RISS 학술연구정보서비스

검색
다국어 입력

http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.

변환된 중국어를 복사하여 사용하시면 됩니다.

예시)
  • 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
  • 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
닫기
    인기검색어 순위 펼치기

    RISS 인기검색어

      검색결과 좁혀 보기

      선택해제

      오늘 본 자료

      • 오늘 본 자료가 없습니다.
      더보기
      • 무료
      • 기관 내 무료
      • 유료
      • KCI등재

        현대무용의 동양적 접근

        장정윤 ( Chung Yoon Chang ) 대한무용학회 2007 대한무용학회논문집 Vol.50 No.-

        The purpose of this study is to discuss choreography and works in relation to those eastern ideas. Philosophical approach of modern dance choreography to the eastern world is considered to affect not only the dances` forms, contents, theme, theatric elements and creative process, but also the movement principles, movement technique, choreographic ideas and aesthetics. In concrete the influential elements are such as the images of St. Denis` dances, the principle of technique of Graham dances, freedom from spirit and freedom of dance in Duncan dances, body-subjected consciousness and identity in post modern dancers, etc. Since 1900 there appeared the approachment to the eastern philosophy and aesthetics in the modern dance and post modern dance world. Especially the spiritual experience and self-awareness through dancing body as well as thinking procedure and its structural appropriation from Zen ideas, are the reflections of the eastern philosophy. The dancing performance by Hawkins and Hay use the spiritual experience and self-awareness of Zen meditation. Also the acceptance of martial arts for dance technique as well as the mysticism is transformed into the interrelationship of human spirit, body and mind. In short, the integration of body and mind from dualistic idea, and the exploration of free movement from ballet technique, are considered as the aspects of eastern influences in early modern dance. Furthermore, the eastern subjective identity through body encouraged post modern dancer`s individual-self identity of body.

      • KCI등재

        요한계시록에 나타난 혼합주의와 한국 교회

        송영목(Young Mog Song) 한국복음주의신약학회 2009 신약연구 Vol.8 No.3

        This article probes the syncretism(or compromising behavior) caused by the false teachers and the opponents in the book of Revelation. John clearly sees a serious problem with what Christians are doing in accommodating themselves to the Greco-Roman life. In order to investigate the syncretism which threatened John's audiences, firstly the writing date of Revelation and the historical setting of John and his audiences should be cleared. Then, the expressions and themes connected with syncretism(for example, the Nicolaitans, Balaam, Jezebel, the synagogue of Satan, hearing formula, parody) need to be analyzed. John's answers against the syncretism are shown in various ways. John tries to reject it by suggesting the true kinsman relationship with Jesus to his audiences(Rev. 19:7). And John also attempts to convince his audiences with the dualistic world views in which the seven churches are persuaded to make the right choices. In Revelation, several dualistic contrasts come to the fore as follows: the bride-the harlot(Rev. 17:1; 21:9), honor-shame, eternity-temporality, patron-client, and insider-outsider. The audiences might have overcome the syncretism by recognizing the essence of the parody by evil powers(for example, the harlot Babylon, beasts, dragon). Moreover, the churches must have rejected the false prosperity and temporal peace promised by the compromisers in spite of seduction and persecutions. The current situation of the Korean church is similar with that of the seven churches in Asia Minor. Then, what is the way for the Korean church to overcome the modern syncretism? What can the Korean church learn from John's prescription? How can the Korean church as a nonaccommodating Christians establish her boundaries the secular and compromised society?

      연관 검색어 추천

      이 검색어로 많이 본 자료

      활용도 높은 자료

      해외이동버튼