Pulmonary Function and Respiratory Symptoms of Workers in Shoe Factories in Busan

윤혜경,이길현,현경예,Yoon, Hae-Gyung,Lee, Gil-Hyun,Hyun, Kyung-Yae The Korean Fiber Society 2018 한국섬유공학회지 Vol.55 No.1

This study aimed to examine changes in pulmonary function variables on the physiological and occupational indicators of shoe manufacturing workers in Busan, South Korea. The general characteristics of the subjects, such as gender, age, height, weight, smoking status, years of smoking, drinking status, and family medical history were surveyed using a questionnaire. Physiological indicators associated with pulmonary function were also examined, including medications, cough status and type, sputum status, nasal stuffiness, snoring, eye irritation, etc. Subjects' ventilatory defect types were categorized based on the results of pulmonary function tests, and changes in pulmonary function depending on physiological and occupational variables were analyzed. Regression analysis was conducted on the variables that were statistically significant, and odds ratios were calculated.

스트라빈스키의 < Septet >의 제 1, 2, 3악장 분석 연구

윤혜경 ( Hae-kyung Yoon ),강순영 ( Soon-young Kang ) 한국고등직업교육학회 2001 한국고등직업교육학회논문집 Vol.2 No.3

The purpose of this treatise is looking into the musical form of Igor Stravinsky(1882~1971), one of representatives of the 20th century composers, and investigating Stravinsky’s musical peculiarity by analyzing his work < Septet >( 1952~1953) Igor Stravinsky had continuously made a variety of changes on musical forms throughout his entire life. In the light of that, he had created his own musical world by accepting new musical forms of the 20 century musical circle. His musical life can be divided into 3 periods as follows : First period of primitivism, Second period of neo-classicism and Third period of serialism. The < Septet >, analyzed in this treatise, is one of his works of Third period of serialism. Stravinsky had applied both traditional mode of sonata/variation/fugue forms and part of serial as base motif in the < Septet >. Therefore, the < Septet > is properly harmonizing his earlier serial techniques. Through the analysis of the < Septet >, this treatise takes a look at how Stravinsky, who had dinged to neo-classicism, using new mode of serial and had harmonized old with new mode.

자유 형태 생성을 위한 건축적 다이어그램의 자기 지시성에 관한 연구

윤혜경(Yoon Hae-Kyung),홍원화(Hong Won-Hwa) 대한건축학회 2010 대한건축학회논문집 Vol.26 No.10

In the field of architecture, the form is one of the most important element. Thus it opens a discussion of design integrity. As the concept of time and space change in philosophy and other broad field of study, the architecture also evolved in response to mutating society. In the 1960s, architects have introduced the concept of Russian Formalism which affected the wide range of studies for seeking freedom in the form of architecture. Since 1980s, when Self-reference, one of the formalism's attributes has began to emphasized, autonomy in the architecture became a reality. The self-reference in the architecture intends to create a form through its self-directed and regulated by interrelationship within the inner form of architecture. It is the same concept as the theory of morphogenesis. Today self-reference is even more stressed with advancement of digital technology in architectural practice. With implementation of a diagram as a concept of abstract machine of Gilles Deleuze, self-reference is recognized as a principal of architectural generation. This study demonstrates the relationship of utilizing self-reference in the diagram. Contemporary architects apply this principal to create free-form generation, fundamental application, and direction of projects. Therefore, this study focus on how the self-reference as shown in the diagram is being used as a tool by contemporary architects to work on a free-form generation and to provide the fundamental reflection and direction when the architects use the diagram as a tool.

현대건축의 공간형태 생성으로서의 다이어그램에 관한 연구

윤혜경(Yoon Hae-Kyung),홍원화(Hong Won-Hwa) 대한건축학회 2012 대한건축학회논문집 Vol.28 No.4

The concept of a space in contemporary architecture cannot be seen as being simply empty space, but it is the understanding that space has vitality. Because many architectural elements interact with each other, this allows other forms to be created or destroyed constantly in space. Therefore modern architectural forms need to be considered with the quality of a space. The meaning of the space in contemporary architecture is largely consisted of a phenomenological and topological thinking system. Therefore, this study is focused on the spatial understanding on operating the architectural diagram for constructing the spatial form. First of all, after understanding the thought of space in modern society, the method of diagram was classified into phenomenological and topological space construction. A way of classifying the phenomenological space construction can be subdivided into diagrams: human behavior, data, image, language for form construction and principle for form generation. Topological space construction can be classified into diagrams which have information processing and interpretation, organization, structure, sequence, and circulation. This study will provide a base for the right direction in practical use of diagram; when diagram is used for the construction of spatial form that has the space quality of modern society.

바르톡의 미크로코스모스 중 <불가리안 리듬에 의한 6개의 무곡>의 분석연구

윤혜경 ( Hae-kyung Yoon ) 한국고등직업교육학회 2002 한국고등직업교육학회논문집 Vol.3 No.2

Bela Bartok is a Hungarian musician and pianist who played unique music techniques base on folk music and various musical trends such as C. Debussy's Impressionism, I. Stravinsky’s Primitivism and A. Schoenberg's Expressionism. This thesis not only covers Bartok's musical features mainly through piano works but studies a variety of musical literatures and notes on musical scale, melody subject, rhythm and harmony used in his works. Based on these informations, this thesis sorts out his piano work 'Mikrokosmos; according to its features. In addition to that, it studies which subjects and ideas helped his composition. Especially, this thesis analyses 6 dances of Bulgarian rhythm considered the best of ’Mikrokosmos'. Mikrokosmos’ 6 dances of Bulgarian rhythm made use of asymmetric added rhythm and mixed mainly church Mode and Tonal system. This work is simple in form but has a lot of repetition and modified repetition. And we can find Ostinato and Pedal point methods very often in this work. Harmonies are mainly consisted of 9th harmony, 4th degree composition and chromatic or diatonic scale etc. These various characteristic harmonies appear in entire work.

Aminoglycoside 류의 임상적 응용에 관한 고찰

윤혜경(Hae Kyung Yoon) 경희대학교 동서약학연구소 1986 경희약대 논문집 Vol.14 No.-

N/A N/A

알렉산더 스크리아빈의 「소나타 No. 10, Op. 70」의 분석 연구

윤혜경 ( Hae-kyung Yoon ) 한국고등직업교육학회 2004 한국고등직업교육학회논문집 Vol.5 No.2

Alexander Nikolaevich Scriabin, one of the representative artists in Russia, is a well-known creative composer. He didn't involve not only in Nationalism but in the later Romanticism which were main streams those days. Besides, most of his works didn’t relate to the Russian folk styles unlike other composers’ at that time. He was deeply interested in Mysticism, one of the philosophy of religions, used it as an ideological artistic background and created a new harmony “Mystic Chord”. Mysticism runs throughout his works. Scriabin mostly composed piano music. Especially, 10 piano sonatas played an important role in his entire works, representing his musical features and development process very well. Among Scriabin’s later works which were filled with his creativity, the last piano sonata, No. 10 Op. 70 sticks to a traditional sonata style. But he tried many different rhythms and harmonies when he made it. Scriabin tried Mystic Chord, Augmented 3rd chord, Poly-Chord and so on to express atonality. He also used Irregular Time, Poly-Rhythm and liked frequently to make new rhythms.

프로그램과 다이어그램의 적용을 통한 건축 형태 생성 연구

윤혜경(Yoon Hae-Kyung),김주영(Kim Ju-Young),홍원화(Hong Won-Hwa) 대한건축학회 2010 대한건축학회논문집 Vol.26 No.2

Since 1990s, architects have pursued the creative form using a design process of program, diagram, and form without constraints of typology. In modern architecture, the process of program and diagram have been applied, but have not had significant influence in creating an effective form. Due to interpretation of the program as only a list of functions and inclination to keep within the constraints of predetermined frame, the diagram failed to recognize the needed space. Through this study, the program of contemporary architecture has shown various aspects of complex characteristics that reflect on areas such as behavioral, environmental, and social science. In order to express visually, contemporary architects are in quest of constructing an actual form with dynamic diagram that reflects its relationship among other programs into a space within a diagram. In conclusion, the creation of an open form is affected by the interpretation of program. An architect has to recognize the diverse characteristics of certain society and respond to changes by modifying the interpretation and designing of architectural program.

청국장 가루를 첨가한 설기떡의 품질 특성

박경심(Kyung Sim Park),장정옥(Jung Ok Jang),윤혜경(Hae Kyung Yoon),김형령(Hyung Ryul Kim) 한국조리학회 2010 한국조리학회지 Vol.16 No.3

대구광역시 단독주택의 에너지 및 온실가스 배출원단위 작성에 관한 연구

김유란,윤혜경,김주영,전규엽,홍원화,Kim, Yu-Lan,Yoon, Hae-Kyung,Kim, Ju-Young,Jeon, Gyu-Yeob,Hong, Won-Hwa 한국주거학회 2011 한국주거학회 논문집 Vol.22 No.2

In the energy consumption of buildings in Korea, the housing sector accounts for 53% of a total energy consumption. Although the researches of energy consumption on the new detached houses and apartment houses have been conducted numerous times, the researches of energy consumption characteristics on the existing detached houses are lack of studies. Thus in this study, the actual condition of energy consumption characteristics on the existing detached houses in Daegu city was examined, and then energy consumption unit and green house gas emission unit was compiled to present a fundamental data for an effective way of reducing energy consumption and greenhouse gas emission in the buildings. The results showed that the energy consumption for heating in the existing detached house was greater than other energy consumption and the heating energy sources were city gas and fuel oil. As the fuel oil consumption got larger, the energy consumption unit and greenhouse gas emission unit became bigger. Based on these results, it will be able to develop a plan for reducing energy and greenhouse gas emission in the existing detached houses in the future.