Alectinib vs. Brigatinib in Advanced NSCLC with ALK Rearrangement: Real-World Data

전영경,박세훈,정현애,선종무,이세훈,안진석,안명주 대한암학회 2024 Cancer Research and Treatment Vol.56 No.1

Purpose Alectinib and brigatinib are second-generation anaplastic lymphoma receptor tyrosine kinases (ALKs) that are widely used as first-line therapy for treating ALK-positive advanced non–small cell lung cancer (NSCLC). Given the lack of a head-to-head comparison of these drugs as first-line therapies, this retrospective observational study aimed to compare the real-world efficacy and safety of alectinib and brigatinib. Materials and Methods Patients who received alectinib or brigatinib as the first-line treatment for ALK-positive advanced NSCLC were evaluated for clinical outcomes of objective response rate (ORR), intracranial ORR, time to next treatment (TTNT), progression-free survival (PFS), overall survival (OS), and safety profiles. Results Of 208 patients who received either alectinib or brigatinib as a first-line treatment, 176 received alectinib and 32 received brigatinib. At the data cutoff point, the median follow-up duration was 16.5 months (95% confidence interval [CI], 14.7 to 18.3) in the brigatinib group and 27.5 months (95% CI, 24.6 to 30.4) in the alectinib group. The ORR was 92.5% with alectinib and 93.8% for brigatinib. The intracranial ORR rates were 92.7% (38/41) and 100% (10/10), respectively. The rate of PFS at 12 months was comparable between the alectinib group and the brigatinib groups (84.4% vs. 84.1%, p=0.64), and the median TTNT, PFS, and OS were not reached in either group. Treatment-related adverse events were usually mild, and treatment discontinuation due to adverse events was rare (alectinib 4.5% vs. brigatinib 6.25%). Conclusion Alectinib and brigatinib had similar clinical benefits when used as the first-line treatment of NSCLC patients with ALK rearrangement in the real world.