루이스 설리반과 아돌프 로스의 '기능'과 '장식'의 진의(眞意)와 그 연관성에 관한 고찰

강태웅,Kang, Tae-Woong 한국건축역사학회 2008 건축역사연구 Vol.17 No.5

One of the most notable architectural aphorisms in modern period must be undeniably Louis Sullivan's, 'Form Follows Function.' The aphorism has been not only an important source of new aesthetic but also an formal principle of machine age. Other most famous source in order to justify modern aesthetic was the short essay by an cynical critic, Adolf Loos(1870-1933), 'Ornament and Crime' of 1908. Apart from what the essay asserted it is also famous for the influence of Sullivan's architectural notion during Loos' States staying. For Architectural historians of the early 20th century this connection is so useful to create a legacy of modern architecture. The historians seemed to believe that Loos understanded Sullivan's aphorism on which the historians wanted to focused. When we however look into two buildings designed and built in the period of publishing both aphorism and essay there must be a big fissure between the buildings and the historians interpretations. With this view point this study aims at showing the true meanings of Sullivan's aphorism and Loos' essay and also the big difference between the machine age's aesthetic and theirs.

위성 탑재 영상레이다의 온보드 데이터 압축을 위한 비정수배 데시메이션 필터 최적화 설계 기법

강태웅,이현익,이영복,Kang, Tae-Woong,Lee, Hyon-Ik,Lee, Young-Bok 한국군사과학기술학회 2021 한국군사과학기술학회지 Vol.24 No.5

The on-board processor of satellite Synthetic Aperture Radar(SAR) digitizes the back-scattered echoes and transmits them to the ground. As satellite SAR image of various operating conditions including broadband and high resolution is required, an enormous amount of SAR data is generated. Decimation filter is used for data compression to improve the transmission efficiency of these data. Decimation filter is implemented with the FIR(Finite Impulse Response) filter and here, the decimation ratio and tap length are constrained by resource requirements of FPGA used for implementation. This paper suggests to use a non-integer ratio decimation filter in order to optimize the data transmission efficiency. Also, it proposes a filter design method that remarkably reduces the resource constraints of the FPGA in-use via applying a polyphase filter structure. The required resources for implementing the proposed filter is analysed in this paper.

이성주의의 기억말소와 비올레 르 ??의 근대건축이론

강태웅,Kang, Tae-Woong 한국건축역사학회 2006 건축역사연구 Vol.15 No.4

Since he was a leading figure in nineteenth century architecture, Viollet-le-Duc's architectural theory is crucial to the foundation of modern architecture. He has been called a Gothic Revivalist, a Structural Rationalist and a Positivist. The first title was perhaps due to his vigorous restoration of Gothic works such as $N\hat{o}tre$ Dame, but he did not adore the Gothic style just for itself. Rather, he hoped to deduce some principles from the style. So how did he manage this? In his book "Entretiens sur l'Architecture (Lectures on Architecture), published between 1864 and 1872, he mentions using Descartes' four rules for reaching architectural certainty in contrast with the chaotic situation during that modernising period. Furthermore Viollet-le-Duc's theory can be seen as a serious attempt to translates Descartes' philosophical rules into systems of architectural speculation. Descartes' four rules of doubt are anchored in mathematical propositions, and without mathematical distinctions, none of these rules are valid. In other word, mathematics for Viollet is the yardstick of judgement between distinctness and indistinctness. Many architectural problems arise from this view. In this paper, the validities of applying Descartes' method of doubt to architectural discourse will be discussed in order to address the question:-Did Viollet-le-Duc clearly grasp Cartesian method by which memory was erased from the world?

근접장에서 가상 합성 배열을 이용한 수중 이동체의 토널 소음 측정 방법

강태웅,이근혁,김기만,한민수,최재용,Kang, Tae-Woong,Lee, Guen-Hyeok,Kim, Ki-Man,Han, Min-Su,Choi, Jae-Yong 한국음향학회 2018 韓國音響學會誌 Vol.37 No.6

수중 이동체의 토널 소음 분석을 위하여 수신 배열 시스템이 적용되고 있지만 설치와 운용에 어려움이 있으며, 많은 비용이 필요하다. 이러한 문제점을 극복하기 위해 본 논문에서는 하나의 수신기를 이용하여 가상 배열을 합성한 후 수중 이동체의 토널 소음을 측정하는 방법을 제안한다. 제안한 방법은 수중 음원의 이동으로 인하여 발생하는 도플러 주파수와 시간 지연을 보정하고, 초점 빔 형성 기법을 적용하였다. 모의실험을 통해 제안한 방법의 성능을 분석하였다. A receiving array system can be applied for tonal noise analysis of underwater vehicles, but it is difficult to install and operate, and a lot of cost is required. In order to overcome this problem, this paper proposes a method to measure the tonal noise of underwater vehicle after synthesizing a virtual array using single receiver. The proposed method compensates the Doppler frequency and time delay caused by the movement of the underwater sound source and applies the focused beamforming technique. The performance of the proposed method was analyzed via simulation.

연구 1: DQI(Design Quality Indicator)를 통한 사용자 참여 설계 절차의 이해

강태웅,Kang, Tae-Woong 대한건축사협회 2011 建築士 Vol.2011 No.6

연구 2: DQI(Design Quality Indicator)를 통한 사용자 참여 설계 절차의 이해

강태웅,Kang, Tae-Woong 대한건축사협회 2011 建築士 Vol.2011 No.5

분화된 갑상선암 수술후 T1 - 201 및 I - 131 전신신티그라피 소견

강태웅(Tae Woong Kang),임상무(Sang Moo Lim),홍성운(Sung Woon Hong),현인영(In Young Hyun),차중직(Joong Jik Cha),이진오(Jin Oh Lee) 대한핵의학회 1990 핵의학 분자영상 Vol.24 No.1

N/A T1-201 and I-131 scintigraphy were performed to visualize malignant lesions postoperatively in 26 patients with well-differentiated thyroid cancer. Anyone of uptake index and retention index was higher in malignant lesions than that in benign lesions. T1-201 scintigraphy showed uptake ininflammatory tissues. T1-201 concentration was observed in fourteen patients and six of them had malignant lesions, while I-131 concentration was observed in six patients and all had malignant lesions. In sensitivity, combination of T1-201 and I-131 scintigraphy is higher than I-131 or T1-201 scintigraphy only. In postoperative patients with well-differentiated thyroid cancer, it may be useful that T1-201 scintigraphy will be performed simultaneously with I-131 scintigraphy for detecting recurrence.

근대주의 도시건축 이론의 프리즘

강태웅(Kang, Tae-Woong),김태선(Kim, Tae-Sun) 대한건축학회 2014 대한건축학회논문집 Vol.30 No.3

Generally, theories of modernism urban architecture in the first half of 20<SUP>th</SUP> century are known to be developed among debates in CIAM. At the time of formation of CIAM in 1928, one of the important concepts among those times was the standardization. CIAM had focused on the relation between architecture and general economy system and linked economic efficiency into the method of building production, declaring this way to be the universal modern architecture. However, the idea of Berlage who had already performed various collective housing and urban planning projects on the basis of the standardization was distinguishable form what CIAM had pursued on. Berlage’s idea of standardization in terms of urban architecture was just like a tool, which embodies the new city culture and it was a part of his plenty of other urban architectural ideologies. In Berlage’s idea of urban architecture, city structure must be consisted with human behavior-oriented factors such as housing, not implementing strategy of reductionism or simplicity, which CIAM had proposed. The point is, although Berlage signed La Sarraz declare of 1928 nominally, CIAM’s notions did not meet Berlage’s lofty goal, and CIAM’s rather iconoclastic way of proclaiming La Sarraz declare was clearly contradicted to theoretical position that Berlage indicated.

아시아 영화 탐구의 길

강태웅(Kang, Tae Woong) 대한건축학회 2019 建築 Vol.63 No.10

고지라는 왜 일본으로 돌아오는가 : 일본 SF가 그려내는 공동체 이미지의 특성과 변화

강태웅(Kang, Tae-woong) 고려대학교 글로벌일본연구원 2018 일본연구 Vol.30 No.-

<고지라>는 60여 년간 29편 시리즈로 만들어진 일본을 대표하는 SF 영화이다. 고지라는 미국의 핵실험으로 변형되었지만, 항상 일본으로 쳐들어온다. 이 논문은 고지라의 일본 회귀성에 초점을 맞추어 고지라는 일본으로 왜 돌아오는지, 바꾸어 말하면 일본이라는 공동체는 왜 고지라를 필요로 하는지를 분석해보았다. 고지라는 공동체를 파괴하고 폐허로 만든다. 그러나 회귀성이 일본으로 제한되어 있는 것처럼, 연속된 파괴도 일본이라는 공동체에 제한되어 있다. 고지라에 의한 희생을 다른 나라와 나누어가지지 않으려는 배타성까지 엿보인다. 파괴와 폐허는 일본의 치부라 하여 숨겨할 것으로 여겨지지는 않는다. 오히려 파괴와 폐허가 일본에서 적극적으로 수용되고 소비되는 것 이다. 이러한 수용을 파괴와 폐허를 ‘독점’하려한다는 능동적인 행위로 치환하여 볼 수 있다. 파괴와 폐허에 대한 ‘독점’은 <고지라>이외에도 많은 일본의 SF에서 찾아볼 수 있다. ‘독점’은 일본이 전쟁의 가해자이기보다도 피해자 의식을 가지고 있고, 이것이 전후 내셔널리즘의 근 간을 이루고 있음과도 연결된다. <Godzilla> is a well-known Sci-Fi movie produced in a series of 29 for 60 years. Although Godzilla was transformed by the nuclear experiment of America, it always attacks Japan. This article analyzed why Godzilla returns to Japan. In other words, why Japan which always has been devastated by it needs Godzilla. Godzilla destroys a community and leaves it in ruins. However, like recurrence is limited only to Japan, the continuous destruction is also limited to the territory of Japan. We could even find the exclusiveness of not wanting to share the sacrifice caused by Godzilla. The destruction and demolition have been positively embraced and commercialized in Japan. It could be regeared as an active act of trying to ‘monopolize’ destruction and demolition. That kind of ‘monopolization’ could be found in many other Japanese Sci-Fi films besides of <Godzilla>. The ‘monopolization’ would be connected with the idea that Japanese think that they are more victims than assailants, and that consist of the basis of their postwar nationalism.