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Основные тенденции развития современной китайской семьи
Е.Г. Белая(E.G. Belaya) 동북아시아문화학회 2008 동북아시아문화학회 국제학술대회 발표자료집 Vol.- No.-
Chinese family represents universal object of research, its investigation gives opportunity to watch real life of a man and his environment, allows to follow the mechanism of interaction and influence family and society.
Образ Клима Самгина и новое художественное зрение русской литературы 1920 - 1930-х годов
Е.Г. Белоусова(E.G. Belousova) 충북대학교 러시아 알타이지역 연구소 2013 러시아학 Vol.- No.9
The article deals with the specific artistic modes and devices which M. Gorky exploits to create the image of Klim Samgin. Revealing the uniqueness of individual consciousness of literary character and his creator, these modes and devices display the general tendency to recognition of enduring value of human personality common for a number of Russian writers of 1920-1930s.
Принцип «подмены» и образ советской действительности в романе А. Платонова «Счастливая Москва»
Е.Г. Белоусова 충북대학교 러시아 • 알타이지역 연구소 2014 러시아학 Vol.- No.10
The image of “substituted” reality, created by Platonov in his novel “Happy Moscow”, is viewed in the article through the prism of the writer’s individual style, which reveals author’s negative attitude to Soviet life.
Принцип «подмены» и образ советской действительности в романе А. Платонова «Счастливая Москва»
Белоусова Е.Г 충북대학교 러시아연구소 2014 러시아학 Vol.- No.10
The image of “substituted” reality, created by Platonov in his novel “Happy Moscow”, is viewed in the article through the prism of the writer’s individual style, which reveals author’s negative attitude to Soviet life.
Принцип «подмены» и образ советской действительности в романе А. Платонова «Счастливая Москва»
E G Belousova(Е Г Белоусова) 충북대학교 러시아 알타이지역 연구소 2014 러시아학 Vol.- No.10
The image of "substituted" reality, created by Platonov in his novel "Happy Moscow", is viewed in the article through the prism of the writer's individual style, which reveals author's negative attitude to Soviet life.
А.А. Крупянко(A.A. Krupiakno),Д.Г. Кудряшов(D.G. Kudriashov),Е.Г. Шевченко(E.G. Shevtshenko) 동북아시아문화학회 2008 동북아시아문화학회 국제학술대회 발표자료집 Vol.- No.-
Caves are mystic gates to the Underworld and rich of symbols of cults, myths, and tales. Starting from the Paleolithic they were recognized as the territories of other dimensions. From the beginning of time caves played roles of safety place, mother's womb, birth and rebirth, starting point and focus of life, center of the Universe. In traditional mythology caves often were connected with Gods' and ancestors' images. They were locations of the birthplaces of Gods and heroes. According to folklore it's hard for humans to reach the dawn of the caves settled by dwarfs, mountain demons and guarding dragons. From the archaeological point of view caves are very attractive as the locations of specific (complex or mixed) types of sites. New information on the caves is traditionally brought by professional and amateur-speleologists. For example, the data on the series of caves near Bogopol village in Zerkal'naya River valley (Kavalerovo district) and surveys in Malaya Nikholaevskaya Cave in Partizanskaya River valley in the Maritime Region.