Tempest 에 나타난 이원성(二元性)

河海成 ( Ha¸ Hae-seong ) 현대영미어문학회 1985 현대영미어문학 Vol.3 No.-

This study is to analyze the contrastic duality in the Tempest; therefore, the results obtained here are summarized as follows: firstly, it seems that the duality consists of Prospero’s practical idealism and Gonzalo’s Utopian dream, for the Tempest is set between an impractical idealism on the one side and political villany and lust on the other. Secondly, it is emphasized that Prospero should have to accept the Caliban in Man, and that the civilized man’s efforts with the savage brute should not be excluded, for the primitive even reveals the rudiments of a moral imagination in his graphic descriptions of punishments that he anticipates from the angry mage Prospero. Thirdly, Caliban, representing the primitive, is more controllable in coming to terms with his own primitive and passinate urge, impulse to control than the sophisticated civilized men who commit one crime after another rationally, for it seems to me that Caliban’s conspiracy is one of the ignorant multitude, while Antonio is of the ambitious and malicious. In the long run, Shakespeare seems to concentrate on the education of the audience for the purpose of achieving harmony with nature’s order through the contrastic duality between nature and nurture in dramatizing the attainment of a practical idealism negatively pointed by the satire on Gonzalo’s Utopian dream.

천연 및 양식산 은어의 근육 및 난의 일반성분 조성

정보영(Bo Young Jeong),문수경(Soo Kyung Moon),정우건(Woo Geon Jeong),하해성(Hae Seong Ha) 한국수산과학회 1999 한국수산과학회지 Vol.32 No.6

Proximate compositions of muscles and eggs between wild sweet smelt, which were caught in Seomjin river and Miryang river, and cultured sweet smelt, which were purchased from certain cultured farms in Hadong and Miryang, were compared. Proximate compositions of wild sweet smelt muscles were 76.7∼77.5% for moisture, 18.4∼19.9% for protein, 2.41∼3.47% for lipid, and 1.04∼1.33% for ash content, and there were almost no differences between the fishes from Seomjin and Miryang river. Protein and ash content in the cultured fish muscles were similar to those of the wild fish muscles, while the former contained much more lipid and carbohydrate, and less moisture than the latter, especially lipid content differed greatly according to their cultured farms. This might be the result of their different diet compositions. Lipid, protein and carbohydrate content in eggs of the wild and cultured fishes were much higher than those in their muscles. There was a negative correlation between moisture and lipid content in all samples; y=-0.2715x+24.903 (r=-0.7253, p<0.001).

Tempest劇 構造分析

河海成 慶尙大學校 1985 論文集 Vol.24 No.1

This study was carried out to analyze the construction of Shakespeare's Tempast. The results obtained are summarized as follows: firstly, the Tempast has its own distinctive construction, sets up its own peculiar pattern expectation. This play has in Prospero a controller who exercises through his magic a power like that of Heaven. Therefore, the plot of the Tempest is unlike many of Shakespeare's other plays in that it depends almost entirely on the use of supernatural powers. Here the destiny of everyone is decided by supernatural intervention rather than by their characters or their action. And the Tempast is the only one among the late plays that observes the Aristotle's theory of three unities of time and place, and action. All these features in themselves suggest that Shakespeare was moving in a new direction in this play, a view confirmed by an examination of its dramatic form. Secondly, certain contrasts in the play, such as between beauty and ugliness, or nurture and nature seem so thematically rendered as to allow an allegorical interpretation. And the use of masque and spectacle has also encouraged a treatment of the play as based on masque. At the same time Prospero's art is limited for his magic powers seems to have acquired since he arrived on Setebos; therefore, this powers are in some sense a function of the island and only operate in its vicinity. It is a magical art or power which subserves another end, that of regarding his princely powers.

Salome에 나타난 Oscar Wilde의 유미주의에 대한 연구

정식헌,하해성 慶尙大學校 1982 論文集 Vol.21 No.2

This study is researched the tragic structure and the death of three heroes of Oscar Wilde's aestheticism in Salome. The tragic structure through distinct cause and effect seems to be a battle of wills that consists of the 'tragic man' from the instinctive element of the individual and his relation to himself, and the deep conflicts from the different object of each other in seeking for love. These tragic men and conflicts are produced in mutual ignoring and misunderstanding. In a word, characters either neglect each other, misunderstand each other, or are rejected by each other. The Young Syrian is ignored by Salome. Salome is ignored by Jokanaan who sees in her the abominations of the inaccessible and untouchable. And as it is researched, we consider Salome as a simple plot is in accord with the completeness and unity of dramatic dianoia. In the death of tree heroes; The Young Syrian, through the humility of love which lies in self-sacrifice to his Platonic spirit in his great spiritual beauty, is embraced to the physical sublimation to be originated in his respondence and accordance of making him from spirit ot spirit in his inner mind. Jokanaan, through the imperishability of faith which is based on self- sacrifice to his communion soul with God in his absolute and spiritual love, is embraced to the martyrized sublimation to be created in his unchanged eternity of keeping him from faith to faith in his internal world. Salme, by being engaged herself to the intensity of love which grows in aesthetic self-hyphosis to her physical spirit of beauty in her passionary and visionary spiritual beauty, is devoted herself to the spiritual sublimation to be derived from her yearning and purification of growing her from physical form to spiritual form in her interior spirit. As it is examined, the target of Wilde's aestheticism in Salome seems to be the most beautiful and important love's sublimation of a human being. And in the maximum value of heroes' sublimated death, we can consider what Wilde seeking for as the mystical in Art, the mystical in Life, and the mystical in Nature from his love of the concrete. Thus the essence of Wild's aestheticism in Salome can be though that his 'art for art's sake' of pure aestheticism is sought into the 'love for love's sake' with developing Salome's spirit of love.

Tempest 에 나타난 二元性

河海成 한국영어영문학회 경남지부 1985 현대영미어문학 Vol.3 No.-

This study is to analyze the contrastic duality in the Tempest: therefore, the results obtained here are summarized as follows : firstly, it seems that the duality consists of Prospero's practical idealism and Gonzalo's Utopian dream, for the Tempest is set between an impractical idealism on the one side and political villany and lust on the other. Secondly, it is emphasized that Prospero should have to accept the Caliban in Man, and that the civilized man's efforts with the savage brute should not be excluded, for the primitive even reveals the rudiments of a moral imagination in his graphic descriptions of punishment that anticipates from the angry mage Prospero. Thirdly, Caliban, representing the primitive, is more controllable in coming to terms with his own primitive and passinate urge, impulse to control than the sophisticated civilized men who commit one crime after another rationally, for it seems to me that Caliban's conspiracy is one of the ignorant multitude, while Antonio is of the ambitious and malicious. In the long run, Shakespeare seems to concentrate on the education of the audience for the purpose of achieving harmony with nature's order through the contrastic duality between nature and nurture in dramatizing the attainment of a practical idealism negatively pointed by the satire on Gonzalo's Utopian dream.

셰익스피어 최후기 劇들에 나타난 美學

하해성 한국영어영문학회 경남지부 1997 현대영미어문학 Vol.15 No.1

I wish to explore aesthetics reflected in the dramatic structure of Shakespeare's romances. Many Shakespearean Scholars have often noted that such two elements as music and dance are essential ingredients in the structure of Shakespeare's Romances, and few have analyzed their unique contribution to the dramatic structure. A study of the philosophical concepts of these elements in Renaissance society encouraged me to find the meaning of individual scenes that had been previously misinterpreted. For the purpose of understanding of the dramatic structure as a whole, I had to examine the specific aesthetic environment of the early Baroque Period. Accordingly this dissertation was to demonstrate the neglect of dramatic action in traditional criticism, and also such examples as dance and music in Shakespeare's romances led me to find that these element is able to carry dramatic meaning. It was found that Shakespeare's design to integrate verbal elements and non-verbal elements reflects the aesthetic environment of Jacobean court.

A study on the construction of Shakespeare's Hamlet

Ha, Hae Seong 진주여자전문대학 1981 論文集 Vol.3 No.-

A Study of Hamlet : 특히 Structure를 中心으로

Ha, Hae-Seong 진주여자전문대학 1979 論文集 Vol.1 No.-

〈겨울이야기〉의 劇構造의 分析 : 특히 自然과 藝術을 중심으로 centering on nature and art

河海成,政湜憲 慶尙大學校 1983 論文集 Vol.22 No.2

The construction in The Winter's Tale consists of contrast between tragic possibilities through Leontes's blind action and the restoration of Hermione's statue(from Leontes's artistic experience to his realistic experience.) There are fifteen scenes in the play; they play an important part of providing contrast between courtly and rustic life. Their functions advance the plot, to creat and resolve mystery and complication, and they display the development of characters and allow to move from Sicilia to Bohemia. The divison of play into scenes can give the impression that time is passing. This consists of a gap of sixteen years between ActIII, Scene3 and Act IV, Scene I. A personified Time, Chorus, explains what has happened during the intervening period and this appearance helps the transition from the hatred, dissension and evil of the first part of the play to love, joy and reconciliation of the second. The Winter's Tale seems to me to fall into two section, the first section ending with the disintegration of leontes's family life and the second leading to the restoration of peace and harmony. But through the instrument of Camillo this play completes the circle in that it takes place in Sicilia and show how the evil and sadness of the first part can redeemed by love and joy of second: Paulina's art makes Hermione' statue live; it is noble art to recover nature. Therefor I see it as the result of grafting nature and art --a long deception practized on Leontes by Paulina and Hermione, --and a little masque-like drama within the play.

King Lear의 二元的 劇構造의 解析

하해성,정식헌 慶尙大學校 1982 論文集 Vol.21 No.2

This study is to analyze the duel construction in King Lear. This play consists of the conflict between the essential human dualities, as it were, that of body and spirit. Therefore the conflict makes a basic element in hero's experience, the division of which provides the cores of drama. King Lear constitutes both themes in its duel plot. Lear-find himself caught in a conflict between reason and intuition embodied by his daughters, while Gloucester is caught in the conflict between appearance and reality embodied by his sons. Therefore Lear's Passion journey parallels Glucester's. Through their individual passion trip Lear loses reason, Gloucester loses sight. They are purged. In the dramatic construction this play's two plots fusing in Ⅲ. iv. supports only one plot composed of two elements. The experiment of this play has resulted in a construction which makes up for shakespeare's plays' earlier imperfection.