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김택중 중앙대학교 중앙사학연구소 2013 중앙사론 Vol.0 No.38
秋瑾(1875∼1907)是二十世紀初中國的著名女性啓蒙運動家, 革命家, 詩人. 本文按照秋瑾的思想和活動變遷檢討了她的女權運動和救國活動, 幷且考察了她指向的女權運動和救國活動的內涵. 本文除了<序言>, <結語>以外, 共分三個部分討論秋瑾的思想和活動變遷. 第一部分<男女平等思想>, 是探討秋瑾形成男女平等思想的內外在因素和其背景. 第二部分<女權伸張啓蒙運動>, 主要考察有關秋瑾的女權伸張啓蒙運動過程和主要活動內容. 第三部分<救國革命活動>, 乃在觀察時代的變動與所面臨的現實社會和國家問題在秋瑾的救國革命活動中如何影響和呈現. 秋瑾從小就自覺到男女平等是天賦的權利, 從而她就開始尋找寶貴的人間尊嚴性和權利, 而展開男女平等和女權伸張啓蒙運動. 後來她發現要達到男女平等和女權伸張的目標, 至前首先要達到社會改革和革命. 所以她追求的核心活動是漸次轉換到以革命活動來建設新的國家, 最後她把自己的生命獻給了救國革命活動. 秋瑾把自己的生命獻給救國革命活動有兩個內涵. 一是她以爲它就是一擧達成救國和女權伸張一起, 二是她以爲它就是不但達成救國和女權伸張, 而且覺醒中國女性也對社會和國家有責任. 總的來說, 秋瑾的女權運動和救國活動, 是無論當時或後世對要具現和通察男女平等主義者和人權主義者都給很大的啓示和影響. 由她的人權思想, 他們都會認識到在社會上天賦人權具有崇高的價値. 同時由她做的實踐行爲, 他們都會知道面對人間本然的權利時, 不應當回避自身的重大責任, 而如何獲得它的方法.
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『황폐한 집』의 구조 연구: 상호연관성의 주제를 잡아주는 도구
김택중 한국현대영어영문학회 2022 현대영어영문학 Vol.66 No.2
Charles Dickens’s Bleak House is unique among his novels because of its structure: that is, this second longest novel by Dickens has two different narrators who tell us the same events and characters. One is a third-person omniscient narrator and the other Esther, the main character. The third-person offers the bleak and stagnant reality of Victorian London in the present tense, and Esther tells of events related to her in the past tense. Dickens’s contemporary reviewers usually saw this then-new characteristic a critical weakness of the novel. However, it is the very strength that gives the novel a status of one of the best literary works in English. The novel exposes the irresponsibility of the government and the upper classes toward the poor. Their indifference derives from a general idea that they are unrelated to the poor. In this novel, Dickens seriously criticizes this idea and encourages them to feel sympathetic to the poor, showing the interconnectedness of all the people and events that initially seem disconnected. The dual structure effectively realizes Dickens’s intention. This paper traces how the two narrators help develop the theme of interconnectedness.
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Positioning Ouida at the Turn of the Century
김택중 한국현대영어영문학회 2007 현대영어영문학 Vol.51 No.1
This paper attempts to reassess a neglected sensation novelist, Ouida, by reading her life and writings. Ouida is usually remembered as a writer who argued against Sarah Grand on the issue of the New Woman, and as one who strongly stood against the New Woman movements. However, in a certain sense, her life itself is that of an independent, self-assertive woman, and in many of her writings appear those women whose life challenges and even completely destroys the male-oriented traditional values and codes of conduct. In fact, her life even can be seen as the materialization of the characteristics of the New Woman while herself luxuriously enjoying the values endowed only on males. In this sense, I would like to suggest we accept Ouida as a hybrid of the Victorian traditional values and the New Woman instead of discarding her as one who is strongly opposed to the New Woman and whose work is not worth a serious discussion.
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An American Myth Emerged from Death Comes for the Archbishop
김택중 대한영어영문학회 2009 영어영문학연구 Vol.35 No.4
Willa Cather’s Death Comes for the Archbishop traces the process of finding a new culture emerged by mingling the European and the Native American cultures. Cather shows it in Father Latour’s life in New Mexico. By continuing contacts with the native Indians and his attachment to gardening, Father Latour achieves a comprehension of the new place, a complete understanding that leads in the end to produce a new culture that is not simply European nor American Indian. However, Cather shows that America has lost or forgotten the new culture that was once made and felt by Father Latour. This paper aims to reveal how Father Latour achieves the understanding of the place and how an American myth emerges from it.
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『明史』 「列女傳」의 사실과장과 사실미화 -身體毁損과 神異現像 서술을 중심으로-
김택중 중앙대학교 중앙사학연구소 2015 중앙사론 Vol.0 No.41
The Mingshi Yeolnyeojeon described about a lot of the physical abuse. Mingshi Yeolnyeojeon also mentioned about a lot of the strange phenomenon. Such historical writing, it is hard to find in the highly authorized historical books. In China the physical abuse thought impiety and also the physical abuse oneself was the object of the bad sign. Usually the highly authorized historical books generally evaded a description about the physical abuse. And the history book considers seriously an objectivity and a reliability. And the highly authorized historical books usually does not describe about the strange phenomenon. By the way, what is the reason which Mingshi Yeolnyeojeon describes about the strange phenomenon and the physical abuse? Like investigating from the present paper about the answer is simple. It is in order to exaggerate a faithful act from the strange phenomenon. And It is in order to beautify a faithful act from the physical abuse. For this purpose Mingshi Yeolnyeojeon attitude depicted about the physical abuse and the strange phenomenon intentionally. Description because like this, the faithful act of the Ming dynasty woman was very exaggerated and was very beautified. In order to attain the ideology which specifies is the Mingshi Yeolnyeojeon description method which is suitable. But Mingshi Yeolnyeojeon was lost objectivity and reliability in from the history book. In addition Mingshi Yeolnyeojeon was not rational intelligence and scientific intelligence anymore. So the Ming dynasty woman in Mingshi Yeolnyeojeon became the woman as a matter of the features which was inhuman with angry, violence, the blood, dead, suspicion.
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