人間敎育硏究와 開發을 爲한 大學硏究컴퓨터實習室體制에 關한 硏究

金憲洙,孫忠基,李相基 圓光大學校 敎育問題硏究所 1986 敎育硏究 Vol.- No.5

The main purpose of this study is to formulate the new conceptual prototype on the university computer laboratory and practice room system for human education research and development. This study focused its effort on clarifing the value and function of modern scientific and technological devices, such as LAUTOGS, AUTOMAWS, AUTONEWS, TUTOS and LAUSHERDS. 1. LAUTOGS is an integrated dynamic system consisting of hardware, software, and manuals. 2. AUTOMAWS is a sub-system supported by LAUTOGS designed to generate educational manuscripts automatically for use in printed form or on a computer. 3. AUTONEWS is an integrated, multi-purpose personal computer network system which can be utilized conveniently with a little simple training and practice. 4. TUTOS is a means to be used by a student who is ready to engage in learning for mastery by selecting learning tasks suitable for him or her, on the P.C. or E level. 5. LAUSHERDS is a system designed for use in a laboratory for educational research, development and field study. The primary role of this laboratory would be improve LAUTOGS, AUTOMAWS, AUTONEWS, and TUTOS creatively and continuously. In short, they mean an approach which helps learners learn and develop to their utmost and teachers perform their work at their best, in their given situations favorable or unfavorable. The expected results of this study are: 1. To improve the educational environment of teachers and learners by reducing the burdens in performing their work through the use of low cost personal computer systems which have been developed by SSHE in Korea. 2. To contribute to the improvement of research and development in the production and utilization of various educational resources using indigenous personnel and materials. 3. To equalize excellence in education starting with primary mathematics.

서서히 진행하는 치매와 뇌위축을 주소로 내원한 원발성 항인지질 항체 증후군 2예

이창선,김현각,이재홍 대한치매학회 2002 Dementia and Neurocognitive Disorders Vol.1 No.1

Primary antiphospholipid syndrome (PAPS) is a complication of autoimmune antiphospholipid antibodies with lack of serologic and clinical features of systemic lupus erythematosus or other collagen vascular disorders We have observed progressive dementia. One patient is 31-year-old female who presented with progressive cognitive impairment of 2 years′ duration and decreased hand dexterity. Her Mini-Mental State Exam(MMSE) score was 20. Livedo reticularis was noted on both forearms and knees. She was tested positive for VDRL, lupus anticoagulant and anti-cardiolipin antibody. FTA-ABS and all other antibodies for collagen vascular disease were negative. Brain MRI showed mild to moderatrate cortical atrophy with no definite parenchymal lesion Her dementia deteriorated despite corticosteroid therapy and follow-up MRI revealed marked brain atrophy with ventricular dilatation The other patient, a 36-year-old male, presented with a one-year history of memory impairment and mental slowing Laboratory tests were significant only for lgG anti-cardiolipin antibody His MMSE score was 26. Brain MRI showed mild brain atrophy with some small T2 signal intensities in the centrum serriovale Cerebral angiogram was unrevealing We suggest that PAPS may produce progressive dementia mainly by causing cortical atrophy PAPS should be suspected in the differential diagnosis of young adult dementia.

Lactoferrin Stimulates Mouse Macrophage to Express BAFF via Smad3 Pathway

Chang, Heyn-Keyung,Jin, Bo-Ra,Jang, Young-Saeng,Kim, Woan-Sub,Kim, Pyeung-Hyeun The Korean Association of Immunobiologists 2012 Immune Network Vol.12 No.3

B cell-activating factor belonging to the TNF family (BAFF) is primarily expressed by macrophages and stimulates B cell proliferation, differentiation, survival, and Ig production. In this study, we explored the effect of lactoferrin (LF) on BAFF expression by murine macrophages. We determined the level of BAFF expression at the transcriptional and protein levels using RT-PCR and ELISA, respectively. LF markedly enhanced BAFF expression in mouse macrophages at both the transcriptional and protein levels. Overexpression of Smad3/4 further increased LF-induced BAFF transcription while DN-Smad3 abolished the LF-induced BAFF expression. These results demonstrate that LF can enhance BAFF expression through Smad3/4 pathway.

소동파(蘇東坡)의 산문이론(散文理論) 연구

박노현 ( Ro Heyn Park ) 한국한문고전학회(구.성신한문학회) 2003 漢文古典硏究 Vol.7 No.-

윤백남의 논설 「연극과 사회」(1920) 고찰

성명현(Meung-Heyn Sung) 한국콘텐츠학회 2015 한국콘텐츠학회논문지 Vol.15 No.10

본 연구는 일제 강점기에 활약한 연극영화인 윤백남(1888-1954)의 논설 「연극과 사회」를 포스트콜로니얼 비평의 시각에서 고찰하고 그의 흥극사업 주창의 핵심논점들과 연극관 및 현실에 대한 인식과 태도를 파악하는 데 목적이 있다. 연구의 결과, 윤백남은 일제치하의 식민지 현실에 순응하고 타협하며 실리를 찾은 인물로, 그의 흥극사업론은 제국 일본 지향적 개조주의를 기조로 하며 일제의 민풍개선정책에 추수하는 주장이란 점에서 문화적 민족주의자들의 문화운동과는 대척점에 있었던 것으로 나타났다. 또한 그의 서양연극사 개관은 연극의 사회적 역할과 공리적 기능에 치중한 결과 적잖은 오류를 담고 있는 것을 알 수 있었다. 그러나 그의 연극-배우 옹호론은 연극과 지식인이 본격적으로 교우하는 시대의 개막이자 연극문화의 주요 담당계층이 지식층으로 교대되는 지형적 변화의 단초로써 의미가 있으며, 그의 계몽주의적 연극관은 장차의 신극운동을 위한 하나의 초석과 같은 의미를 갖는다고 할 수 있다. This study is to re-read Yun, Baek-nam(1888-1954)s editorial 「Theatre and Society」 from the perspective of postcolonial criticism. He was a man of the theatre who pursued practical interests in compliance with the colonial reality under the rule of the Japanese imperialism. His advocacy of theatre development work was based on the Japan-directional reformism and on Japan-friendly in following after Japans improvement policy. His general discussion on Western theatre history had considerable errors as a result of focus on the social role and utility of the theatre. But his vindication of theatre-actor opened an era of interaction between theatre and intelligence in Korea. In addition, his enlightening view of a theatre became such as one of the cornerstones for the Shinkug Movement during Japanese colonial period in Korea.

논문(論文) : 이달(李達)의 시연구(詩硏究)

박노현 ( Ro Heyn Park ) 한국한문고전학회(구.성신한문학회) 2008 漢文古典硏究 Vol.16 No.1

李達의 신분이 當時에는 천시 받는 庶孼이었기에 後代에 내려오면서 그의 문학적 가치에 비해 그리 큰 각광을 받지 못해왔으나 그의 詩作品이 당시에는 최고의 경지에 이른 詩人으로 불리웠을 정도로 높은 것이었다. 또 當時에 三唐詩人으로 불리울만치 한국한문학사에 커다란 위치를 점하고 있다. 첫째, 李達詩속에 담긴 사상들을 儒ㆍ佛ㆍ道家思想으로 분류하여 살펴보았다. 李達의 학문적 근원은 물론 당시 시대적인 상황에 의해 儒家가 기본적인 중심이 되었으나 유가 이외에도 佛家ㆍ道家에 이르기까지 다양한 주제를 다루고 있다. 즉 이는 당시 시대적으로 차별 받는 庶孼이라는 신분 때문에 儒家에서 최종 목표인 立身揚名의 기회를 제도적으로 공정하게 갖지 못하는 이유로 말미암아 修道的이고 幻想的인 禪과 道를 추구하여 현실의 괴로움을 超脫하고자 하였고 또한 이를 현실적인 도피처로 생각하였던 것이다. 둘째, 李達의 詩作品의 內容을 感情移入, 自然描寫, 現實批評등으로 구분할 수 있는데, 感情移入에서는 李達자신이 이 삶의 세계 속에 느끼는 좌절감, 정착을 향한 희구, 이별에 대한 아픔 등을 묘사하고 있다. 또 自然描寫에서는 다음과 특성이 있다. 一生을 流落生活로 보낸 李達에게 있어서 自然은 그와 가까운 거리에 있었다. 즉 李達의 思惟와 感覺樣式을 通하여 自然을 묘사, 그리고 詩化하고 있는데, 마치 한 폭의 山水畵내지는 文人畵를 보는 듯하게 아주 섬세하고 깔끔한 필치로 自然을 객관화하여 묘사하고 있는 것이 그의 특징이다. 세 번째 現實批評이 있는데 東西分黨을 상징적으로 詩化한 것이나, 또 아이들의 입을 통하여 관가의 수탈을 노래한 것이나, 전쟁으로 인하여 여기저기로 피난을 다녀야 하는 고통과 가족들 離散에 대해 현실적 상황을 사실적이고 생생하게 비평하고 있다. It is considered that Leedal(李達)`s literary value has not been in the spotlight after his time, because his social position as a man by a concubine was to be disdained. But the literary value of his poetry works had been considered to be the highest stage at that time. Those days he also got the great accomplishment of Chinese literary history in Korea as comparing to the three famous Chinese poets[三唐詩人]. First, Leedal`s thoughts of his poems can be classified by three categories such as Confucianism, Buddhism, and Taoism. Although his major academical background was Confucianism in the view of that time, various themes are represented at the base of Buddhism or Taoism. It was discriminated for concubines` offsprings who to succeed in life at that time, which was unfair Confucianism system for them to reach the final goals. Therefore Leedal tried to transcend the difficulties of his reality by pursuing goodness and awakening, which contributed for him to regard as escaping his realities by seeking for ascetic and fantastical world. Secondly, the Analysis of Leedal`s poems are categorized such as empathizing, describing natural surroundings, criticising realities, and so on. The empathizing parts represents his self-frustration of his real world, pursuit toward domiciling himself, and the sorrow of parting. And describing natural surroundings have the following characteristics; Leedal wandered over his whole life, which gave him the opportunity that natural states were always nearer distance. With his speculation and feeling style he described nature and pictured poems like a landscape painting or a painting with writing. These delicate and smart writing style are his characteristics of describing objectified nature. Thirdly, There are the realities criticized and symbolized poetically the spilt of the political party between East and West, the government plundering songs through children`s mouth, and the sufferings and scattering here and there during the wars. Leedal described all of the existing situations with the sense for the reality and actuality.

논문(論文) : 『옹정황제(雍正皇帝)』에 나타난 옹정제(雍正帝)의 치국지책(治國之策)

박노현 ( Ro Heyn Park ) 한국한문고전학회(구.성신한문학회) 2006 漢文古典硏究 Vol.13 No.-

二月河의 소설 『雍正皇帝』는 중국 13억 인구를 사로잡은 작품이다. 소설로의 인기뿐만 아니라 중국 중앙방송인 CCTV에서 드라마로 제작돼 이 역시 사상 초유의 폭발적인 인기를 끌었다. 二月河의 제왕삼부곡인 『康熙大帝』, 『雍正皇帝』, 『乾隆皇帝』를 놓고 청대 역사적 사실과 곰곰이 비교해 살펴보면, 원래 康熙·雍正·乾隆은 청대에 가장 현명했던 황제들이었으며, 역사적으로 그들을 평가해 본다면 康熙帝는 청이 외세로부터 위협받던 시절에 외세들을 모두 평정하여 청의 발전의 기반을 다져놓았고, 雍正帝는 통치기간동안 그 청왕조의 굳건한 기반을 기초로 하여 더욱 발전시켜 청왕조를 반석위에 올려놓았다. 이에 乾隆帝때 청왕조가 극성할 수 있었던 것이다. 소수민족인 滿族의 왕조인 청조는 다수민족인 漢族들을 다스리려면 외세의 침범을 막기도 해야겠지만 아울러 인재등용에 있어서 지배계급인 사대부와 관료계층들을 확실히 통제할 방법내지는 수단이 필요하였고 이를 雍正帝는 人才登用原則으로 不拘滿漢 不限資格, 地方官의 保擧, 幕賓의 薦擧 등으로 응용하여 운영하였던 것이다. 또한 다수민족으로 구성되어 있는 중국을 다스리기 위해서는 인재등용의 원칙만으로 되는 것이 아니고 국가 전체의 시스템을 정비할 필요가 있다고 雍正帝는 판단하여 國家制度의 新設·改善의 원칙으로 軍機處를 신설하고 그 기능을 강화하였으며, 또한 密奏制의 活用, 科擧制의 개선, 議政王大臣會議 제도와 八旗制度의 개혁 등을 주도 하였던 것이다. 아울러 雍正帝 자신만의 統治策術으로 疑不用 用不疑, 朋黨의 打破, 公私分明 등의 원칙을 지킴으로써 청왕조를 반석위에 올려놓을 수 있었던 것이다. 이러한 雍正帝의 治國之策이 이월하의 『雍正皇帝』에 아주 잘 나타나고 있는데, 본 연구자는 이 소설 속에 나타난 雍正帝의 治國之策을 역사적 사실과 비교 검토하여 보았다. ``The Emperor Ongjeong`` by Li Wolha(二月河) is the very popular novel that has been attracted by 1.3 hundred million Chinese. Also the popularity of the dramatized series by Chinese Central TV was an unprecedented event. By comparing with three Emperors` series, ``The Emperor Ganghi``, ``The Emperor Ongjeong``, and ``The Emperor Geonryung`` and the historical facts under the Ching dynasty, Ganghi, Ongjeong, and Geonryung were the most sagacious three emperors. The Emperor Ganghi contributed to form the Ching foundation after defeating the power of neighboring foreign countries. Under the reign of Ongjeong the Ching dynasty beame prosperous on the basis of the strong foundation established by Ganghi. Next the steady prosperity was continued to the Emperor Geonryung. To govern the majority Han race the Ching dynasty of the minority Man race had to defend the outside attack and also appoint high officials on the merit system for the ruling or bureau class. The Emperor Ongjeong needed the method and device to control the high positioned officials. Therefore he established some appointment principles as follows. No discrimination between Man and Han race. No restriction of qualification. Recommendation of local officials. Recommendation of steps. Moreover Ongjeong was the need of reestablishment for the whole national system to control national affairs in spite of majority race in China. He established Gungicheo(軍機處) and strengthened its function on the principle of establishing and improving national system. And he led the following systems. Practical use of undercover reporting system. Improving classical examination system for the government service. Uijeong King conference system. Palgi system(八旗制度). The Emperor had his own administrating strategies for examples: Not appointing if doubt and no doubt after appointing(疑不用, 用不疑), breaking factionalism(崩黨의 打破), clearness between official and private affairs(公私分明). Those ruling systems and strategies made him the Ching dynasty prosperous Emperor Ongjeong`s ruling policy of ``The Emperor Ongjeong`` by Li Wolha(二月河) is well expressed and this paper tried to find his political establishments comparing with the historical facts and Li Wolha`s novels.

소동파(蘇東坡)의 통치론(統治論) - 산문을 중심으로 -

박노현 ( Ro Heyn Park ) 한국한문고전학회(구.성신한문학회) 2004 漢文古典硏究 Vol.9 No.-

박승희의 극단 토월회(土月會: 1923~31)의 조선극장 시절(1929.10~1930.2) 공연활동상에 관한 논고

성명현(Sung, Meung-Heyn) 역사문화학회 2017 지방사와 지방문화 Vol.20 No.1

본 연구는 일제강점기인 1920년대에 신극단체 토월회가 식민지 조선사회의 축소판인 일본인 소유의 조선극장과 전속되다시피 제휴․계약한 사실에 주목하고, 당시에 제휴의 전말과 토월회의 공연활동 내역 및 양상을 언론자료 및 사료에 기반하여 재구성하는 데 일차적인 목표를 두었다. 연구결과는 다음과 같다. 첫째, 토월회와 조선극장의 실제적 제휴․계약 기간은 1929년 10월부터 30년 2월까지 5개월간이었으며, 극단이 조선극장에서 공연한 기간은 부흥 제1회 공연(1929.11.1~6)부터 15회 공연(1930.1.22~27)까지 약 3개월에 불과했던 것으로 나타났다. 둘째, 당시 조선극장의 흥행 순서는 ‘영화 1편, 연극 1편, 레뷰 수종, 연극 1편, 영화 1편’의 순이었고, 토월회는 영화상영 사이에 배분된 1시간여 동안 통상 단막극 두 편을 공연하였다. 그러나 토월회는 계약상 우위에 있는 조선극장 측의 수익성에 대한 요구로부터 자유롭지 못했으며, 공연목록과 연출에서는 재미와 볼거리에 방점을 둔 희가극과 악극이 절대다수를 차지하였다. 이런 의미에서 토월회의 조선극장 시절은 ‘(희)가․악극 전성기’였다고 할 수 있다. 셋째, 토월회는 ≪아리랑고개≫나 ≪지나간 시대≫ 같은 창작(악) 극의 상연에서는 광무대 시절에 ‘고전의 현대화 상연’에 담보된 ‘저항성 전통주의’의 연장선상에 있는 ‘조선정조를 담은 의미심장의 시대극’이라는 이른바 ‘토월회식 근대극’을 창출하는 성과를 거두었다. 그러나 이것은 양식상 아직 근대 서양연극의 요소들과 일본 다이쇼기의 근대적 신게키 형태가 무질서하게 혼종화된 가(假)신극 내지 신극류의 범주에 속한 것이라고 할 수 있다. 마지막으로, 토월회는 조선극장 내에서 약 3개월간 공연하는 동안에도 조선사회의 항일구국을 향한 식민지적 격동에서 비롯된 뜻밖에 사건과 사고를 피할 수 없었다. 이것은 일제치하에서 조선(인)극장은 거의 유일한 종족공간이었으나 식민권력은 예외 없이 돌입․행사되었기 때문이라고 할 수 있다. This study is to explore the history of Shingeuk troupe Towolhoe and Bak, Sunghee’s activities of the performances at the time of Chosun Theathre in 1920’s, focused on Towolhoe’s partnership agreement with the Japanese-owned Chosun Theatre as a microcosm of the Chosun society under the Japanese imperialism. Based on the Press and Historical Documents at that Time, the results of this study are as follows. First, the actual affiliate contract period of Towolhoe with Chosun Theatre was from October 1929 to February 1930, at most 5 months, but it’s running times were from the ‘Revival of the 1st Performance’(1929.11.1~6) to the ‘Revival of the 15th Performance’(1930.1.22.~27) at least 15 times. Second, at that time, Chosun Theatre’s entertainment programs and orders were consisted of the ‘motion-picture(movie) 1, theatre 1, several works of revue, theatre 1, motion-picture 1’, and Towolhoe usually showed two plays for about 1 hour among movie screenings. However Towolhoe was never free from the need for the profitability of Chosun Theatre, and it’s repertoires were filled with the majority of the (Hui)Gageuk(operetta) and Akgeuk(musical drama) based on the amusement of fun and attractions. In this sense, the time of Towolhoe in Chosun Theatre could be characterized by ‘it’s heyday of (Hui)Gageuk and Akgeuk’. Third, Towolhoe invented the ‘meaningful period play with the Chonsun’s sentiment’, so-called the ‘modern theatre of the Towolhoe-style’ in the creative works such as ≪Arirang Hill≫and ≪Past times≫, which was at the extension of the ‘resistance traditionalism’ contained in the ‘staging of the modernization of classic works’ at the time of Gwangmudae. However, it was from the style which belongs to the category of the Shingeuklike as a chaotically hybridized form from the modern theatrical elements of Western and modern Shingeki form of Japan’s Taishow era. Finally, Towolhoe couldn’t have been avoided also during 3 months in the Chosun Theatre the unexpected incidents and accidents that had come from the colonial turbulence of Chosun society against Japanese imperialism. It was because that Chosun Theatre under the rule of Japanese imperialism was the only space of ethnicity, but the colonial powers in that place was to be broken into and harmed without exception.

현철의 연극 이력과 ‘조선배우학교’(1924-26) 고찰

성명현(Sung Meung-Heyn) 한국예술종합학교 한국예술연구소 2016 한국예술연구 Vol.- No.13