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김재임,박미혜 한국청각언어장애교육학회 2023 한국청각·언어장애교육연구 Vol.14 No.3
회복탄력성(resilience)이란 어려움을 이겨내고 심리적으로 도약할 수 있는 발판이 되는 마음의 힘으로 직무스트레스 해결을 위한 심리적 기제의 하나로서 지속적으로 연구되어왔다. 이를 근거로 본 연구에서는 언어재활사의 회복탄력성의 특성을 알아보고자 전국 단위의 현직 언어재활사 115명을 대상으로 회복탄력성 검사를 실시하고, 개인 및 기관변인에 따른 회복탄력성 점수의 차이를 분석하였다. 분석 결과, 첫째, 언어재활사의 평균 회복탄력성 점수는 25.04점으로 우리나라 일반 성인과 비슷한 것으로 나타났다. 둘째, 성별, 연령, 자격급수 및 학력 등의 개인변인에 따른 회복탄력성 점수에는 차이가 나타났으나 결혼 여부나 경력에 따른 차이는 없었다. 셋째, 근무 유형, 담당하는 대상의 수 등의 기관변인에 따른 차이는 있었으나 근무기관이나 직위 및 함께 근무하는 타 직종의 전문가 수에 따른 차이는 없었다. Resilience is the strength of the mind that is the basis for overcoming hardships and difficulties and making a psychological leap. Resilience refers to psychological factors that help people overcome stress or obstacles and create opportunities for self-growth. Resilience has been continuously researched as a psychological mechanism that can address job stress. In this study, the characteristics of resilience of speech-language pathologists were examined in order to explain the job stress of speech-language pathologists. The participants were the study were 115 speech-language pathologist sampled nationwide, and the RQT(Resilience Quotient Test)(Kwon Soo-Hyun, 2010) was filled out and distributed as an internet questionnaire, and then the collected data were analysed by descriptive statistics, independent sample t-test and one-way analysis of variance(ANOVA) to verify differences according to individual and institute variables. The results of the analysis are as follow. First, the average score of resilience of speech-language pathologist was the total score was 25.04 points, similar to the scores of general adults in our country. Second, among individual variables, there was a significant difference between groups in resilience scores according th gender, age, level of qualification, and educational background, but there was no difference according to marital status and career. Third, among the institute variables, there was a significant difference in the resilience score of according to the type of work and number of people in charge but showed no significant differences, working periods, position, and number of other areas of expertise. In summary, the overall level of resilience of speech-language pathologists is similar to that of the general adult. In addition, among the sub-factors, empathy was the highest, and emotional regulation and active challenge were relatively low. Through the above discussion, it was confirmed that the resilience characteristic can be used to reduce the job stress of speech-language pathologists.
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김재임(Jae Im Kim),박춘순(Chun Soon Park) 한국복식학회 2004 服飾 Vol.54 No.4
The Purpose of this study was to find a phase of clothing in Korean proverb. The results of the analysis of this research was as follows: In the case of headgear, was expose that symbolize handsomeness, conduct of life, personality that display charm and position which is not usage as only head protection. Upper wear was expressing aspect and person`s similarity, and was symbolizing conduct of life by meaning of dress and its ornaments according to a person that dress displays that change. Trousers(bottom wear) was expose that it means aspect or conduct of life(a 4 case. 40%) through site. Overcoat showed that overcoat that is clothes that is symbolizing wearer`s situation, aspect and wear most on face because is involved with behavior that is not right in clothes usage is used by standard that foretell personality. Underwear can know that expressed being involved with right behavior, nature by the basic clothes. I was able to know that I express an attitude of a life or a form through shoe, and the accessories won an minor order but that I have a large influence on a character or the appearance of a person. Silk fabrics expresses position, and hemp cloth expressed by symbol that display ability. Also, silk fabrics had meaning that hint person`s background. Dress and its ornaments that is used in proverb by these result can know that have function as symbolic symbol that display person`s nature or situation, aspect that is wearing clothes that is not function as only simple clothes.
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김재임(Jae Im Kim),박춘순(Chun Soon Park) 한국복식학회 1999 服飾 Vol.44 No.-
The purpose of this study is to infer the shape and change as auspicious symbolic meaning and figures of a peony pattern. For this study. I analyzed the example of a peony pattern, which is traditional Chinese pattern appeared on a ceramic and textile. The results of this study are as following. First, a peony has particular title, such as `the king of flowers(花王)` and `the most beautiful woman in country and the smell in heaven(國色天香)` originated in a verse of a poet at Dang`s Dynasty. It is reputed to be the best of all flowers, representing beauty, and, a beauty. Second, the basic meaning of a peony pattern used as auspicious pattern is prosperity and it has various meanings of it`s similar kind through several auspicious objects and combination. Also, it was used for the purpose of adequating the desire of man`s blessing mentality. Third, four kinds of characteristics of a peony pattern are as following. 1) A peony pattern has similar shape with `Bosanghwamoon(寶相華紋)`, which was used as a pattern at formerly period of peony flowers. It was used as realistic shape gave vividness to the characteristic of peony on the shape of `Bosanghwamoon`. 2) 8-petaled, unique leaves and veins were described in detail by vivid sketching shape of real peony flower. 3) Laying stress on the characteristics of peony flower, which is large and magnificent, several folds petals were described abundantly by exaggerated shape or a shape of big honeycomb. And unique leaves were described realistically on these. 4) It was also expressed peculiar characteristic of peony flower composed of several pieces by weakened design shape.
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金再姙(JAE-IM KIM) 한국차학회 2004 한국차학회지 Vol.10 No.2
Tea painting in Chosun Dynasty is making the harmony between human beings and nature of idea with the style of painting that the Taoistic philosophy thought of then high official nobility and the Confucian classical scholar thought were reflected well as what the painters from painting circle drew mainly. This tea panting are being distributed in various kinds such as landscape painting, genre painting, and folk painting etc. Then, it becomes the tea painting to be important for the history of tea cultures as the date to be able to steal a glance at then tea culture. In this thesis, this researcher defined the drawing related to tea, that is, the drawing that tea is theme or subsidiary theme as tea painting, though it is not drinking tea or boiling tea, and studied the period thought and tea culture which change by periods by classifying the tea painting tin Chosun Dynasty into 4 periods. The summary of this thesis is as follows: At the introduction in the chapter 1, this researcher defined the term, tea painting and clarified the range of study with the goal of study and the method of study. At the main discourse in the chapter 2, this researcher discussed the period background of tea painting in Chosun Dynasty by classifying in into 4 periods. And, in the chapter 3, so as to examine the composition analysis of tea painting, this researcher examined it centering around artists and works and arranged it with <table 1>. And, this researcher explained the anonymous tea painting and the tea painting in folk paining separa tely. And, while this researcher discussed the composition and feature of tea painting, this researcher arranged them with<table 2>. Lastly, in the chapter 4, this researcher discussed the tea culture which showed in tea painting by periods. At the conclusion in the chapter 5, while this researcher emphasized the spirit world handled in tea painting and the part that tea painting occupies in the tea culture of today, this researcher hopes that this thesis may be of help to continuing the study about tea painting in the future also.
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영화 ‘위대한 개츠비’와 ‘시카고’에 나타난 1920년대 여성복 분석
김정분(Joung Bun Kim),김재임(Jae Im Kim),최종명(Jong Myoung Choi) 충북대학교 생활과학연구소 2005 생활과학연구논총 Vol.9 No.2
The purpose of this study was to compare the women"s costumes of "The Great Gatsby" with those of "Chicago," both of which movies were showing the same social settings though they were produced in different time by almost 30 years. The clothing in the movie "The Great Gatsby" showed romantic and elegant women"s beauty with pastel colors and soft fabrics. It discriminated also against selecting items, colors, and details according to personality. The clothing in the movie "Chicago" which expressed sexy and gorgeous beauty of women showed a dynamic and rhythmic sense with jazz. It used black and white color in order to make impressive contrast and elegance, and it created the gorgeous beauty with red color. The silhouette was emphasized by the body line, the deep neckline, the short skirt, and the beads decorations that played an important role to inspire visual effect rather than reflecting the mode of the era. The clothing of 1920s was expressed in the form of romantic and elegant beauty of "The Great Gatsby", and also the gorgeousness and sexy beauty of "Chicago". In actuality, these factors appeared in the movies seemed to have some differences from the actual clothing of 1920s.
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