랭보의 시에 보이는 새로운 세계와 이미지 표현 방법

김혜신(Kim Hye-shin) 한국시학회 2016 한국시학연구 Vol.- No.48

랭보가 순수한 ‘빛’(종교적이거나 이데아적인 것과는 다른 극히 순수한 이 세계의 현상으로서의 빛)과 “새로운 소음(bruit neuf)”을 통해 이 세계의 사물들에 직접적으로 다가가려 한 관점과 그 시도는, 자연스럽게 빛과 소리의 예술인 영화 이미지의 영역과 비교될 수 있는 점들을 환기시킨다. 그의 이미지는 가령 플라톤적인 동굴에서 바라본 세계의 이미지와 전혀 다르고, 기독교적인 이미지와도 거리가 멀다. 랭보는 우리의 눈과 육체가 생기 어린 세계를 대하는 정동과 감각, 에너지, 운동감과 지속 시간을 빛과 소리를 통해 가장 직접적인 방식으로 지시하고, 표현하고자 했다. 이 경우, 이미지의 묘사 혹은 표현은 그 자체로 의미와 직결된다. 이 존재론적인 이미지를 지향한다는 면에서 랭보의 시와 현대 영화예술은 공통적이다. 시인이 일반 문학과 시의 경계 저 너머의 새로운 지평을 향해 나아가다 보니, 우연히 빛과 소리의 예술인 영화의 세계와 만나는 지점들이 생겼을 수도 있고, 우리가 앞에서 언급한 대로 매직랜턴을 비롯한 당대의 여러 시각예술들에서 시 이미지 표현 방법에 대한 영감을 받았을 수도 있다. 우리는 적어도, 『일뤼미나시옹』에서 시인이 자신의 ‘빛’과 구체적인 시각기제를 이용한 영사적 글쓰기를 하려고 의식적으로 시도한 흔적들은 확인해볼 수 있었다. 랭보의 성공은 섬광처럼 찰나적인 것으로만 나타난다. 그러나 여기에서 나오는 이미지들이 갖는 아름다움과 창조적 주이상스, 이미지를 쇄신시키는 에너지의 강도는 다른 어디에서도 볼 수 없는 것이다. 여기에는 창조적, 감정적, 물질적/육체적, 현상학적 ‘움직임’이 특유의 빛과 스크린 장치 속에서 가시화된다. 시인의 실패는 어쩌면 말과 문학이 ‘끝나는’ 시점에서 시작하고자 했던 ‘보는 자’의 시가 처음부터 숙명처럼 가질 수밖에 없는 것이 아닐까 한다. 시인 자신, 엄청난 애정과 힘을 기울여 이미지를 창조함과 동시에 파괴 혹은 청산해버릴 수밖에 없는 자신의 한계를 드러내며, 이 또한 『일뤼미나시옹』의 빼놓을 수 없는 한 이미지 슬라이드를 이룬다. The true modernity of Rimbaud can be found in his redefining a poet as a ‘laborer(travailleur)’ and persisting his efforts to the limit for creating poetry. This point has not been sufficiently emphasized even though Rimbaud himself considered it significant. For Rimbaud, poetry meant a ‘new labor(travail nouveau).’ He rejected inspirations from the Muse or the elegant poetry from a ‘noble heart(cher coeur),’ and he recognized poetry creating as an extremely arduous intellectual and physical ‘labor’ to conduct. Then, specifically what was the new contents and new way of poetry writing of Rimbaud? There may exist a number of hypotheses, but now I would make an attempt to start from the mechanism of Magic Lantern which belongs to the cinema archeology and the hypothesis of projective act for the purpose of shedding light on one new facet of Rimbaud’s poetry. In this point of view, Illuminations is a collection of poems composed of Magic Lantern mechanism and 44 plaques comprising a film. So to speak, it can be compared to an ‘experimental film’ made of lines-slides. The words and lines in the poems are often arranged in juxtaposition and a sort of montage relation. Through his own inventive way of film projection on the ‘screen’ (“projective ecriture”) which was more advanced than Magic Lantern and, in my view, way ahead of his time, the poet expresses the process of specific imagination and tangible ‘presentification’ of unknown objects and even its mechanisms. Without separating the poet and his images, Illuminations vividly presents the scene of poetic creation in which a poet struggles in the whole procedures of image conception, filming, editing and projection. As Rimbaud says, that is a marvelous ‘workplace(chantier)’ where everything converges as a whole one. Nights in absolute darkness or creative chaos originate and project new images at a moment bringing about the cliche-zero condition, or like the perfect darkness in a movie theater, they nearly turn into a kind of matiere that reveals truly new things and bodies. We find Rimbaud exerting himself to create the poetry that transcends the limit of the poetry of words and destroys the antiquated ‘in-depth’ stereotype of thought and meaning. His ‘audio-visual’ poetry based on the light and the ‘screen’ tore down the established pictorial convention of bourgeois. Rimbaud’s poetry wants to capture the breathing of the world, ‘new noise(bruit neuf)’ in vigor and even the ineffable silence, then our understanding and interpretation of his poetry need to be tried from a different angle.

자택에서의 노후생활을 위한 노인거주자와 노인동거가족의 욕실디자인 요구에 대한 비교 연구

김혜신(Kim, Hye-Shin),박수빈(Park, Sue-Been) 대한건축학회 2013 대한건축학회논문집 Vol.29 No.10

This study was progressed with literature review on aging and the bathroom design studies regarding Aging in place and the survey research. Elderly residents and Cohabiting family members, 200 subjects of each group, answered questionnaires including bathroom use, meaning of bathroom and satisfaction thereof, and the preferred bathroom design. Results and conclusions are as follows. (1) The main use of bathroom was discharging, washing, shower & bath. Elderly residents also used it for laundry and planting, and the cohabiting residents for a rest. (2) Elderly residents took shower and bath sitting, while the cohabiting families filled the bathtub with water and took shower in the shower booth. (3) Elderly residents recognized bathroom as a private sanitary space, while the cohabiting families as a private sanitary space and a relaxation area at the same time. And Elderly residents were less satisfied with location of the bathroom and the height of the equipment. (4) Elderly and Cohabiting families mostly preferred the composition of ‘bathtub + shower booth + washbasin + toilet.’ Elderly residents required ‘bathing assistant facilities’ and the Cohabiting families required ‘noise prevention’ adding to ‘floor heating facility,’ ‘emergency call facility,’ and ‘dressing area.’ This study proposed the planning base for the bathroom design of the elderly households as well as the cohabiting households for Aging in place.

19세기 후반 서구미술과 일본주의(Japonisme)

김혜신(Hye-shin Kim) 현대미술사학회 1992 현대미술사연구 Vol.2 No.-

거주지역에 따른 노인 커뮤니티시설 사용 및 요구에 관한 연구 - 대도시, 중소도시, 농촌 지역의 차이 비교 -

김혜신(Kim, Hye-Shin),박수빈(Park, Soobeen) 대한건축학회 2022 대한건축학회논문집 Vol.38 No.5

A healthy and successful retirement life is increasingly becoming important along with cultivating a physical environment that provides a variety of community activities in common living areas. This study focuses on identifying elderly needs in community facilities according to the scope and size of the residential areas. Through literature review, the community status by region, the concept and components of the elderly community, and the classification of elderly activities within the community were discussed. Additionally, a survey research tool was develop and utilized in the form of a structured questionnaire. Elderly people in their 60s and 70s living in a metropolitan city, a small or medium-sized town, and a rural area responded to this questionnaire. The results and conclusions indicated that the main form of transportation to a community facility for the elderly was walking; the most popular community activities involved ‘leisure and/or hobbies’ and ‘walking and/or exercise’. While analyzing the demand and satisfaction of senior welfare facilities, the demand for ‘medical facilities’, ‘welfare facilities’, and ‘neighborhood sports facilities’ placed the highest in all regions; however, the demand for religious facilities was the lowest. The results of this study can provide direction for community planning and is expected to be used as data that enables aging in place for seniors.

대학생의 외국인에 대한 인식 및 태도에 영향을 미치는 변인 연구

김혜신 ( Hye Shin Kim ) 한국가족사회복지학회 2015 한국가족복지학 Vol.47 No.-

본 연구는 대학생의 외국인에 대한 인식과 태도를 파악하여 다문화사회에서 중요한 역할을 수행할 대학생들을 위한 교육적 접근의 기초자료를 제공하는데 주목적이 있다. 광주, 전남지역 대학생 576명을 대상으로 서베이를 실시한 결과, 외국인에 대한 긍정적 인식은 미국인〉일본인〉중국인〉결혼이주민〉동남아인〉새터민〉외국인노동자〉조선족 순으로 나타났다. 외국인에 대한 태도는 거리감이 높은 순서대로 나열하면, 조선족〉중국인〉외국인노동자〉새터민〉 일본인> 동남아인, 결혼이주민〉미국인 순으로 나타났다. 전반적으로 외국인에 대한 인식에 영향을 미치는 변인은 사회인구학적 변인은 다수인종에서 성별의 영향이 많았고, 다음으로 월가구 소득이었다. 다문화관련변인은 다문화인식이 전반적으로 외국인에 대한 인식에 영향을 미치는 것으로 나타났다. 또한 외국인노동자와 동남아인의 경우 다문화관련변인의 영향이 컸고, 개인변인은 조선족과 새터민에서 일부 영향력이 있었다. 외국인에 대한 태도에 영향을 미치는 변인은 인식에 비해 다문화관련변인과 개인변인의 영향이 더 많았다. 또한 외국인접촉경험은 미국인을 제외한 모든 인종에서 태도에 영향을 미치는 것으로 나타났다. 한민족정체성은 모든 인종에서, 개인이 지닌 가치 중 보편주의가치는 일부인종에서 영향을 미치는 것으로 나타났다. The purpose of this study was to supplies basic data in educational advance for college students to play important role on multi-cultural society because grasp perception and attitude about college student`s foreigner. The subject in this study were 576 from college students in Gwangju and Jeonnam. The findings of the study were as follows: Firstly, Perception about foreigner recognized positively by American, Japanese, Chinese, marriage migrants, Southeast Asia, Saeteomin, foreign workers, Korean-Chinese. The felt sequential sense of distance that is Korean-Chinese, Chinese, foreign workers, Saeteomin, Japanese, Southeast Asia-marriage migrants, American. Secondly, overall, factors influencing the perception of foreigners in the socio-demographic variables were gender. Factors Affecting the following was income. Multi-cultural factors appeared to influence the perception of Multi-cultural perception in general. In the case of Southeast Asian foreign workers and the impact of loud and multi-cultural factors, personal factors had some influence in the Korean-Chinese and Saeteomin. Factors influencing the attitude toward foreigners were more related to the impact of cultural factors and personal factors than the awareness. Contact experience that is overseas affected in behavior in an all race except an American. The nation`s identity affected in an all race, and Universalism value appeared to affect in some races.

Aging in place를 위한 욕실배색선호에 관한 비교연구

김혜신(Kim, Hye-Shin),박수빈(Park, Soo-Been) 대한건축학회 2014 대한건축학회논문집 Vol.30 No.10

As to the people who tend to staying in their own community of the elderly, “aging in place” has appeared as a residential concept in the recent years. The current housing and its facilities, however, are mostly not in a condition enough to support the senescence of the elderly. The Bathroom is an indispensable space related to the quality of everyday life, as well as a space with a high risk of safety accidents. This study aims to find the criteria of bathroom color design for the elderly and their cohabiting families. Survey research followed by literary review were conducted, and the subjects groups were classified into the old ones aged from 65 to 85, and the young ones aged from 20 to 40 answered the questionnaire with the printed images of 3D modeling composed of four analogous and eight complementary color schemes by R, Y, G, and B colors and Vp-, Dp-, and Dl-tone. The results are as follows: (1) Analogous color schemes of R and G colors were preferred in both the elderly and the young adult groups, while B color scheme was least preferred by the same; (2) Both the elderly and the young adult groups preferred ‘R/Vp-G/Dp’ complementary color schemes; and (3) The elderly group preferred ‘R/Vp-G/Dl-G/Dp,’ while the young adult group favored ‘G/Vp-R/Dl-R/Dp’ complementary color schemes for the safety bars in the bathroom.

파리 건축과 시각문화의 모더니티에 대한 역사적 소고

김혜신(Kim Hye-Shin) 부산경남사학회 2011 역사와 경계 Vol.79 No.-

발터 벤야민은 1927년경부터 파리 파사주를 연구 주제로 삼아 역사주의의 신화와 진보적 서사 논리를 ‘이미지’(특히 영화적 이미지)들로써 해체시키고 재구성하는 실험을 시도한 바 있다. 19세기 유개 파사주를 통해 모더니티의 원역사(原歷史)를 드러내고자 한 미완의 이 ‘파사주 프로젝트’에서 우리는 불완전한 형태로 나마 그 궤적과 가능성을 읽을 수 있다. 기존 서사 관습 속에서 도저히 드러내기 어려운 진정한 ‘현실’을 부각하고자 하는 의도에서, 그는 고고학자처럼 흑은 다큐멘터리를 찍는 사람처럼 다각도로 수집ㆍ발굴한 일상의 유물 이미지들을 영화적인 충격 몽타주의 인지 원리에 따라 구성하고자 했다. 파사주라는 건축물, 그리고 그 상업적, 시각적 콘텐츠들은 서구의 근대 뿐 아니라 그 영향권 하에 있는 오늘의 현대 도시들을 읽는 하나의 원형(ur-form)적 화석으로서 의미가 있다. 이 관점에서, 연구자는 우선, 파리 파사주에 대한 보다 정확한 개념과 역사적 맥락을 짚어보고자 했다. 다음으로, 벤야민이 시도한 파사주 프로젝트에서 드러나 보이는 영화의 두 층위(잠든 의식을 깨우는 혁신적 대중매체로서의 영화와 환각의 매체로서의 판타스마고리아와 파노라마, 달리 말해 역사적 방법론으로서의 영화와 시각문화로서의 영화)를 염두에 두고, 본래의 취지대로 근대 건축과 영화, 역사적 전망의 동시다발적인 관계를 생각해보고자 하였다. 특히 파사주 데 파노라마와 같은 건축물은 그 자체 모더니티의 환각 기제로 작동하는 거대한 매직 랜턴이며 19세기 파리 특유의 공간을 압축한다는 점에서 주목해보았다. Walter Benjamin tried to make a “Copernican revolution” in the humanities through his Passagen-Werk. He attempts to put into practice historical writing through “images”, completely different from linear narrative logic. With the intention of disproving the illusion of human progress, he adheres to cinematic cognitive principles of montage. For him, the ordinary space and things, and each and every trace are so valuable images to compose. To recover the true face of human history overshadowed by mythical aura, he uses cinema as a means of excavating the authentic aspects of the past life. Benjamin, the new flaneur, relies on haptic or tactile ability to overcome modem optical hegemony. He captures detailed traces of passages like shooting an urban documentary. Benjamin has historical phenomena “speak for themselves” only with the montage of fragmented images. He adopts ‘cinema’ as a new way to look at ur-form of the modem city, and simultaneously, criticizes the nineteenth-century visual culture, phantasmagoria and panorama. This study including his media theory cannot be separable from reflections on the urban modernity. In his Project, Benjamin prefigured postmodern writing where subjective human voices are deconstructed.

패션선도력, 시장전문성, 점포평가기준에 관한 연구

김혜신 ( Hye Shin Kim ),여은아 ( Eun Ah Yoh ) 한국의류학회 2009 한국의류학회지 Vol.33 No.6

창조행위 층위에서의 영상 해석 문제 - 카락스 영화의 오프닝 이미지들 분석을 통한 소고

김혜신(KIM Hye-Shin) 프랑스학회 2007 프랑스학연구 Vol.42 No.-

어린이전문병원 계획을 위한 간호사의 요구에 관한 연구

김혜신(Kim, Hye-shin),박수빈(Park, Soo-Been) 한국실내디자인학회 2016 한국실내디자인학회논문집 Vol.25 No.4

Nurses in a children’s hospital have to meet a special condition with their younger patients who need continuous supervision and cares. The planning of the ward where the nurse as well as the patient and his/her caregivers stay all day long should cover all the users need. This study focused on the nurse’s need for the ward in children’s hospital. The nurse stay longer than any users in hospital and their treatment have to be based on deep understanding of their patients. The survey research followed the literature review on the children’s hospital and the nurses’ task and behavior. 119 nurses answered the structural questionnaire and their answers were analyzed using the statistical process such as basic descriptive statistics, ANOVA, and actor analysis. Results and conclusions are as follows. (1) The subjects least satisfied with the accessibility for the children and the nature and child-friendly design features among physical environment design factors of the hospital. (2) The Subject regarded the patients’ room to a private place of the patients and their caregivers not to the work places. (3) The design factors of the nursing station were classified into four: the functionality-, the privacy-, the supervision and the restfulness-factor. The functionality and supervision factor were highly required as a workplace, the privacy factor between the patients, their caregivers and subject were also represented high score, but the restfulness factor were least required.