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The Thematic Significance of the First-Person Pronouns in The Waste Land and Vienna
남승원 한국T.S.엘리엇학회 2020 T.S. 엘리엇 연구 Vol.30 No.1
This paper examines the use of the first-person pronouns in T. S. Eliot’s The Waste Land (1922) and Stephen Spender’s Vienna (1934) to argue that the different ways in which the first-person narrative is employed in each poem highlight the themes of fragmentation and socio-political oppression respectively. Literary critics have largely focused on analyzing the effectiveness of the poems in criticizing the political and social situations of the society they were written in, but little research to date has examined their use of the first-person pronoun. The first-person poetic voice is worth investigating as it provides insight on to what extent and by what means the poets themselves strive to enter their poems to deliver a (political) message to their generation which was suffering in the post-war period. In this paper, the identification processes of “I”s in The Waste Land are analyzed to determine their role in underscoring the poetic theme of fragmentation. Next, the juxtaposition of “we” with “they” in Vienna is studied to reveal the way in which it reflects the socio-political oppression that was going on against the socialists and the homosexuals in Europe at the time.
Deep oxidation of volatile organic compounds over red mud-based catalysts
남승원,김목련,김상채 한국공업화학회 2016 한국공업화학회 연구논문 초록집 Vol.2016 No.0
Red mud-based catalysts were applied to the catalytic oxidation of volatile organic compounds (VOCs; toluene, benzene, o-xylene and hexane). The effects of calcination temperatures in the range of 400-600 ℃ and pH on red mud-based catalysts were investigated. Calcination temperature and pH of red mud have an effect on catalytic activity. The properties of the prepared catalysts were characterized by using Brunauer-Emmett-Teller (BET), inductively coupled plasma atomic emission spectroscopy (ICP-AES), temperature programmed reduction (TPR), X-ray diffraction (XRD, Fourier transform infrared spectrophotometer (FTIR), scanning electron microscope (SEM) and field transmission electron microscope (FE-TEM) analyses.
The Decaying Dreams of Capitalism in The Great Gatsby and Parasite
남승원 문학과영상학회 2021 문학과영상 Vol.22 No.1
This paper examines the portrayal of social mobility and class conflict in F. Scott Fitzgerald’s novel The Great Gatsby (1925) and Bong Joon-ho’s film Parasite (2019) to argue that the two works depict the destruction of the American dream in monopoly capitalism and the Korean dream in late capitalism, respectively. Numerous critics have written on the significance of the American dream in The Great Gatsby, but seldom was an attempt made to place the novel alongside a film on the development trajectory of capitalism. Although the two works are situated in vastly different time periods and regions, they both depict the struggles of non-elites in capitalism where social mobility has become considerably low. In this paper, I investigate the socio-economic contexts of the two works to reveal the way in which they portray the underlying class conflict within capitalism that has led to the public’s disenchantment with the meritocratic values embedded in the American and the Korean dreams. Gatsby’s inability to use legitimate measures to earn his wealth is found in the structure of monopoly capitalism which does not allow fair competition to individuals against the accumulated capital of the eighteenth century captains of industry. It then investigates the way in which the Kims and the Ohs in Parasite have been relegated to the status of precariats who are subjected to informal employment with little hope for upward mobility. The paper concludes with an emphasis on the importance of the comparative study of cultural works that are shaped by diverse forms of capitalistic societies.