Orientia tsutsugamushi 타이주의 주요 표면항원 유전자 클로닝 및 피동적혈구 응집반응법을 이용한 진단법 개발

허명숙(Myung-Sook Huh),김항래(Hang-Rae Kim),장원종(Won-Jong Jang),최명식(Myung-Sik Choi),김익상(Ik-Sang Kim) 大韓微生物學會 1997 大韓微生物學會誌 Vol.32 No.4

박상륭의 『죽음의 한 연구』론

허명숙 ( Myung-sook Huh ) 한국문학이론과 비평학회 2001 한국문학이론과 비평 Vol.12 No.-

Bak Sang-ryung’s「A Study of Death」is a novel that uses symbolic motif and mythology of Christianity, Buddhism, Alchemy, Psychoanalysis and so on. This novel depicts the process to change worldly man into God through doings of a monk for 40 days in ‘Yuri’. During that time arguments of this work obtain results in the part to interpret mythological element and symbolic meaning. But these arguments are still incomplete in the part to research inner principle that integrates opposite and contradictory thing of this work. Therefore this paper will seek imaginative unity of this work through the principles of Yin and Yang. Main background ‘Yuri’ of this work is barren space where the earth and the water are disharmony. Each earth and water can grasp symbol of Yin and Yang. Connecting disharmony of Yin and Yang with human life, they can be said the male and female. This work gropes about situation of the harmony and reconciliation of the female and male that exist in a human inside. Murder and coitus of ‘I’ in ‘Yuri,pry into flesh. In the ‘Eub’ ‘I’ do preaching of interpretation that integrates heterogeneous symbols. Then he conies back ‘Yuri’ again, and he is executed with paying the price of murder. Every course is expressed by process that a maltreating man is become a maltreated woman. Thus this work implies religious meaning in which the male and female, sexual and murderous desire, and death and revival are a unit.

소설이 죽음을 사유하는 방식 -오정희의 「옛우물」, 김훈의 「화장」, 배수아의 「시취」를 중심으로

허명숙 ( Myung Sook Huh ) 한국현대문예비평학회 2011 한국문예비평연구 Vol.- No.34

이 논문은 죽음에 대한 인식은 사회적 참여와 개체의 단독성 사이의 적응과 부적응의 낙차에서 발생한다는 관점에서, 오정희의 「옛우물」(1994), 김훈의 「火葬」,(2004), 배수아의 「시취」(2006) 들에 나타난 죽음의 표상과 죽음에의 참여 방식을 분석하였다. 오정희의 「옛우물」은 옛우물의 회상과 연당집의 관조를 통해 ``부재의 부재``라는 죽음의 난제를 해결하고, 개체의 죽음을 자연의 회생과 순환의 서곡으로 상상하는 불멸의 신화에 참여함으로써 죽음에 적응해 간다. 김훈의 「화장」은 죽어가는 자의 고통과 현대 사회가 죽음을 처리하는 방식에 대한 부적응을 통해 不淨의 공포를 보여준다. 주검과 시취에 대한 이미지를 생명=미에 대한 상상과 병치시킴으로써 부정의 공포를 극복하고자 한다. 배수아의 「시취」(2006)는 외적 세계와 자발적으로 소통을 단절한 폐쇄적 자아가 성찰하는 육체적 노쇠와 의식의 불안을 통해 죽음에 참여하는 실존 상태를 묘사해 나간다. 세 편의 텍스트를 분석한 결과 죽음에의 참여는 종과 사회가 길들이는 죽음에 대한 부적응에서 출발하여 죽음에 대한 사회적 이해에 대한 개인적 공감의 접점을 발견하는 과정으로 이어진다는 것을 알 수 있었다. The study is based on the view that perception on death is generated in differences between adjustment and maladjustment with regard to social participation and individual singularity. It will focus on analyzing the symbol of death and the way of participating in death in Old Well (1994) by Jeong-hee Oh, Cremation (2004) by Hun Kim and The Smell of a Dead Body (2006) by Su-ah Bae. Jeong-hee Oh`s Old Well resolves the touch question of death summarized as ``absence of absence`` through the use of relocation that starts with an old well and an illustration that contemplates Yeondangjip. It adjusts to death by participating in the myth of immortality where an individual death is assumed as an overture of revival and circulation of the nature. Cremation by Hun Kim shows the pain of a dying person and maladjustment to the way that the contemporary society handles death. As it juxtaposes the image of a corpse and the stench of a dead body with the imagination that life equals beauty, it attempts to overcome the fear of impurity. The Smell of a Dead Body (2006) by Su-ah Bae portrays a close-minded self who tries to adjust to death by oneself. He shows self-reflecting senility and spiritual anxiety as the existence that participates in death. As a result of analyzing the three texts, it has been found that participation in death starts with the maladjustment to death as domesticated by the species and the society and that it leads to a process of finding a point of contact with individual sympathy for social understanding about death.

역사적 인물의 대중적 형상화 - 김훈의 『칼의 노래』와 전경린의 『황진이』를 중심으로 -

허명숙 ( Huh Myung-sook ) 숭실대학교 인문과학연구소 2004 인문학연구 Vol.34 No.-

Considering our cultural circumstances, Historical novels are very popular genre. By analyzing 2 historical novels, Kim Hoon’ s, ‘The song of the sword’ and Jeon gyeong-lin’ s, ‘Hwang jin-yi’ , the writer of this article tried to find out what culture cord with two works are the facts of the historical novels which didn’ t be recorded in history are filled up by the imagination of the author. And this imaginative power of author is deeply influenced by realistic connection and the sense of history in public of those days. This article was attempted from this basis. Kim, the author of ‘The song of the sword’, chose of the way in which broke from the imagination of Yi soon-shin which was fixed national hero in our culture. This work had points of view not history or justice with historical novels but subsistence and daily living and was reflected on war and loyalty. These are distinguished this work from previous historical novels. Differently speaking, ‘The song of the sword’ can be said a historical novel to weaken the political characteristic and enlightenment characteristic. But then, this work is not said that ‘The song of the sword’ has no literature seriousness. On the contrary this work vividly revived the sense for the real and the existence sense which are evaporated in history or mythology. And these factors will be able to be evaluated one of the literary accomplishments which this work gets. Considering that multimedia which is the main stream of the culture in nowdays can express only visual image, because ‘The song of the sword’ pioneered creatively specific area which printed medium is able to offer the masses new sensibility and imagination through. Jeon, the author of 'Hwang jin-yi’ , tried to express heroine Hwang jin-yi who revolted against feudalism. Joen is saying that Hwang jin-yi designed her life for herself. For example, Hwang jin-yi pointed out the absurd of the feudal, refused her spouse who decided from the family and chose uncertain future by becoming a ‘kisaeng’ (a singing and dancing girl), and accomplished romantic love which is impossible at that time. Even if these were in accord with modem ideas, in this work, Hwang' s sexuality didn’ t overcome distinction of the traditional 4 classes of society.-scholars, farmers, artisans and tradesmen. As a result this work has the inner contradiction to reproduce feudal ideology. Also, the inner description which is the possibility of watching for the inner developmental process of modem subject was composed of platitude and description for report. Whereas the description of cloths and body was concrete and abundant. In short, the author tried to materialize cogitation which aim at modem through this work. But it was not success. On the contrary when Jeon described details, her imagination showed chasm to vacillate by consuming attention and the ideology of bourgeois family order of our own time.

"나쁜 교회"와 "위험한 기독교인"이라는 소설적 아이러니 : 백가흠의「성탄절」, 채희윤의「명복동 칸타타」, 이기호의「최순덕 성령 충만기」, 김원일의「카타콤」을 중심으로

허명숙 ( Myung Sook Huh ) 한국현대문예비평학회 2009 한국문예비평연구 Vol.- No.30

민족 정체성 서사로서 재일동포 한국어 소설

허명숙(Myung Sook Huh) 한국현대소설학회 2009 현대소설연구 Vol.- No.40

The Korean Novels of Korean residents in Japan is formed centering around the literary activity of Choch`ongnyon (North Korean residents` league in Japan) community. When their novels examined thoroughly, the change on literary history or the writers` originality couldn`t be found. It seems that these traits are deeply related to the limited structure of the communication and the literary system which has a distinctive inclination. So, the point of this article is to understand that the Korean Novels of Korean residents in Japan are the result in the specific limited things. The Korean novels of Korean residents in Japan have the trait that is the plot for specific purpose, the plan of the racial identity of Choch`ongnyon. The racial identity emphasized by the Korean novels of Korean residents in Japan is racial homogeneit which heads for the things of Choson in choosing language, lineage, nation, etc. and the way for existence as overseas North Koreans. The racial identity symbolized `Choson people` originated in specific circumstances, the discrimination for Choson people in Japan. Under such circumstance, racial identity is the political choice to resist the discrimination for Choson people in Japan. To reduce political character which `Choson people` contain, the Korean novels of Korean residents in Japan mainly use the way to replace political evil with moral evil by depicting the existence of difference like the Korean residents union in Japan, naturalized Koreans in Japan and Japanese with the existence of moral evil and degradation of character. The Korean novels of Korean residents in Japan which intend the realization of the distinctive purpose and the communication for community show the formal trait to share and repeat exemplary plot forms. This article reports that repetitive plot form in the Korean novels of Korean residents in Japan means joint memory for overcoming the cutting of time, family imagination for overcoming the cutting of space, and the utopia plan joined positive prospect with narrative facts. In the course of analyzing it, it is found that family ideology joined racialism, and that racialism restores nationalism. Although the Korean novels of Korean residents in Japan have taken a charge of purpose of the ideology devise for pro-North Korea, North Korea literature is the object which we have to read in difference, and the literature of the Korean novels of Korean residents in Japan is also the object which we have to read in difference. The Korean novels of Korean residents in Japan is of great worth in that they recorded and reproduced the life and history of the Korean residents in Japan. In addition, the Korean novels of Korean residents in Japan evokes sympathy about the virtue of the new social relationship meant `compatriot-family`, `compatriot-neighborhood` and show the revolutionary volition of the community to find the liberation against the power of capital and imperialism.

민족 수난사의 환유와 신화적 사고의 표상 -하근찬 소설을 중심으로-

허명숙 ( Myung Sook Huh ) 한국현대문예비평학회 2008 한국문예비평연구 Vol.- No.26

1990년대 재일동포 한국어 소설과 민족 정체성

허명숙(Myung Sook Huh) 한국현대소설학회 2006 현대소설연구 Vol.- No.30

황순원의 『神들의 주사위』에 나타난 ‘물’이미지 분석

허명숙 崇實語文學會 1997 崇實語文 Vol.13 No.-

황순원의 <내일> 연구

허명숙 崇實語文學會 2003 崇實語文 Vol.19 No.-

이 논문은 황순원의 〈내일〉을 구조와 이미지의 차원에서 분석함으로써 황순원 인물의 시간의식가 심리구조를 검토하고자 하였다. 〈내일〉은 통시적 서사성이 약화된 소설이다. 1부 '내일'은 상호 은유적 관계에 놓이는 에피소드들로, 2부 '다시 내일'은 1부와 환유적 관계에 놓인 장면들로 구성되어 있다. 즉 1부의 에피소드들은 유년기부터 장년인 현재까지 느꼈던 '내일'에 대한 절망적 인식의 기억과 현재적 불안의 기록이며, 2부는 장년으로서 '내일'에 대한 상상적 설계(기대)인 것이다. 그리고 전체적으로 보았을 때 '공포→권태→불안→기대'로 변화하는 심리적 구조를 드러내고 있다. 황순원은 현실인식을 상징적으로 드러내는 방식을 즐겨 썼는데, 〈내일〉에서도 그것은 '그림자'라는 어둠으로 표상된다. '내일'이라는 생의 알 수 없는 영역에 대한 공포와 거기에 내재된 불화를 그는 어둠으로, 부정적으로 인식한다. 황순원 소설의 주인공들이 극단적인 주관성을 보이기도 하고 심한 권태에 빠져 있는 것도 이와 깊은 관련이 있다. 그것은 스스로 타자 혹은 세계와의 관계 맺기를 거부하는 태도이기 때문이다. 그러나 예민한 자의식을 지닌 황순원의 주인공들은 행동을 통해서가 아니라 사유로써 부정적 현실인식을 극복하고자 시도한다. 〈내일〉에서는 그것은 '시선'-구체적으로 세계를 날카롭게 관찰하는 시선과 포용력으로 감싸려는 시선으로 나타난다. 전자가 인식론적 정확성이란 가치를 지닌다면 후자는 사랑의 포용력이란 가치를 지닌다. 전자로 인해 〈내일〉의 '나'는 '그림자의 공포'를 보게 되어 '권태'라는 무력감에 빠지게 되고, 또한 이로 인해 세계를 호기심으로 대하게도 된다. 그렇기 때문에 〈내일〉의 '나'와 같은 인물은 권태와 불안을 되풀이할 수밖에 없다고 보았다. 그런데 〈내일〉에서 '술'은 관찰의 시선이 내포하는 차가움, 어두움을 극복하게 해주는 상징적 가치를 지님으로써 따뜻함과 빛을 함축하는 후자의 시선으로 변모를 이룬다. 그것은 '술'이 상상력에 불과 빛으로 작용함으로써 가능한 것이었다. 〈내일〉의 2부는 '술'의 상상작용에 상당히 의지하고 있음을 통해 알 수 있듯이, 이 작품은 두 가치 가운데 후자의 가치에 더 무게를 두고 있다고 할 수 있을 것이다.