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20 세기 패션에 나타난 모더니즘과 포스트모더니즘에 대한 연구 (Ⅱ)
김민자(Min Ja Kim) 한국복식학회 1998 服飾 Vol.38 No.-
In order to identify and describe the central core of fashion desire, the concept of anti-aes-thetics and open fashion were analyzed based on the discourses of postmodernism discussed in the field of sociology, culture, art and philosophy. In this paper, first, the new perspectives of fashion related to modernism and postmodernism were proposed, open concept, anti-aesthetics which is ephemerality but eternal ideology. Key principles of postmodernism as anti-aes-thetics mean the philosophy of nihilism proposed by Nietzsche indeterminency, the end of orighinal art(the death of art), the sublimity provided by Lyotard, and the pluralism to release human from the closed way of thinking, value,ideology. Second, the old and classical definition of fashion, the differentiation of class proposed by Veblen and Simmel has been changed into the differentiation of taste in postmodern condition. Third, the dichotomous system, that is, ration vs emotion, soul vs body, male vs female,culture vs nature, and so on has been deconstructed and disolved in the postmodern fashion phenomenon using the technique of anti-formalism, such as pastich, parody, bricolage and kitsch for the expression of sublimity and freedom of human.
김민자(Kim, Min-Ja),박선희(Park, Sun-Hee) 한국어린이교육문화비평학회 2013 영유아교육과정연구 Vol.3 No.2
The purpose of this study was to identify styles of communication between infants and teachers and the developmental change of teachers in communicating with infants. The participants consisted of four teachers and twenty infants aged 14-32 months from four child care centers located in Seoul. The qualitative data collected by a narrative inquiry approach were constituted with narratives including observational notes, introspective journals, transcripts of phone interviews with the participating teachers, notes from research meetings, and pictures of classrooms. In the process of a narrative inquiry, five characteristics of the communication style between infants and teachers were delineated as follows: giving unilateral commands by a defensive care, having emotional bond, developing a joint-attention, responding to infants mind, and giving and taking care. The developmental change of teachers in communicating with infants included awareness of the importance of the nonverbal communication and building a relationship with the infant s parents, and finding her identity as a child care teacher. This study thus suggested that there are some practical ways to enhance the communication skills and build a teaching community for solving problems collaboratively through a narrative inquiry. 본 연구는 영아와 교사간의 의사소통에 관한 교사의 체험을 내러티브 탐구 방식을 적용하여 의사소통 경험의 형태와 의사소통 어려움의 변화과정을 알아보았다. 이를 위해 2009년 10월부터 2010 년 2월까지 5개월간 현직 영아 담당 교사 4인과 그들이 담당한 영아 20명(평균월령: 22개월)이 참여하였다. 본 연구 결과에서 나타난 영아와 교사 간의 의사소통 경혐의 형태는 방어적 보살핌에 의한 교사의 일방적 지시, 정서적 유대감 갖기, 공동 주의집중 형성하기, 마음 읽어 표현해 주기, 돌봄을 주고 받기 등으로 나타났다. 영아와 교사 간 의사소통의 어려움과 변화는 의도 파악의 어려움에서 상황모면하기로부터 비언어적 단서에 주목하기, 비언어적 문제 행동 대처의 어려움에서 일방적 지시로부터 가정연계 적극 실천하기, 중재역할의 어려움에서 교사 정체성 혼미로부터 의사소통자로 서의 교사가 되어가는 변화를 보여 주었다. 본 연구는 내러티브 탐구가 의사소통 기술을 증진시킬 뿐만 아니라 비슷한 상황에 처한 교사들이 타인의 경험에 귀 기울임으로써 집단에 의한 반영적 성찰로 유도하고 협력적으로 문제를 해결해 나가는 교육공동체 형성의 가능성을 보여주었다.
20세기 패션에 나타난 모더니즘과 포스트모더니즘에 대한 연구 (Ⅰ)
김민자(Min Ja Kim) 한국복식학회 1998 服飾 Vol.37 No.-
The purpose of this study is to describe the central argument of postmodern theory ; provide a central concept about postmodernism for fashion ; identify the significance of open fashion in the 20th century. Postmodern is used to refer to a body of social theory, a style of aesthetic expression, and the various social practics and economic conditions. In this paper, postmodern theory is interpreted as an anti-aesthetics proposed by Derrida, Lyotard, Baudrillard, and Foster. The key principles and consepts of postmodern theory reflect and restate assumptions of nihilism influenced by the works of Nietzsche, being synonymous with the phrase philosophy of difference. The death of art, the end of progress, the will to the sublime, and the principle of pure difference support postmodern ideas, which could be the framework to interprete fashion phenomenon in postmodern condition.
김민자 ( Min Ja Kim ) 한국일어일문학회 2007 日語日文學硏究 Vol.62 No.2
テレビCMに表現されているさまざまな文には商業廣告の制約という環境のため一定の規則が現れるのではないかと推測し、考察してみたところ次のようなことがあきらかになった。縮約文は時間的な制約(15,30秒)のため、言葉のエネルギ-節約 · 簡略の例として多く現れている。また、縮約という言葉は口語的な表現なので視聽者に親近感を與えることができ、また固い文語のなかに挾まって强調 · 簡潔の效果もあり、おぼえやすいのでよく使われている。省略文は時間的な緊急性のため、文章の成分のなかでなくても傳達內容に影響を及ぼさない部分はできるだけ省略しているのがわかる。また、長い敬體より短い普通體で話すことによって距離感より親近感で近づこうという努力も現れている。倒置文は一般の敍述の順序のままであると消費者の視線を引くことができないので、こういう方法をもって視聽者の心を괵もうとしている。そして、强い印象を殘すように名詞で終わっているものも見られる。敬語文は애찰言葉で使っている形態、尊敬語のほうが謙讓語よりよく使われているのがわかる。これは品物を買うお客さんとサ-ビスを提供する販賣者という恩惠 · 役割の關係による敬語使用である。そして、直接對話より間接對話なのでもっと丁寧になる傾向があることがわかる。名詞止文は視聽者に傳達しようとする容を明確に話しながら視聽者の頭のなかに確實に刻印させるためには長い文章より簡潔な單語のほうが效果的であるので多く使われている。形態的には數字、外來語、和語、漢語をとわず强調しようとする意圖が表れている。また、短歌のリズムを用いて7音で終わっているものがあり、たいてい音樂とともにつかわれている。こういう文はたいてい音樂とともに使われているのがわかる。つづいて、キャッチコピ-文は一瞬にして視覺、聽覺に入ってくることが必要で、極端な省略法を採用する場合が多い。最後に繰り返し文は短くて簡潔な表現を反復して話すことにより早く記憶できるようにする機能を擔っている。これはテレビCMだからこそ用いられる表現であり、普通の對話で使うと變になってしまう。
김민자(Min Ja Kim),정흥숙(Heung Sook Chung) 한국복식학회 1999 服飾 Vol.46 No.-
The promotion of high value added cultural products is an important issue in 2,000`s years, a period of cultural information. The purpose of this study is to suggest an empirical case that costume is a valuable medium of cultural information industry through making Egyptian Costume for the exhibition of `Splendour of Ancient Egypt` at Seoul Art Center from June 4 to July 20, 1997. For the purpose of this study, the descriptive and analytical perspectives were reviewed to record the procedure of making Egyptian costume and to identify the aesthetic characteristics of Egyptian costume. To collect and verify the sources for making Egyptian costume, the researcher visited to museums in Egypt and reviewed the books and articles related to Egyptian art and costume. Within the framework of cultural and social context, 30 figures were selected for making Egyptian costume. The results are summarized as follows: First, the representation and installation of 30 pairs of Egyptian costume proved to be more valuable and interesting as a medium of cultural information about Egypt than any other exhibition of real relics and replicas to spectators. Second, the aesthetic conscious of Egyptian has formed a unique convention with consistency and continuity, This traditionality has melted into Egyptian costume like other artistic area. An aesthetic characteristics could be categorized as the symbolism for the immortality of the soul, the mysticism related to th shamanism, a desire for having a baby, longevity, etc., and the geometric abstraction to express innate purity with artistic impulse.