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Howell's Realism Reconsidered: Representing the Unrepresentable in A Hazard of New Fortunes
양석원 한국영어영문학회 2003 영어 영문학 Vol.49 No.4
Drawing upon Georg Lukcs's theory of the novel and Ernst Mandel's periodization of capitalism, Fredric Jameson argues that realism, corresponding to early capitalism, could represent the social totality transparently, while modernism (and its predecessor, naturalism) and postmodernism, respectively produced in the age of monopoly and late capitalism, were doomed to fragmentary representations of reality without being able to discern the social totality. Written in the early stage of monopoly capitalism, William Dean Howells’s A Hazard of New Fortunes throws in bold relief the difficulty of mapping out the social totality of modern America. Basil March, the protagonist, initially tries to come to grips with modern American society, teeming with social fragmentation and class division, from an aesthetic point of view. After witnessing a labor strike and recognizing his own subjection to the power of the capitalist, Jacob Dryfoos, he is momentarily divested of aesthetic distance and briefly glimpses the socio-economic contradictions of American society. But he finally resorts to Christian charity and envisions a harmonious America without developing his glimpse into a deeper perception. His momentary glimpse into a disintegrated American society, however, ultimately renders his final middle class vision of American harmony superficial and factitious. If his misfired attempt to represent the unrepresentable totality of American society marks the failure of Howells's realism, this effect of debunking the middle class ideology of a harmonious America betokens the achievement of his realism.
원격지 로봇의 파지작업 교시를 위한 로봇 시뮬레이터의 개발
梁碩原,朴江 明知大學校 産業技術硏究所 2004 産業技術硏究所論文集 Vol.23 No.-
This paper proposes an object fine location algorithm that finds the location and orientation of the object with respect to the gripper coordinate system by matching the 3D virtual model and 2D image of the object. By using this algorithm easily locate the object and perform the grasping task in the remote control room. Robot simulator is used to plan the grasping pose and the path the robot gripper. Through simulation, robot tasks are quickly and safely performed under changing working environment.
Rewriting Early American History in Hawthorne's "My Kinsman, Major Molineux"
양석원 연세대학교 영어영문학회 1995 영어영문학연구 Vol.17 No.-
With the advent of mass politics, territorial expansion, and economic development, the age of Jackson marked a new phase in American history, at least in terms of ideology and rhetoric if not of reality Also denominated an the "age of common man," it was the time when "the people," as collective agents, seemed to emerge as the subject of history However, Jacksoman Americans did not take upon themselves to carve out a novel history On the contrary, the Jacksoman people were the beneficiaries of glorious historical achievement the heroic fathers of the American Revolution had already made a generation ago Making a sanguine assessment of the present "state of the nation," Andrew Jackson, in his "Farewell Address."
A study on synthesis of heat fastness pigment by new process
양석원,김재환,김도현,박성수 한국공업화학회 2016 한국공업화학회 연구논문 초록집 Vol.2016 No.1
Despite higher costs, improved properties are driving growth for high performance pigments in a variety of printing markets and including packaging. Pigment red 254 (diketopyrrolopyrroles (DPP)) has been used as high performance pigment due to its unique brilliant red hue and high heat fastness. But DPP has a high manufacturing cost as a complicated process and waste water treatment problem. In this study, we synthesized red 254 DPP pigments in various condition such as solvent, temperature and derivative with simple process and low cost. Then Particle size and shape were evaluated by using transmission electron microscope (TEM), field emission scanning electron microscope (FE-SEM) and particle size analyzer (PSA). Finally, properties as dispersion sol were analyzed by tobiscan. As a result, we were able to produce high-performance red color pigments with various particle size and distribution.
미셸 푸코 이론에서의 주체와 권력: 응시의 개념을 중심으로
양석원 한국비평이론학회 2003 비평과이론 Vol.8 No.1
Michel Foucault is usually assessed as one of the representative proponents of (post)structuralism since he privileged discourse or structure over the human subject. His argument, which has undergone major theoretical shifts, however, does not simply confirm (post)structuralism, but problematizes its theoretical foundation by probing the complex relationship between the subject and power. Early and mature Foucault gradually but firmly develops a solid notion of power that judges and almost tyrannizes over the subject, a power that is most effectively exercised through the gaze. Late Foucault, however, advocates for the subject that can resist the power mechanism and refashion its own autonomous existence. In Madness and Civilization Foucault investigates how from the classical age Western society tended to define madness as a deviation from the norm of reason and reduce it to an object of observation and supervision. In The Birth of the Clinic Foucault traces the emergence of the medical gaze of the doctor, who, as the agent of normative power, passes judgment on the subject (the patient). Examining the radical change in the punitive system of modern Western society in Discipline and Punish, Foucault argues that the invisible, anonymous power of modern bourgeois society replaced the spectacular and self-displaying power of monarchs and put the modern subject under a persistent and more penetrating surveillance. The first volume of The History of Sexuality further explores the nature of modern power by defining it as bio-power, which dominates the subject by sustaining its life, in contrast to the power of the sovereign, which culminates in the killing of the subject. Shifting his focus from power to power relation and then to the subject, however, Foucault claims that power relation necessarily presupposes the resistance and liberty of the subject on whom power is exercised. In his later writings, including his essay on Kant’s “What is Enlightenment?” and the second and third volumes of The History of Sexuality, he announces that his real concern is not power but the subject, and we need an ethics of autonomous subjectivity or an aesthetics of existence which enables us critically to see our constituted identity and fashion a new ethical subject. Notwithstanding this call for the ethical subject, however, Foucault fails to provide an account for what makes one resist power and form a free and autonomous subjectivity, mainly because he neglected the psychoanalytic dimension of the subject’s unconscious desire as that motive force which drives the subject to resist its socially given identity.