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최장순,조현길,Choi, Jang-Soo,Jo, Hyun-Gil 한국주거학회 2007 한국주거학회 논문집 Vol.18 No.5
This study is to analyze the residential spatial composition structures of vernacular agricultural village which to be called Wanggok in Yeongdong area. The results of this study are as follows; ${\cdot}$ The backyard of farmhouses is surrounded by a fence and a frontyard is open to the road, so that the spatial realm system from the road to the backyard is classified as public-semi public-private realm. ${\cdot}$ The plan type of this village is mainly composed of ㅡ type Gyeobjib (the two row rooms under one roof) and ㄱ type Gyeobjib, the Anmaru (the inner wood floor to be surrounded with wall) in both of which plays an important role that connects Sarangbang (the men's main room) with Anbang (the women's main room) in the residential space. ${\cdot}$ The particular item that not found out in another area is the Sarangbang kitchen which located to Sarangbang's side wall to be furnished with a fire hole. ${\cdot}$ The houses represent the socio-cultural environmental elements of those built days, such as while Sarangbang is faced on a frontyard to be open to the neighborhood, Anbang is faced on a backyard surrounded with a fence to be closed to the one. ${\cdot}$ The Gyeobjib with Anmaru appeared by cultural transformation connecting the 田-shaped house of Hamgyeongdo with the Gyeobjib with Anmaru of Gangwondo and Gyeongsangbukdo. ${\cdot}$ The ㄱ type Gyeobjib is preferred to ㅡ type Gyeobjib because of the sea wind and the north-east wind occurring by geographical and climatic environment elements, the privacy protection according to look into a frontyard, the muck drainage of cowshed to make use of ground unevenness, the economic gains called material saving and the intention to enlarge the frontyard as to be concentrated in a residential space and etc.
최장순,김진원 한국농촌건축학회 2008 농촌건축 : 한국농촌건축학회논문집 Vol.10 No.1
It is very hard to find out Tongbanga-millhouse installed nearby a streamlet to use water with Tongbanga(a kind of water-mill) to polish cereals by pounding like a visage of its old days. It plays an important part in folkloric, architectural and educational aspects. The purpose of this study is to analyse the architectural features of Tongbanga and millhouse itself so that to find the way how to build and fabricate the materials and frame members. Therefore this study has been focused on the composition principle and fabrication method of Tongbanga-millhouse on the side of architecture. The fabrication methods of its house in accordance with regular sequences are as follows. ㆍFirstly the decision of location of Tongbanga-millhouse and Hwak(a big mortar made of stone). ㆍSlantly three rafter installation at an angle of 50゜to err on the safe side and then slantly fifteen rafter installation making a circular cone shape. ㆍInstallation of twigs to be circles from bottom to top. ㆍManifoldly covering of trunks peeling the barks from flax plants. ㆍThreefoldly thatching with upside barks of oak trees. ㆍPlacing woods alike rafter on the bark thatches as a weight not to fly away by wind. ㆍBinding woods alike rafter with vines of arrowroots to maintain the proper place. The decayed Tongbanga-millhouse by means of upper ways was restored out of all recognition.
최장순 대한건축학회 2005 대한건축학회논문집 Vol.21 No.7
This study analyzes the spatial structures of vernacular agricultural village which to be called Wanggok in Yeongdong area. The results of this study are as follows;The space of this village is coexisting both closeness and openness by adjacent 5 mountains and Songji lake, so the men in it have a feeling to be cosy and comfortable.Though externally this village is one, it is divided into the upper and lower villages by two family name groups centering around village road connecting between neighboring villages.Farmhouses are more located following to the village road side rather than streamlet side, vegetable field is located at around farmhouses and rice field is located at the lower flatland.ㆍThe between roads diverging from village roads which developed + type are connected to without cutting.The shrine of a tutelary deity and the monument pavilion of a devoted son, all of which are located rather at the higher place or village entrance than at it's center, symbolize the spiritual rite space or the starting point of a village.A backyard of farmhouses is surrounded by a fence and a frontyard is open to the road, so that the spatial realm system from the road to the backyard is classified as public-semi public-private realm.
중국 사합원의 평면유형과 공간구성의 특징에 관한 개괄적 연구
최장순 한국주거학회 2003 한국주거학회 논문집 Vol.14 No.5
The purpose of this paper is to examine and analyse the features of plan type and space composition of the Siheyuan(courtyard house) which is one of the most remarkable types of the traditional dwellings in China. With the passage of time this house developed into one of the chinese house style. The technique of Siheyuan's spatial composition goes so far back in the New Stone Age. The relics of this are the colony layout, the system of four sides, the layout type of a palace, the picture of lacquered ware, the pictured brick, the earthenware of house type, the cave painting, the paintings of painters and others. The fundamental spatial conception of it arranges one or more courtyards to compose, sometimes in a very complex way, a general walled compound. The main longitudinal axis is mainly north-south, but the chief buildings, or halls are always placed transversely to it. These rectangular buildings mayor may not connect, by means of open galleries variously planned, with rows of smaller buildings flanking the courtyards on both sides. On this system, enlargement is never carried out by adding to height, but by continual duplication of existing units, and growth in breadth or preferably depth. The need for family security is thought to have led to the development of this rectangular houses with walls mainly blank on the outside, defensible entrances, and public service facilities in the center of the houses.