허 난설헌과 에밀리 디킨슨의 시를 통해 본 시안의 문제

허혜정 한국영미문학페미니즘학회 1997 영미문학페미니즘 Vol.4 No.1

The problem feminist studies face today is the tendency to avoid our own tradition of literary context. My paper examines oriental feminist literary theory and the concept of the 'Poetic-Eye' which stems from the Chinese classic literary theory of Taoism Korean classic literary thought is a combination of Confucianism, Buddhism, and Taoism, and many arguments of poetics have emerged from these philosophies and religions. The distinction between the eye of western context and the eye of eastern meaning should be carefully observed. This concept of the eye refers to the concept of the gaze. In this paper, the eastern eye/gaze does not relate to an outer eye but more closely to the inner eye. Taoism placed special meaning upon the word; however, the word cannot define truth and self yet suggests its presence. Therefore, the word itself and silence cannot be distinguished; one becomes the other. Words cannot express real meanings. The special point of the 'Poetic-Eye' is found somewhere between emptiness and form; in other words, it is found within the dynamic field of text. The 'Poetic-Eye' illustrates universal creative force, great sources of writing, and the core of fantasy which is connected with the reader's apprehension. 'Tao' means 'the way to truth,' and the 'Poetic-Eye' implies 'the way to the truth of the text.' My paper analyzes Huh Nansulhun's text and Emily Dickinson's poetry by applying the concept of the 'Poetic-Eye.' Both writers are unique and creative poets in the literary tradition of Korea and North America. Their poetry is often chaotic and rebellious because the poets rejected the myth of female inferiority and embraced androgynous manners and consciousness. In my study, I have found the poets' androgynous voices and codes that lead to a deconstructive literary fantasy. Their poetry functions as channels displaying the 'Poetic-Eye' in various formats. I hope that feminists will also take a fresh look at our own tradition of literature.

국내 차량의 동적 주행 특성을 반영한 미시적 온실가스 배출량 산정방법론

허혜정,윤천주,이태우,양인철,성정곤 대한교통학회 2013 대한교통학회지 Vol.31 No.6

There are lots of variations on speed, acceleration and engine power during vehicle driving. It is well known that Green House Gas emissions by these dynamic driving properties are not precisely estimated by the average speed based emission estimation model which has been currently used in Korea. MOVES are selected as an appropriate transferable model among Micro-level emission estimation models. Based on MOVES, a novel emission estimation model can be used in Korea is developed. In this model, MOVES concept of emission estimation method and the MOVES method of estimating the Micro-level emission rate map is adopted. The results from the proposed model were compared with those from the average speed based emission model. The comparison results show the estimated base emission maps are good to be applied in Korea, but needed to be adjusted to consider the vehicle size differences between the two countries. Therefore, the factors for calibrating vehicle size difference were calculated and applied to acquired the micro-level emission maps for the Korean standard vehicle types. 자동차는 다양한 차속, 가감속도 및 출력의 변화를 겪게 된다. 이와 같은 동적 주행 특성에 의한 온실가스 배출특 성은 현행 평균속도 기반의 방법만으로는 정확히 추정하기 어려운 것으로 알려져 있다. 본 연구에서는 미시적 주행 특성의 변화를 고려하는 국외의 미시 기반 배출량 산정방법론 중에서 MOVES를 국내에 도입하기에 가장 적합한 모 형으로 선정하여 국내 적용 가능한 미시기반 온실가스 배출량 산정 모형을 개발하였다. 개발 모형에는 MOVES의 배출량 산정 개념을 도입하고, MOVES의 기본 배출율 맵을 활용하여 국내 차량 구분에 맞는 미시 배출맵을 추정하 여 적용하였다. 본 개발 모형을 기존 우리나라 배출계수 산정 체계와 연계시켜 비교한 결과 MOVES로부터 추정한 미시 배출율 맵을 국내에 적용하는 것이 타당하나 양국간의 차량규모의 차이를 고려할 필요성이 있음을 발견하였다. 이에, 차종별로 미시배출맵 보정계수를 추정하여 적용함으로써 우리나라 대표 차종에 대응하는 미시기반 배출율 맵 을 추정하여 개발모형을 실제로 국내에 활용할 수 있도록 하였다.

끊어진 교각 외 1편

허혜정 천년의시작 2006 (계간)시작 Vol.5 No.2

남자의 초상

허혜정 시와세계 2008 시와세계 Vol.- No.22

적들을 위한 서정시

허혜정 시와세계 2008 시와세계 Vol.- No.22

평면 트리의 레벨 도시와 수직 도시 알고리즘

허혜정 덕성여자대학교 대학원 2000 덕성여자대학교 대학원 논문집 Vol.2 No.-

정서지능 향상을 위한 음악 활동이 초등학교 1학년 학생들의 세타파 변화에 미치는 효과

허혜정 한국음악치료학회 2007 한국음악치료학회지 Vol.9 No.2

본 연구의 목적은 정서지능 향상을 위한 음악 활동이 초등학교 1학년 학생들의 세타파 변화에 미치는 효과를 알아보기 위한 것이었다. 연구의 대상은 경기도에 위치한 대안학교 1학년 학생 31명으로서, 실험집단 15명과 통제집단 16명으로 구성하였다. 연구자는 2007년 4월 3일과 4월 10일에 각각 실험집단과 통제집단의 사전 검사를 실시하였으며, 사전검사는 한국 뉴로피드백 연구소에서 실시한 뇌파 검사로 이루어졌다. 실험집단에는 2007년 4월 4일부터 4월 25일까지 1주일에 2회~4회씩 총 9회의 집단 음악 활동이 시행되었고, 각 세션은 50분 동안 진행되었다. 통제집단은 실험기간 동안 음악을 제외한 자유 놀이 활동을 하였다. 모든 음악 활동이 종료된 후 실험집단과 통제집단의 모든 참여자들을 대상으로 사전 검사와 동일한 사후 검사를 재 실시하였다. 연구 결과, 정서지능 향상을 위한 음악 활동 전후의 세타파 변화량은 실험 집단과 통제 집단 간에 유의미한 차이가 있을 것이라는 가설이 지지되었다. The purpose of this study was to investigate the effect of music activities for the enhancement of emotional intelligence upon the degree of the theta wave change of the first grade students. This study was conducted for 31 first graders in the alternative school in Kyong-gi Province. Groups were divided into two: the experiment group consisted of 15 subjects and the control group consisted of 16 subjects. On April 3 and 10 in 2007, subjects of each group were pretested on theta wave at Korea Nurofeedback Institute. Total of 9 experiments(two or four times a week for fifty minutes each from April 4 through April 25) were conducted on the experiment group. During this experiment period, the control group was allowed to have free play except music activities. After the experiment, post-test which was exactly the same with the pre-test was given for both the experiment and the control group. Results supported the hypothesis in which there might be a significant difference in the degree of the theta wave change between the two groups.

돌발성 난청 환자에서 고혈압과 당뇨 유무에 따른 Lipo-Prostaglandin의 치료 효과 비교 연구

허혜정,최철희,김명구,홍성화,서지원 대한이비인후과학회 2021 대한이비인후과학회지 두경부외과학 Vol.64 No.8

Background and Objectives Several drugs which can improve blood flow have been usedas treatment options for sudden sensorineural hearing loss (SSNHL) based on the theory thatimprovement of perfusion into the inner ear will help restore hearing. Lipo-prostaglandin E1(lipo-PGE1) is a well-known vasodilator that increases peripheral blood flow. The purpose ofthis study was to investigate the effect of lipo-PGE1 on the recovery of the SSNHL patientswith hypertension or diabetes. Subjects and Method We retrospectively analyzed 801 patients who were diagnosed withSSNHL from January 2007 to December 2018. All patients were treated with 48 mg of methylprednisolonefor 5 days; some patients received lipo-PGE1, depending on the attending physician. They were divided into four groups according to the presence or absence of hypertensionand diabetes. Hearing test was performed again one month after treatment and comparedwith the test results at the time of diagnosis. Results As a result of comparing the hearing thresholds before and after the treatment ineach group, there was a significant improvement in hearing thresholds in all groups (p<0.001). However, when comparing the effect of lipo-PGE1 for hearing change, there was a significantdifference only in the group without any underlying diseases (p=0.016). Conclusion In this study, we show that lipo-PGE1 was helpful in hearing recovery whenused in patients without underlying diseases rather than patients with hypertension or diabetes. Further studies will be needed to determine the therapeutic effects of lipo-PGE1 as an adjuvanttreatment in SSNHL patients.

[이달의 시] 물방울을 위한 필름

허혜정 샘터사 1995 월간 샘터 Vol.26 No.7

문학과 K-팝, 유투브 르네상스

허혜정 한국동서비교문학학회 2018 동서 비교문학저널 Vol.0 No.46

In the modern society where the global web is popularized, the phenomenon of coevolution in which people and media with high complexity actively combine and develop is remarkable. In the case of literature and art, which is bound to wear the body of the media, the phenomenon of coevolution is applied in the same way in various aspects such as genre, expression, etc. The music video of bulletproof boy band and the SNS literature are examples showing the case of “the coevolution of the genre.” This paper has variously proved that the texts of the Bulletproof Boys, in particular, are ’coevolutionary’ with mixed artistic genre, media and advanced technology, and are lending a message of literary narrative and posthumous humanism. Just as post-humanism is advancing with the collaboration of physics / biology / humanities, the text of bulletproof boys is designed as a cross between mathematics and science, and sometimes it is surprisingly religious and poetic. The intersection of artistic patterns accumulated by mankind and advanced text technology, including primitive scenery and the cosmic future world, dance of oriental martial arts and slums, and the use of traditional camera work and drones. Bulletproof boys sing various themes ranging from performance to love, education and customs to wandering and self-revolution. Bulletproof Boys is also a symbol of true globalization in which the global culture represented by western culture is Diversified and modified by K-culture. Like the Renaissance art that proclaimed the spiritual bankruptcy of the Middle Ages in the name of ’Human’, the Bulletproof Boys is going to the future of another art that Melted with literature, philosophy, religion and media, I called it “Youtube Renaissance”, which would enable future pop culture.