한국 종교복식에 관한 연구

임영자 한국복식학회 1990 服飾 Vol.14 No.-

The thought of three religious, Confucianism, Buddhism, and Taoism, had been the mainaxis of Korean spirit of the past. This study is centered on Buddhist and Taoist costume. There have been a lot of studies on Korean costume from many viewpoints. However, there have been few approaches to the inner side of it. That is to say, the research on spiritual background or religious correlation has not done yet. And especially, we are wholly lacking the studies on Taoist costume. In this dissertation, I investigate how they had come to wear Buddhist costume and how it trains, on the basis of related documentary records and existing remains. I also inquiry Taoist costume which was worn at Taoist ceremony in our country, with the help of Korean books and documents and of the sources of Packwoonkwan in China. In the case of Topobyunjeung in Korean costume, in particular, we can catch the source of it only after studying the religious side of Taoist costume and Buddhist costume. As revealed in the theory of Topobyunjeung in Ojuyunmoonjangsango by Lee, Kyu Kyung, even old masters and great Confucianists could not know whether Topo, the ordinary clothes of the Sadaeboo, originated from Taoist costume or Buddhist costume. There have been many opinions about the origin, but even now it is true that no one has made it clear. Therefore in this dissertatio I demonstrate mainly how Topo and Hakchangeui appeared in Korean costume through Taoist costume. It is said that Taoists, Buddhists, and literary men wore Topo, Chickchul, and Chickshin in Song dynasty of China. Topo was a clerical robe of Taoists and was also an ordinary clothes. Chickchul was a clerical robe of Buddhists, and chickshin was worn by Zen priests in Won dynaty. Over the Po, Buddhist wore a Jarge robe, namely Kasa, and Taoist wore Packhakchang like Wooeui, when they attended at the religious ceremony. And they regarded such manner of dressing as ceremonial full-dress attire. The style of Topo in China was Saryunggyogeo. The is th say that they put the black Yeon along Sajoo, which are Young, Soogoo, Keum, and Keo, and that they wore Sajodae around their waists so as to let the band down in front of them. Our existing type of Topo is that of Chichryung-gyoin. The characteristics of the type are its Koreum hung on the dress, no Yeon along Sajoo, and Soopok at the back of the dress. And when they put on the dress, they wear Saejodae around their waists. These characteristics considered, we can find the source of Topo from the Po of Chickshin among Buddhist costume. Other types of Topo are those that were transformed elegantly according to our national manners and customs in our country. So-called Wooeui in Chiness Taoism is Hakchang. Originally it was made by weaving for of cranes or other feathered birds. Its remarkable feature is the wide sleeves. Later they called such a robe with wide sleeves Hakchang. Our hakchangeui has Yeon along Sajoo and a belt around waist. We can guess that the features of Topo and wide-sleeved Hakchang mingled and turned into Hakchangeui. Or it might also be that Topo worn by Taoist was regarded as Hakchang and Topo which has Yeon along Sajoo was regarded as Hakchangeui in our country. Such type of Hakchang worn by Taoists was well shown in the Buddhist and Taoist paintings among The Pictures of Hills, Waters, and Folks in the latter half of the 16th century. In China Hakchang with a belt around waist could not be seen. Comparing our style of Hakchangeui with Chinese style, we can recognize the former was similar to that of Chinese Topo. From this, we gather that Topo was regarded as Hakchang. Wooeui worn by Taoists, Ascetics and True Men in Korea. furthermore I also gather that our Hakchangeui, which has Tongjeong, Koreum and a belt around waist, was a transformed style in our own country. From the above, we can realize that in costume the three religions, Confucianism, Buddhism, and Taoism, cannot be treated separately although they are di

男·女大學生의 Sports Wear의 選好度에 관한 硏究 : 世宗大學生을 中心으로 Focusing on Students of King Sejong University

임영자 세종대학교 1985 세종대학 논문집 Vol.12 No.이공

The Thesis is an attempt to determine the degree of sports wear preference among the male and female collegians, through a survey on its purchase, satisfaction, and utilization. The questionnaires were administered to the male and female freshmen, sophomores, juniors, and seniors of King Sejong University. The subjects of this survey were classified according to sexes into male and female groups, and to departments into liberal arts, natural science, fine arts and physical education groups. The data from 461 respondents were applied to the statistical analysis. The findings on the presupposition set for the purpose of the thesis were as follows: 1. In purchase of sports wear, female students proved more planned than male students, but there were no significant differences among the department groups. As for the places of purchase, department stores on bargain sales were mainly referred to by females, while markets or sports goods stores were frequented by males. Differences among the department groups were revealed that markets were favored by liberal arts and natural science students, as against department stores by fine arts or physical education counterparts. 2. In making a choice of a design of sports were, female students put priority on individuality, while male students on comfort to wear. No significant differences were there among departments. On the idea of lovers to dress themselves in the sports wear of the same design, male students responded negatively. This shows that, different from foreign countries, Korea is still prevailed by conventional way of thought. 3. Wearing sports wear of designs matching well with them, female students said that they felt confident of themselves, and male students comfortable. The frequincy of wearing sport wear made once to three times a week in male and female students, and the fine arts and physical education groups replied higher frequency. This indicates that sports wear is worn as practical working clothes in campus life as well as in sports activities, and consequently regarded as a kind of casual wear. 4. The athletic clothes were desired to be differentiated among the grades through colors, and printing of symbol letters of the University was also affirmative revealed. On the other hand, the clothes to be worn in the entrance ceremony of the King Sejong University Athletic Meeting were desired to be demarked by proper colors of department groups, and different colors for grades were proved not preferred. 5. As to the utilization of training wear and T-shirts, both male and female students recorded that they wore these clothes as home wear and street wear. Tennis wear was largery worn for sports activities. Wind parka of mountain-climbing wear and thermal parka of ski wear were shown to be worn frequently as street wear. Other clothes for ski, baseball, football, jogging, cycling, horse-riding, Taekwondo, and aerobic dance were not chosen unless on special occasions. These were widely regarded as to be solely worn by sports players. With increasing population of amateur sport men, it is thought necessary to develop designs of sports wear applicable to daily life, excepting those for professional players.

고대 동북아시아 국가의 복식 미의식 비교 연구-한국, 중국, 일본을 중심으로-

임영자,박정숙 아시아민족조형학회 2002 아시아민족조형학보 Vol.- No.-

It is meaning that the comparative study of aesthetic costume Korea, Chines, Japanes in ancient northeast asia culture for the deep study oriental philosophy.<br/> Ancient China has long history and then specialrized the symbolic system, ancient Korea has the special feature in historic fixation from nomads to farming, ancient Japan has the character of age creation of imitation to being advanced culture.<br/> Chines costume has a ceremonial sorcery symbol, large scale, authority. Korean costume based on two piece prefer proportion of up and down, sporty, personal coordination, Japaniss costume has simple, straight, plain.<br/> These aesthetic has based on Middle Age, Modern costume.

돈황특집 : 비천복식에 관한 고찰 - 돈황비천과 고구려 고분벽화비천을 중심으로 -

임영자 건국대학교 중국문제연구소 1991 중국연구 Vol.10 No.-

자궁외임신

임영자,Lim Yong Za 대한간호협회 1964 대한간호 Vol.3 No.6

최승희 무용의상의 특성과 현대패션과의 상관성

임영자,박유신 복식문화학회 2000 服飾文化硏究 Vol.8 No.5

The purpose of this study is to discover the interrelationship between modern costumes and Seung-Hee Choi's dancing costumes in 1930s. Seung-Hee Choi, who was a dancing pioneer in Korea, introduced the modern dancing costumes for the first time in Korea. The results are as followed; First, we can find Eroticism in Choi's dancing dress. Choi's dancing costume had used gold thread, silver threads spangle, see-through and a half-naked body clothing that decorated with beads and cords. It is similar to modern costumes in ubjet mitter, silhouette, design, and so on, Second, the influence of Futurism was in her dancing costumes, that is, it represented asymmetry designs and rectilinear figures. Third, not only beauty but also a Functionalism was expressed in her dancing costumes. Functional beauty was shown through bias cut, pleats, slit, and so on.

신유, 그 놀라운 은총 : 예배의 자리는 생명의 자리

임영자 기독교대한성결교회 활천사 2016 활천 Vol.747 No.2

농촌의 결핵환자 상태와 치료상황

임영자 대한간호협회 1971 대한간호 Vol.10 No.6

실물로 본 색채와 무늬 (紋)의 고찰

임영자 한국복식학회 1980 服飾 Vol.3 No.-

빈공방(Wiener Werkstaette) 직물디자인의 예술적 특성 연구

임영자,최옥수 한국복식학회 2004 춘계 학술대회 Vol.2004 No.-