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- 저자 : 裵 다니엘(Bae Daniel) (검색결과 52 건)
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배다니엘 ( Daniel Bae ) 한국외국어대학교 중국연구소 2010 中國硏究 Vol.50 No.-
This article was written to study on the expression and imagery of flowers of Tang Dynasty poetry in ancient China. The imagery of flowers in Tang Dynasty poetry shows the aesthetic characteristics of the profound significance of language, and has become the embodiment of Chinese aesthetic mentality. flowers, one of the most influential image in literature has different posture in different in every poet, and we can also find poet`s deep understanding of the relations between the character of poems and his personal character, and between nature and mankind. Poet`s understanding of flowers has been elevated from the senses of sight and touch to the level of emotion. So, it also can say that the imagery of flowers in Tang Dynasty poetry regarding poet`s philosophies, aesthetics, psychological structures and creative features, and their odes to plum blossoms was a mirror of their spiritual style.
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배다니엘 ( Bae Daniel ) 한국외국어대학교 중국연구소 2017 中國硏究 Vol.71 No.-
This article was written to study on the aspects of Luo-Ye(羅?)`s journey poem (行旅詩). Luo-Ye(羅?) is one of the poets of Late Tang Dynasty. There are a few articles on Luo-Ye(羅?)`s poems by now, but still need study about his entire poems more deeply. To enlarge the research of Luo-Ye(羅?)`s poems, I have noticed his journey poem(行旅詩). The aspects of Luo-Ye(羅?)`s journey poem(行旅 詩) can be summarized as that : The first, some of Luo-Ye(羅?)`s journey poem(行旅詩) contained gracefulness and natural style in expression. In this kind of poem, he expressed his feelings of nature and his pursuit of delineation of feeling, and this expression in his poem made a natural impression in some degree. The second, Luo-Ye(羅?)`s journey poem(行旅詩) have expressed rich feeling of sorrow that he have during his journey time. He have the intense aspirations enter be in government service but he did not realized he´s wishes. The feelings of sorrow always governed his creature mind. The thirds, the large part of Luo-Ye(羅?)`s journey poem(行旅詩) expressed his homesickness, and sometimes, expressed pure attention of retirement. But finally he did not determined retirement. To Luo-Ye(羅?), the retirement always was some kinds dream, but the homesickness and dream of retirement can provide truthful and emotional spray in his journey poem(行旅詩).
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배다니엘 ( Bae Daniel ) 한국외국어대학교 중국연구소 2016 中國硏究 Vol.68 No.-
This article was written to study the various symbols of the Azalea in ancient Chinese poetry. The various symbols of the Azalea in ancient Chinese poetry are summarized as that : The first, the Azalea flowers have the purest beauty like pink love in itself and they are the forerunners of spring, it means that the Azalea full of expression of beauty and dignity, and the poetry of Azalea are generally expressed the symbol of beauty and the harbinger of spring. The second, the Poetry of Azalea have the legend of cuckoo that symbol of Du Yu(杜宇)`s sorrow and blood. The Azalea trees were well growed even in wasteland and so that reason the appearance of Azalea beloved by all the people. Many poets take note that properties and represented the nobility in their expression. The third, the poetry of Azalea are sometimes used of the expression of human will, sorrow. The Azalea also have the destiny of rise and fall, and the properties easily caused its dignified appearance and memory. Cause of that point, man like the generic character of that flower. So, the Azalea were open expressed as intense of man and sorrow of life in ancient Chinese Poetry.
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배다니엘(Bae, Daniel) 한국중어중문학회 2016 中語中文學 Vol.0 No.66
This article was written to study on the aspects of the Liu-Yanshi(劉言史, 742?-812)’s landscape poetry. Liu-Yanshi was one of important poets in mid-Tang dynasty. During the mid-Tang dynasty, the aesthetic themes tradition of landscape poetry were innovated by Meng-Jiao(孟郊), Jia-Dao(賈島), Yao-He(姚合) and their epigone. The feature of Liu-Yanshi’s Landscape poetry was partially influenced by the landscape poetry of Hanmengshipai(韓孟詩派) in mid-Tang Dynasty, but the aspects of the Liu-Yanshi’s Landscape poetry was developed some different direction. We can say Liu-Yanshi is the meson of landscape poetry between Meng-Jiao(孟郊) and Li-He(李賀) in mid-Tang dynasty, but, in the other hand, it associated with characteristic approaches in writing poem about nature scenery and which represented one of the style of mid-Tang Dynasty. I can be summarized the distinct characteristic of his poem as that : The first, In Liu-Yanshi’s poems, he had concentrated his emotion by writing various nature scenery that contained bitter experience of hi life. Most of poets of mid-Tang dynasty experienced suffering life which comes from political environment, and Liu-Yanshi’s government process was not very successful, so his landscape poetry was also a part of the expression of his life, and the experience of demotion can be offered his landscape poetry have more susceptive and bitter emotion. The second, In Liu-Yanshi’s poems, we can also find that his landscape poetry have subjective style, and much of his landscape poetry has a way of expressing himself that is all his own through the process of his own experience and extreme training by writing poem. So we can say that the aspect of his landscape poetry’s unique style contains much of his effort. The third, Liu-Yansh basically seek after the rest of mind, and longed retirement in nature. Actually he did not put in practice retirement in nature, but the expression of longing retirement was important subject of his poem.
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MBTI 이론을 활용한 당대(唐代) 위응물(韋應物)의 자연시 분석
배다니엘 ( Daniel Bae ) 한국심리유형학회 2017 심리유형과 인간발달 Vol.18 No.2
본 논문은 당대(唐代) 위응물(韋應物)의 자연시를 5기로 분류하고 각 시기에 따른 MBTI 네 가지 기질에 근거한 작품 해석을 가한 연구이다. 위응물이 낙양승기(洛陽丞期)와 강회여행(江淮旅行)을 한 시기에 쓴 자연시를 보면 자연에 대한 감각을 확대하면서 밝고 한적한 풍격의 자연미를 표현하는데 충실했고, 도연명(陶淵明) 식의 전원은거를 실시한 풍상(?上)시기의 작품은 한적한 흥취를 추구하는 중에 자신의 자아를 끊임없이 추구하는 면모를 보여주었다. 저주자사기(?州刺史期)에 지은 작품은 남방 산수의 풍경을 좀 더 과감하게 느껴보고자 하는 노력을 가하였고, 만년 소주자사기(蘇州刺史期)로 와서는 쓸쓸한 비경 속에 평온한 내면을 추구하는 모습을 담고자 하였다. 위응물의 생평에 따라 자연시를 5기로 나누어 살펴본 결과 낙양승기(洛陽丞期)에는 SJ 기질을 바탕으로 SP 기질을 추구한 면모가 강하다. 강회여행기(江淮旅行期)에는 SP 기질 속에 NF 기질을 이입한 흔적이 강하다. 여행을 하면서 날마다 새롭게 접한 자연을 보고 기본적으로 SP 기질을 발휘하였을 것이며 그 속에서 문득문득 자아를 찾아가고 사물을 통찰하는 모습을 보이는 것은 NF 기질과도 연관이 있다. 도연명의 시어 표현과 청빈한 정신의식을 계승하고자 했던 풍상(?上)에서의 한거 실행 시기는 SP 기질을 바탕으로 NF 기질을 추구한 흔적이 역력하다. 저주(?州)에서 관리로 있으면서 남방 산수를 유람했던 저주자사기(?州刺史期)에는 안정되지 못한 자신의 자아를 찾아가는 흔적이 강했기에 NF 기질을 바탕으로 SP 기질을 추구한 모습이 보였다고 할 수 있다. 강주자사(江州刺史)와 소주자사(蘇州刺史)를 지낸 시기에는 관직에서의 책임감과 중압감을 안고 있었기에 SJ 기질이 상대적으로 강했던 것으로 보이는데 한편으로 새롭게 자연을 느끼고자 하는 모습에서 SP 기질을, 사물이 주는 의미와 인생에 대한 통찰력을 발휘하고자 하는 모습에서 NF 기질을 담고 있음도 발견할 수 있다. 육조(六朝) 도사(陶謝)와 성당(盛唐) 왕맹(王孟)의 성취를 이으며 자신의 개성을 담은 뛰어난 자연시를 창작한 위응물은 ‘전통을 중시하는 심리(SJ)’ 속에 ‘현실에 입각한 신선한 시도(SP)’와 ‘자아의 통찰(NF)’을 잊지 않고 창작에 임했던 시인이었다고 할 수 있겠다. The Myers-Briggs Type Indicator (MBTI) assessment is a psychometric questionnaire designed to measure psychological preferences in how people perceive the world and make decisions. These preferences were extrapolated from the typological theories originated by Carl Gustav Jung, and the original developers of the personality inventory were Katharine Cook Briggs and her daughter, Isabel Briggs Myers. The initial questionnaire grew into the Myers-Briggs Type Indicator, which was first published in 1962. The MBTI focuses on normal populations and emphasizes the value of naturally occurring differences. This article was written to study on the expressions of Wei Yingwu's landscape poetry on view point of MBTI's theory. Especially, this study is based on judging of four types of temper by MBTI theory(ie. ‘SJ(Sensing, Judgment)’, ‘SP(Sensing, Perception)’, ‘NT(iNtuition, Thinking)’, ‘NF(iNtuition, Feeling)’, so this article can be mentioned interdisciplinary research. By this study, the conclusion of the expression of Wei Yingwu's landscape poetry on view point of MBTI’s four types of temper theory can be summarized as that: Wei Yingwu’s landscape poetry can be sorted out 5-period by his human life. In the first period, he basically exerted ‘SJ’ temper, and also exhibited ‘SP’ temper. In the second period, he travelled Jianghuai and exerted ‘SP’ temper and ‘NF’ for new experience. In the third period, he basically exerted ‘SP’ temper, and also tried ‘NF’ temper. The ‘NF’ temper in this period is largely concerned with his hope of self-realization. In the fourth period, he pursued ‘NF’ temper on the basis of ‘SP’ temper. This phenomenon can be defined as the pursuit of new natural beauty and the realization of self. In the fifth period, he basically exerted ‘SJ’ temper, and also exhibited ‘SP’ temper as his first period. It is not unrelated to the maturity of later years of faithfulness and new insights.
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배다니엘 ( Daniel Bae ) 한국외국어대학교 중국연구소 2013 中國硏究 Vol.59 No.-
This article was written to study on the aspects of the Yao-He (姚合, 779?-846?)`s landscape poetry. Yao-He was one of important poets in the school of Hanmeng(韓孟) in mid-Tang dynasty. During the mid-Tang dynasty, the aesthetic theme tradition of landscape poetry were innovated by Yao-He and Jia-Dao and their epigone. The features of Yao-He`s Landscape poetry was in basically inherited the landscape poetry in high-Tang Dynasty, but the aspects of the Yao-He`s Landscape poetry was developed some different direction. I can be summarized the distinct characteristic of his poem as that: The first, Yao-He`s landscape poetry basically seek the small subject of nature, and pursuit detailed description. We can say Yao-He is the meson of landscape poetry between high-Tang and mid-Tang dynasty, but, in the other hand, it associated with small scale approaches in writing poem about nature scenery and which represented one of the style of mid-Tang Dynasty. The second, In Yao-He`s poems, he had concentrated his rich emotion by using rather small spaces comparison with other poet. That, in some aspect, means he had intense feeling and passion in his inner world. Most of poets of mid-Tang dynasty experienced suffering life which comes from political environment, and Yao-He`s government process was not very successful, so his landscape poetry was also a part of the expression of his life, that the expression can be offered his landscape poetry have some of small spaces and view point. The third, in the way of expression, Yao-He pursued fresh and elaborate description. This aspect can created fine expressions, on the one hand, he can marked an more unique style of mid-Tang dynasty. At to artistic conception, narrow and small, detailed aspects of Yao-He`s landscape poetry not much showing the magnificence of the poems as in high-Tang dynasty, but it contains it`s own character of mid-Tang dynasty. After Song dynasty, more critics regarded Yao-He and Jia-Dao as successor of Chinese aesthetic theme on landscape poetry.
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