펄스 레이저 증착법에 의한 $(Pb_{0.72}La_{0.28})Ti_{0.93}O_3$ 박막의 제작 및 특성

심경석,이상렬,Shim, Kyung-Suk,Lee, Sang-Yeol 대한전기학회 1999 전기학회논문지C Vol.48 No.5

Dielectric thin films of PLT(28) ($(Pb_{0.72}La_{0.28})Ti_{0.93}O_3$) have been deposited on $Pt/Ti/SiO_2/Si$ substrates in situ by a laser ablation. We have systematically changed the laser fluence from 0.4 J/$cm^2$ to 3 J/$cm^2$, and deposition temperature from $450^{\circ}C\; to\; 700^{\circ}C$. The surface morphology was changed from planar grain structure to columnar structure as the nucleation energy was increased. The PLT thin film with columnar structure showed good dielectric properties. The deposition temperature influenced on nucleation energy much stronger than the laser energy density did.

아동소설 속의 죽음과 성자의 고통: 『영원한 턱가족』과 『테라비시아 다리』의 경우

심경석 ( Kyung Seok Shim ) 미국소설학회(구 한국호손학회) 2009 미국소설 Vol.16 No.2

Both Tuck Everlasting and Bridge to Terabithia are distinguished by their masterful treatment of the issue of death. Babbitt`s novel is intertwined with such mixed genres as folklore, fantasy, and realism, which, when taken together, contribute to an unique atmosphere. Together with the extension of self, this somewhat philosophical novel successfully delves into the meaning of immortality, as is show by the families of Tuck and Winnie. In addition, the novel emphasizes a blurred demarcation between absolute good and bad and thus reveals the complexity of human life. Paterson`s work is concerned with realism unlike that of Babbitt. The author focuses on the harsh reality and the impact of his friend`s death on the young protagonist, Jesse, rather than the meaning of death and life that Babbit explores. The no-nonsense tough world and the weight of suffering that the young boy felt to the bone are presented vividly and remarkably. Furthermore, this work represents the boy`s delicate feelings and internal transformation reliably, which greatly enhances the novel`s artistic merit. Both novel tend to acknowledge the impossibility of childhood`s innocence and deny an existence of an ideal, safe place for children. However, they concur in comforting the reader despite their treatment of human`s ultimate suffering-death, by providing an optimistic vision in their conclusion.

레이저 증착변수에 의한 다이아몬드상 카본 박막 특성변화

沈坰晳(Kyung-Suk Shim),李相烈(Sang Yeol Lee) 대한전기학회 1999 전기학회논문지C Vol.48 No.5

' 순수 의식 ' 과 정보화 사회 : 영화 < 폭로 > 와 < 알라딘 > 의 타자 , 젠더 , 성애

심경석(Kyung Seok Shim) 문학과영상학회 2001 문학과영상 Vol.2 No.1

It has been widely expected that new technological innovations can foster democracy and even purge the world of war and violence. As such, a major character in the film of Disclosure declares that the advent of digitalized society can enable the human consciousness to relate to one another through pure consciousness which can be defined as freedom from gender, class, and race. However, the film eloquently illustrates the impossibility of such a dream. It further shows the adverse effects of the digitalized society and implies that anti-feminism and racism persist, which shatters the Utopian dream that human beings earnestly desire in the age of information. By the same token, Aladdin is crucial to understanding the Western society`s attitude toward the Other. The film was released right after the Gulf War, which broadcast media graphically conveyed as a digitalized image of war to the people throughout the world. The Disney film seems to be apparently non-ideological, but it is deeply embedded with the Orientalism that Edward Said refers to; the sexyal fantasy hat Western society cherishes is represented through half-naked ladies with veils, and the American belief in fortune is portrayed through the character Alladin, an ideal figure of self-reliance and of a rag-to-riches hero who is described as the savior of Princess and the kingdom. Further, the Arab people are portrayed as brutal and non-rational as s indicated in Said`s Orientalism. In fact, the film is a subtle criticism of the Arab world, while valorizing President George Bush`s new world order. Indeed, the utopian dream of pure consciousness that the information age is believed to create is an unfulfilled illusion in both texts.

최근 한국전쟁 소설의 확장과 변모

심경석(Shim, Kyung-seok) 원광대학교 인문학연구소 2015 열린정신 인문학연구 Vol.16 No.2

Despite the fact that Korean War fictions are published almost every year, the works are hardly scrutinized and are little known. This paper examines several recent Korean War fictions and explores their diverse themes and characteristics, which distinguish themselves from earlier Korean War fictions in the 1950s and 60s. In I Am the Clay and Hope in Hungnam, the Korean women characters emerge as dignified and sympathetic protagonists. Korean history and culture are also well explored. Both novels emphasize the characters’ strong possibility of redemption by revealing their humanity and charity under unbearable circumstances. They also characterize women’s voice, which has been repressed in the war narratives. Battle Songs delves into violent American culture in a mining town near Pittsburgh and its relationship to the Korean War. In addition, the novel reveals the futility of war, with scenes in which American soldiers kill each other. As such, the work is juxtaposed to the Vietnam War narrative, Deer Hunter and Platoon, in particular. War Babies is unique in its dealing with the children of prisoners of war, their struggle against the legacy of their fathers, and the evil nature of human beings. Its characters continue to be bewildered and even frustrated at the end of the narrative whereas the works above focus on redemption and healing. It implies that the troubling legacy of the POWs are too deeply embedded in the American society to rub out yet. It is noteworthy that these novels are created by non-Korean War veterans and their imaginary writing significantly contributes to enriching Korean War literature.

한국전쟁 포로소설과 젠더, 모성주의, 국가안보

심경석 ( Kyung Seok Shim ) 한국영어영문학회 2012 영어 영문학 Vol.58 No.2

This paper explores how gender, sexuality, momism and national security are intertwined in the POW fictions of the Korean War, revealing the blurred demarcation line of the private and the public during the Cold War era. Works such as Night and Valley of Fire reveal the weakened manhood of the soldiers who were brainwashed or easily succumbed to the enemy during their imprisonment. The novels commonly attribute their weakness to materialism and spiritual corruption prevalent in the society, in addition to mass media including TV. Moreover, a social critic like Phillip Wily provokes the polemical idea of "Momism" which was ardently circulated among some male circles. In Manchurian Candidate, momism is integrated into incest and homosexuality, epitomized by Raymond and his mother. The novel illustrates how momism can be dangerous to national security and devastate the growth of manhood. Mrs. Iselin, a masculinized middle-aged woman, becomes a ``monster`` whose overweening desire for power overrides any maternal concern for her son. Such ``monstrosity`` exposes the danger of a woman who can castrate a man and manipulate a society. To a certain extent, the same tendency can be found in Turncoat and Night. Both novels reveal how the love of mother brings detrimental impact on boys who become prey to the communist`s brainwashing in the POW camps. In short, the POW novels betray society`s patriarchal concerns with women`s emerging power threatening its ideology.

잊혀질 수 없는 기억: 할리우드의 한국전쟁 재현

심경석 ( Kyung Seok Shim ) 영미문학연구회 2010 안과 밖 Vol.0 No.29

This essay proves that Hollywood`s treatment of the Korean War fully anticipates the filmic representation of the Vietnam War. In fact, the Korean war becomes the military and cinematic proving ground for the later conflict because of the strong affinities between the two wars. Such early Korean war films as One Minute to Zero, J Want You, and Retreat, Hell, have strong propagandistic nature within the formula of the war genre. However, the films still implicitly debate the nation`s commitment to the war. In particular, Sam Fuller`s Steet Helmet is remarkable for its explicit subversion of the convention. His new approach greatly influences the later major Korean War films like The Bridges at Toko-Ri, Men in War, Pork Chop Hilt, and War Hunt when they bring to the screen the war`s grim reality. They accomodate killing the refugees and civilians, the soldiers who are reluctant to fight for the nation`s questionable intervention of the war, the discrepancy between the government and the people looking at the war, internal conflicts among soldiers and officers, and racial problems., These issues are literally true of the Vietnam War. Indeed, Hollywood`s dealing of the Korean War is prophetic to another war in Asia.

다이아몬드상 카본박막의 펄스레이저 증착법 연구

沈坰晳(Kyung-Suk Shim),李相烈(Sang Yeol Lee) 대한전기학회 1999 전기학회논문지C Vol.48 No.6

월트 디즈니 만화영화 < 인어공주 > , < 미녀와 야수 > , < 라이언 킹 > 의 정치성과 순진성

심경석(Kyung Seok Shim) 문학과영상학회 2001 문학과영상 Vol.2 No.2

This paper explores gender, cultural identities, and social issues in the Walt Disney`s feature films such as The Little Mermaid, Beauty and the Beast, and The Lion King. Disney censored violence, sex, and politically sensitive issue to uphold their of creating a children`s heaven. Simultaneously, Disney could not ignore the films` commercial profitability. Graphic violence and other undesirable scenes for children make Disney`s idea of innocence questionable. Furthermore, the films respectively deal with feminism, multi-culturalism, and ecology in order to draw the audience`s attention. But such representations does not spill over the acceptable boundaries of the white middle class norms. The Little Mermaid subtly betrays its antagonistic attitude toward woman`s political dominance despite its apparent feminism. At the end of film, Ursula, who dares to challenge the power of King Triton, is literally submerged by the penetration of the ship`s poignant prow which symbolizes the phallus. Beauty and the Beast undoubtedly rejects the traditional masculinity and praises women who seek self-determination. The film seems to consciously make the audience familiarized with feminism. However, violence and sex are subtly internalized, and women are constantly victimized and harassed in the film. Finally, The Lion King is most controversial in its dealing of minorities, which are represented by hyenas, who are totally cast out of the Pride Land. They are condemned to suffer hunger. Their image is intertwined with minorities, and the gaining of power brings disaster, for they disrupt the circle of life, which is the ecological balance of the kingdom. Indeed, the films respectively endeavor to produce politically corrected films in order to avoid controversies. Nevertheless, their desire to satisfy perceived societal norms unwittingly resulted in an unexpected controversy, as is proves in those films.

서양인과 “거인”의 근대 조선 여행기 : The Korean Repository에 실린 기행문을 중심으로

심경석(Shim, Kyungseok) 순천향대학교 인문학연구소 2021 순천향 인문과학논총 Vol.40 No.1

여행은 백지의 상태에서 미지의 장소를 경험하는 경우도 있지만 여행자들은 책을 통해 얻은 지식과 다른 여행자가 경험한 이야기를 통해 구성된 시각으로 응시를 하게 된다. 미국 사상가 에머슨은 이런 것을 “거인”으로 불렀다. 이 글은 국내 최초의 영문 월간잡지 The Korean Repository에 실린 근대조선의 기행문 일곱 편, 특히「백두산 여행」(A Trip To the Mont Blanc of Korea I, II)과「압록강 너머」(To the Yaloo and Beyond I, II, III)를 중심으로 이 “거인”의 본질, 즉 대상을 바라보는 주체의 시각을 매개하는, 그 기저에 있는 요인들을 점검한다. 또한 “거인”의 힘에도 불구하고 자발적인 주체의 직관적 인식이 동시에 어떻게 미세하게나마 드러나 있는지 탐구한다. 이 기행문에 대한 검토는 비숍이나 다른 유럽 여행자들의 기록과 별 차이가 없는, 같은 시선이 글에서 반복됨을 입증한다. 이들 기록은 에머슨이 언급한 “거인”―유럽인의 문화, 과학, 인종에 대한 우월감이 담겨 있는 시선―에 압도되어 있어 여행지에 대한 객관적 시각은 존재하지 않는다는 점을 상기시킨다. 즉 유럽인의 글에 재현된 조선의 모습은 서구 지식인의 자기 이데올로기적 투영에 불과함을 분명하게 보여준다. This paper attempts to reveal how the “giant” of Western travellers of the late 19th century prevails over their writings on Korea in the English magazine, The Korean Repository. The term “giant” that R. W. Emerson uses in his essay, Self-Reliance could refer to their reading experiences, the stories that they heard, and such contemporary discourse on racism, imperialism, and Christianity. And the “giant” mediates between self and sight and determines their present observation. Indeed, in the texts of To the Yaloo and Beyond, an American missionary, J. H. Wells attributes the stagnation of the civilization in Korea to the lack of Christianity and betrays what is embedded in his assertion. The British army officer, Cavendish, having travelled in Korea, describes the country as being in “three thousand years behind modern civilization.” This statement reflects the Western people’s refusal to acknowledge the East Asia as their equal. The East Asia remains ancient or at least pre-modern to their eyes. His travel companion, Captain Goold-Adams follows Oppert’s racial description that Koreans are of two races: Mongolians and Caucasians, and colonial racism is also apparent in his description. G. S. Gale, a Canadian missionary and Jack London, an American correspondent detail the problems of sanitation and laziness which are repeatedly mentioned in other writings. The “giant” of contemporary discourses contaminates the travellers’ eye and their texts tend to rewrite what other travellers have said before. Interestingly, Gale’s later texts show his changed perceptions toward the Korean people and reveals his sympathy and respect as do Isabella Bishop’s writings. However, their degree of conversion seems to be rather limited. For complete conversion means to deny the civilization that creates and shapes their own selves and identities. The Western travellers’ identical representations of Korea confirm that those texts are merely the reflection of the western ideology.