학교보건사업-무엇이 문제인가?

성옥희 한국보건교육건강증진학회 1996 한국보건교육·건강증진학회 학술대회 발표논문집 Vol.- No.-

Tapestry의 歷史的 考察

成玉姬 建國大學校生活文化硏究所 1977 생활문화ㆍ예술논집 Vol.1 No.-

In this study I summarized a general survey on Tapestry, which should be distinguished itself from the Embroidery, whose unique position occupied in the history of lengthy Korean Industrial Arts. Furthermore, I conducted a survey on present status of the Art of Tapestry in Modern Industrial Arts, and simultaneously clarified the direction that the Tapestry Art should take. Though there is no any definite data for the origin of Tapestry however, there is a positive proof that it had been applied actually by the ancient Middle and Near East followed by American Continent before the discovery of continent by Columbus. In discussion of Ancient Tapestry, we can not exclude the fact that the Coptic Tapestries were produced by Coptic people, who introduced Christianity into the Egypt in the most early period. Coptic Tapestry is a sort of product through Byzantine in transition period from Ancient Middle and Near East to Medieval Europe. In case of Orient, although there is a silk tapestry called "Haengju Tapestry" produced in the Dang Dynasty period of China but there exist no a sufficient piece of the works to definitely study the over-all nature of the then Tapestry. We, at this time, have to note the fact, through all the eras and continents, all the tapestries were produced consistently by the same principle as in which the tapestries had been weaved on warp with the colored woof. Medieval Art was a Fine Art of Christianity which formed and developed on the base of Christianity. While the art of Tapestry is an extravagant art and at the same time, it is art for Church, the King and Peers, and Noblemen. It is clear fact that there is no data regarding it when the Technology of Weaving (Jong Kwang) started in Europe but there were weaving machines which applied wool as warp and woof in 12th and 13th centuries. Medieval Tapestries which may be called beautified mirror of society and history of Medieval are detailed, ardent and definite records for the then clothes, labor and daily life of those days, and they reflect the spirit of the public in those day through integration of other fields of arts such as Architecture, picture, Dessin, Decoration miniature, narrative, poem and novel. A famous tapestry in Renaissance era is the work "The Acts of the Apostles" made by Raffaello, Italian Great Artist and it has been a sort of fashion and format ever since its emergence and then it resulted in new era in history of Tapestry. It is because that since then, the Tapestry has been belonged to picture for a considerable period. While, in these days, Gobelin Woven, goods were broadly known and the tapestries produced in those days had basically influenced on the tapestry until the year of 1940. An unique fact is that the tapestry had been participated as role of picture in France until the year of 1780 and that the tapestry was a Public and State art in nature. Two most important facts in history of Tapestry of Renaissance are; One is that Medieval tradition was disregarded to destruction and the other is that the tapestries were made in Art-Work Room of Monarch in various countries and also in the Art-Work Room established by the King of France and therefore, they had been patterned after the same mode as mentioned previously and they belonged to Picture. After Renaissance, the Teniers style had been developed for a considerable times and we have to note the fact that, after the latter half of the 17th century, the history of Tapestry is, so-called, the history of the Golelins and thereafter, the word "Golelins" had become the synonyum as the Tapestry for three centuries. Tapestry become a lovable and precious piece of fine art and the religious and exorbitantly exaggerated products disappeared and Tapestry become the art which may make the people happy and pleasant only. France had taken the lead in the arts of the world from 18th century through 19th century and it played an active part in tapestry art prominently. In the 19th century, the tapestry had a great renoation and the conception was found that Tapestry can not be the work for imitation of picture merely and also, in the last period of the 19th century Mechanical Civilization had been completed in dissemination and it came into wide use for practical use as a part of household furniture and daily neccesities and in this stage, the campaign for study on beauty and purpose of Tapestry from new angle of point had emerged and developed in all the countries. Lur??at, Painter in France made an authentic renovation in history of Tapestry art and Lur??at made a success largely as Painter by the year of 1939. Lur??at started to show the aspect of Dessin Painter for Tapestry in few years before the World War Ⅱ and the Basic principle of Lur??at Art existed in the Medieval Tapestry and it was established in accordance with the following three principles: The First : Coloring is restricted and controlled in use. Second : Method of perspective is rejected. Third : Decoration of the edge is excluded. The First International Biennial of Tapestry Exhibition was held in Laus??nne, sponsored by the C.I.T.A.M. which was initiated by Lur??at as its promotor on June 15, 1962 and the 8th International Biennial of Tapestry Exhibition was held from Jun. 4, through Sept. 25, 1977. We may point out the following three traits in modern tapestry art works: First : Well known painters such as Picasso and Chagall largely engaged in the works of duplication of original picture with it as picture base and then transfer it to the wool cloth. Second : Lur??at style painter advocated independence of tapestry at the inception in mind of producing tapestry through weaving it by one ply with cooperation of weaving worker, which is traditional method. Third : The creators as well as Weaving workers are still producing tapestry. But their works are nothing but a sheet of woven goods and or a piece of metal sculpture. The history of Tapestry of Korea is not clear in traditional terms, it emerged in the latter half of 1960s and their works are mostly the same patterns as the previous second of modern tapestry. In this sense, we can say that Korea tapestry art is on status, which just passed the starting point. In order to develop the Korean Tapestry Art, we have to challenge the Modern Ultraindustrialized Society and Technology, which are playing as omnipotence, so as to restore manual rights of human(and) as well as to rehabilitate the humanity.

立體 構成에 관한 硏究

成玉姬 건국대학교 1972 學術誌 Vol.13 No.1

The solid structure is based on the foundation of a formative action like a plan structure, but this short thesis aims at studying as to how concrete and what purpose a man of willing to pursue the design should study on the solid structure. It replaces to a part of the course of training as the above. To help a bit far the person who has intention to study a design or has been in charge of education, 1 tried to bring the development ova new technique in the position of practise and practical technique not only to stay at the play of logic of nature. Thus, in this short thesis, I closely studied in brief on the practice of structure and theoretical conception of the solid structure which is a part of form structure. As a result, I obtained the following conclusion of three stages in order : Originally, the design lesson is : first; foundmental formative action that the formative lesson, structure, formation, and picture as an essential lesson in compliance with the development, and should be expaned with the feeling of aesthetic structure fur substance by conflicting each other within itself and becoming a high state. Second : to obtain the elemental technique of the first step necessary for design of product or communication. third : the general experience of creation in the course of expression of development, conception and analysis of design action that each is majoring.

양호 교사의 학교 환경 운동 방향

성옥희 韓國學校保健學會 1995 韓國學校保健學會誌 Vol.8 No.1

제 3 주제 : 학교보건사업 - 무엇이 문제인가 ?

고복자,이우모,성옥희 대한보건협회 1996 대한보건협회 보건종합학술대회 Vol.- No.-

主要日刊新聞 家庭欄의 分析과 主婦의 反應

趙昌淑,金敎玉,金暎辰,成玉姬 건국대학교 1974 學術誌 Vol.17 No.1

The purpose of this study is to investigate the degree of the interest of several newspapers in the household management and to analyse the actual need of housewives, the reader of the newspapers, for such informations given by the newspapers. 1305 articles on any subjects relating household management are gathered from 6 major newspapers published in Seoul during the year 1972, from January to December and the answers of 1080 housewives living in Seoul to the Specially prepared questionaire are collected for this purpose. The contents of articles are discussed under the classification of 6 cathegories: clothing, food, housing, child rearing and health, family relationships and home management. All newspapers revealed similar tendencies in providing the family column. The discrepancy between the actual need of the housewives and what has been offered by newspapers was found in every cathegories of the article. The erroneous, inadequate informations are pointed out particularly those of designs and technics of foreign dress making and also the food preparation, whereas well elaborated articles could be also recognized in the field of child rearing and the health. The notable thing was the lack of the interest from the side of newspapers partially also of the housewives in the method of making traditional costume and food, and in the matter of traditional etiquette. For the most of housewives use mainly the newspaper as the resource of their knowledge about the household management the important role of newspaper and the necessity of specialist's supervision for the family column were strongly emphasized by the authors.

간호사가 인식하는 간호본질에 대한 탐색적 연구 - 환자중심 병원서비스 전략구축을 위한 기초단계

서문자,김혜숙,김금순,임난영,김귀분,성옥희,주혜주,Suh, Moon Ja,Kim, Hea Sook,Kim, Kuem Soon,Lim, Nan Young,Kim, Kwuy Bun,Sung, Ok Hee,Ju, Hee Joo 대한간호협회 1996 대한간호 Vol.35 No.1

Reacently one the main issues has been to develop useful strategies to improve hospital services for patients in the health care delivery system in our rapidly changing society. This study has focused on exploring the perceptions that the clinical nurses have concerning who they are and what they are going to become in the days ahead as medical care reaches a new stage of advancement centered around the patient and hospital services. This study in also based upon the premise that the role of the clinical nurse practitioner. is central to the progress of any patient centered nursing program. This study was carried out by the members of the academic committee of Seoul Branch of Korean Nurses Association from January 1995 to February 1995. The interview method was a semi-structured questionnaire used to collect data from 25 staff nurses who were working more than 3 years at 3 different university hospitals in Seoul. The 6 interviews were selected from each hospital and they were trained for the interviewing techniques. The data were analysed qualitatively and 10 elements of the nurse's responsibilities classified such as caring for the patients (which includes specific medical care as well as general); assessing; diagnosing; coordinating with other health personnel; careful listening; teaching and the patient guiding; administering the prescriptions; giving information and counseling the patient; ward management. Although the premise of this study was based on a wholistic concept, the overall behavioral aspects of hospital clinical nursing were the major thrust of the questionnaire. Broad philosophical questions regarding the nature of nursing need to be further explored. The data gathered for this questionnaire should be useful as a reenforcement tool in educating nursing students as well as in continuing education for clinical nurses. For the future, another study should be done to determine the nursing/patient relationship.