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양길순,류영래,한재진,함희석 광주보건대학 1981 論文集 Vol.6 No.-
To know the effect of tube voltage in X-Ray Radiography. We made an experimental study on the tube voltage, on the exposure dose in taking general examination, and obtained the results as follows. A) In the Radiographic of the Chest P-A; The experimental value of tube voltage was obtained under the control of the applied voltage, the kind of some apparatus and thickness of body. 1) The average chest Radiographic condition was resulted as 65.5Kv, 16.6 mAs in Hospital around the chonnam area 2) It was resulted 21.93cm in average Thickness of the chest, exposure dose 20mR B) The thickness was 19.22cm in the abdomen and then appeared average tube voltage was 71.6Kv, 68.2 mAs C) Estimation could not in difference with because of the working dark room uniformly to hand-operated and automatic process.
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이병옥,양길순 龍仁大學校 2009 용인대학교 논문집 Vol.27 No.-
The purpose of this study is to examine the life of Sook Ja Kim and the succession of her family tradition, and to clarify the talented performance and shamanistic characters of her dances. Kim's dances can be classified into the ones that have originated from shamanism, the dances of talented performers, and the dances of Gisaeng. Kim learned the shamanistic dance and talented performers' dance from her father and was also taught by Jin Young Cho to develop her shamanistic dance and Gisaeng dance. Most of her dances were taught by men. Kim preserved the shamanistic dance she had learned from her father, Duk Soon Kim, for about 50 years. The origin of Kim's dance is shamanism as her father taught her during her lessons in a cavern that shamanism is the origin and essence of all arts. On top of her artistic talents, Kim was rigorously trained by her father since young and succeeded her mother's shamanistic talents. Therefore, the depth of her world of art deepened as time passed. Kim's most famous dance was Dosalpurichum. There are many other dances, including Gyeonggi Dodanggut that is actively succeeding Ipchum and Bujeong Nori, as well as Seungmu, Taepyeongmu, Hakchum, Geommu, Sinseonmu, Palseonnyeo, and Hanryangmu. In sum, talented performers' dances Kim succeeded are Hanryangmu, Ipchum, Seungmu, and Taepyeongmu, and her Ggaeggeumchum, Jeseokchum, Bujeong Nori, Teobeollimchum, and Dosalpurichum are dances with shamanistic characters. Therefore, Kim's world of dance is rather different from other traditional dances of Gisaeng. Kim's artistic qualities she directly succeeded from her father cherish the historic dances of talented performers of old times. This study has discovered that Kim has put much effort into developing the techniques of talented performers into the true dances to be performed on stage and her devotion to preserve the tradition has greatly contributed to preserving the tradition of Korean dances. Thus, I strongly believe that her dances must be succeeded along with her true spirit as a talented performer and artist.
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