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한국 현대시에 나타나는 대지의 상상력과 공동체 의식 양상 -신동엽·정현종·이문재의 시를 중심으로
김홍진 ( Kim Hongjin ) 단국대학교 한국문화기술연구소 2017 한국문화기술 Vol.23 No.-
Our society is at the cusp of modern capitalism, which is dominated by mechanistic thought, progressive time, materialism, instrumental reason. At the height of modern civilization, the community thinks about the root of natural life which is regarded as the opposite of reason and science and technology. Such as the pursuit of eternity, the restoration of divine values, the restoration of religious spirituality and senses, the implementation of love and life, coexistence and coexistence, symbiosis and harmony. This kind of thinking can be considered as an alternative plan to overcome the modernity to restore the others of reason. This paper explores community based on the imagination of the earth as a practicing of modern overcoming in Korean modern poetry. By doing so, I checked the meaning of the aesthetic trait contained in imagination and community of the earth. These discussions are accompanied by the work of illuminating the rhetoric of earth, rural and homeland as the source of nature and life, and the implications of the rhetoric of imagination in the ways and contents pursued by modern poetry. As a result, it will lead to the work of illuminating the meaning of collective thought and the imaginary imagination of the source of life as an alternative world view of modern overcoming in the system of modernity of instrumental reason and scientific rationalism.
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김홍진(Kim, hongjin) 국어문학회 2015 국어문학 Vol.58 No.-
본고는 이문재ㆍ유하ㆍ고진하의 시를 중심으로 도시공간에 대한 고현학과 시선 표상이 지닌 정치성과 윤리성을 조명하였다. 세 시인의 시에서 화자인 산책자는 도시의 내부에 속해 있으면서 스스로를 도시의 외부에 위치시키고, 도시의 내부에서 도시의 외부를 상상적으로 응시하는 시선의 체계를 만들어 낸다. 이러한 시선 체계는 도시 산책자의 감각을 극명하게 보여주며, 그것은 현대시가 보여주는 정치성과 윤리성의 의미 있는 한 국면을 이룬다. 이문재 시의 산책자는 도시문명의 파시스트적 속도에 역행하는 느림의 미덕을 통해 제국과 문명의 속도에 저항한다. 이문재 시에서 산책자의 투시와 대항적 시선은 문명에 대한 대안 명제의 윤리학으로 읽힐 수 있다. 유하의 시는 욕망의 풍경을 적나라하게 수용하는 관음적 시선과 스펙터클의 도시적 풍속을 특유의 고현학적 태도를 통해 반성적으로 인식하는 정치성과 윤리성을 획득한다. 산책자로서 유하는 도시를 지배하는 물질적 풍요와 기호가치의 매혹적인 현란함에 내재한 욕망과 미시권력의 작동을 엿보고, 이를 극복할 대안으로서 느림과 비움의 미덕을 강조한다. 이것이 유하의 시적 자아인 산책자가 거리에서 보여주는 시선의 동력이며 윤리학이다. 고진하의 산책자는 묵시록적 현실에 고통을 받으면서도 역설적으로 희망을 갖는 종교적 영성의 주체이다. 즉 신성 부재의 현실에 대한 성찰, 그리고 사랑과 생명의 회복은 영성적 시선이 도달한 윤리성의 최종 지점이다. 그러므로 그의 시정신의 핵심을 관통하는 종교적 영성의 시선은 근대사회에 대한 비판적 대안명제라는 시선의 윤리학을 보여주는 것이다. 도시의 산책은 물질과 기호의 현란함에 내재한 욕망과 미시 권력의 작동을 엿보고, 이를 비판적으로 인식하고 탈주를 꿈꾸게 한다. 탈주는 일견 현실과 다른 곳으로의 이탈일 수 있다. 그러나 주목할 점은 도시적 일상에 깃든 ‘현대성의 무의식’에 대한 인식과 성찰이라는 윤리성과 정치성의 층위이다. 즉 세 시인이 보여주는 정밀한 관찰과 비판적 통찰, 자유롭고 깨어 있는 산책자의 시선의 고현학과 시선 표상의 윤리성 및 정치성은 현대성에 대한 구체적 인식을 포함하는 것이다. This article was lit up with the politics and ethics of representation modernology and gaze on the city at the time of Lee Munjae, Yu Ha, Ko Jinha poetry. In their poetry Flaneur is to position themselves in the city outside while the inside part of the city. Thereby, they create a system of eye staring at the outside of the cities in the interior of the city as imaginary. The Flaneur Lee Munjae poetry of resistance to the speed of civilization through the virtue of slowness, which goes against the fascist rate of urban civilization. Perspective and against enemies in the eyes of the flaneur of Lee Munjae poetry can be read as an alternative proposition for the ethics of civilization. Yu Ha poem to obtain a political and ethical to recognize the voyeuristic gaze and urban wind speed ever spectacular scenery of spying sexual desire in half through the modernology attitude. Urban gaze stayed as Flaneur is spying operation of desire and micro-power of the distance, it emphasizes the virtues of slowness and emptiness as an alternative to overcome. Flaneur of Ko jinha is the subject of religious spirituality with the apocalyptic hopes suffered a paradoxical reality. That reflection on the reality of the Holy member, and the restoration of love and life is the final point of the line of sight of spirituality reached ethics. So the eyes of religious spirituality through his divine core shows the ethics of corrective eye to present a critical alternative proposition for the modern society. Walking glimpse of the city"s desire to work with micro power inherent in the material and symbolic, critical to recognize it and dream of escape. Point to note here is the horizon of the ethics and politics of recognition and reflection of the ‘unconscious of modernity’ dwelling in urban life. That is ethics and politics of the gaze modernology accurate representation of the three poets to show insight and critical observation, free and sober Flaneur is to include the specific recognition of modernity.
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김홍진(Hongjin Kim),박형구(Hyung-Gu Park),이주형(Joo-Hyung Lee),이강윤(Kang-Yoon Lee) 제어로봇시스템학회 2012 제어로봇시스템학회 합동학술대회 논문집 Vol.2012 No.7
This paper presents the high efficiency receiver IC for wireless power transfer application. The active rectifier is designed to have the wide input dynamic range since the input power level strongly depends on the distance between the power transmitter and receiver. The efficiency of the DC-DC converter and LDO is improved by reducing the quiescent power consumption. This chip is implemented in 0.35 μm CMOS and the die are is 5 mm x 2.5 mm.
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김홍진(Kim, Hongjin) 한국언어문학회 2008 한국언어문학 Vol.64 No.-
Our society have entered the post modern era’s the later industrial society. The increasing of the experience about city’s civilization is standard of the modern city and society’s historical changes. Our poets are expanding the width of the imagination with a metropolitan sensibility as they live in the middle of the common city civilized. They who are strolling it while they are stealing glance one are ‘Flaneur’. Modern people chase the civilized life on the basis of scientifictechnique’s civilization actively. In the post modern era’s common city, stroller always antagonizes “fascist’s speed”. Strolling is the spiritual product to escape or to recover the original life. The walker regards the common world which is dominated by real regulation and order as the critical things. Lee Mun jae is seeing through the post modern era’s contradiction. He chases the slow aesthetics which is demonstrating against the worship of the speed culture. He considers the industrial society’s fundamental contradiction. This criminal mind makes the oppositive thinking about the city’s civilization as it goes with biological imagination. So this manuscript paid attention to stroller’s eye and thinking . And this lighted the city’s speed and slow aesthetics, the lost of the original form and biological recovering, empires brutality which are on the basis of the civilization’s criticism.Slow aesthetics is expressed by ‘strolling’. In his poem, the strolling motive is poetic way to see the life’s original element. He is antilife and critical about antilife civilization. His poem is the spiritual product for recovering the biological recovery. His poem is alternative about common biological reality and the later capitalism’s ideology.
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자연의 재신화화와 탈신화화 - 한국 현대시의 유토피아와 반(反)유토피아 상상력
김홍진(Kim Hongjin) 한국언어문학회 2006 한국언어문학 Vol.58 No.-
Nature is given absolute weight on lyric poetry. Nature in lyric poetry has traditionally functioned as one of objects stirring up poetic imagination. Nature is superior in the material aspect in acquiring the prototype disposition of lyricism. Nature from ancient songs to modern poetry is important objective correlative revealing the poetic inspiration of poets. Nature represents prototype, universality, and the immediacy of experiences, and it functions extensively in experiences and consciousness of the creative subject.<BR> The poetic ego loses identity in the limping fetters of modern history, and nature is so different from what it once was. Nature has been damaged by civilization and the purity of it has been polluted. During that, there are two methods that poets losing identity can choose. One method is to restore the world of nature into the original form. This is connected with Utopian desire about the golden age of modern people that try to free themselves from the realty full of absurd and inconsistent, modern time into broken pieces, and urban civilization space.<BR> The other method is to demythologize nature, not remythologize it. Demythologization of nature is that a mirror reflects the desire and half a lifetime of human beings by revealing with tension the actual circumstances of damage and destruction of a primitive aboriginal territory. They noticed tension relations between nature and civilization, not idealizing and remythologizing nature into the Utopian view of the world, and from there they try to look into anti-Utopian world of some predictable aspects.<BR> These two aspects include the facts that the life of us is placed in an ecological crisis, and that human beings and nature and ego and world should be restored into true relations again. Here include hopes and dreams about more desirable life and Utopian desire on ideal and positive social aspects.<BR> This study is to research what aspects ‘remythologization of nature’ and ‘demythologization of nature’ are expressed. Especially, this study is to abstract the mean, which remythologization and demythologization of nature against mythologization of civilization have, from the view of Utopia.
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