조각보의 조형성을 응용한 패턴의 감성 이미지 연구 : 면 구성과 색채를 중심으로

최윤혜 ( Yoon Hye Choi ),은영자 ( Young Ja Eun ) 服飾文化學會 2005 服飾文化硏究 Vol.13 No.2

서울·경기지역 폐경 전후 여성의 건강기능성식품 섭취 실태 및 인지도 조사 연구

박근철(Keun-Cheol Park),최윤혜(Yoon-Hye Choi),김우림(Woo-Rim Kim),최예지(Ye-Ji Choi),윤기선(Ki Sun Yoon) 한국식품영양과학회 2014 한국식품영양과학회지 Vol.43 No.7

The purpose of this study was to investigate intake status and recognition of health functional foods by pre- and post-menopausal women in Seoul and Gyeonggi province. Survey questions were administered to 400 women around menopausal period, and data analysis was completed using the SPSS window program. Thirty-three percent of women recognized that they are healthy, and 47.1% of respondents are concerned with maintaining their health. However, respondents showed a low level of knowledge about the definition of menopause and health functional foods. Health concerns of respondents were significantly affected by marital status and level of education (P<0.05). Purchasing and intake of health functional foods was also significantly affected by health concerns and menopause symptoms (P<0.05). Twenty-nine percent of participants had taken health functional foods to prevent disease. However, most of them (85.9%) showed no knowledge of the main components of functional foods. In addition, knowledge associated with menopause and functional foods was affected by the level of education. The respondents" health concern, and thus purchase and intake frequencies of health functional foods, were affected by level of education. ‘Effect of functional foods’ was a top priority when respondents purchased health functional foods. The respondents answered black bean and pomegranate as foods that relieve menopause symptoms. However, they actually showed high intake frequency of black beans than pomegranate due to the high accessibility of black beans. The results of this study show that educational support for dietary guidelines is needed for middle-aged woman to be healthy after menopause.

朝鮮時代 服飾紋樣에 관한 硏究 : 대칭적 구성양식을 중심으로 In reference to the symmetrical mode

최윤혜,殷英子 啓明大學校 生活科學硏究所 1993 科學論集 Vol.19 No.-

We classify a symmetric pattern shown in the dress and its ornaments of Chosun dynasty by right-to-left, up-to-down and round-shaped symmetry, and then we look over its unique aesthetic effect. The conclusion is as follows : 1. Most of symmetric patterns are right-to-left symmetrical, and they have the most various pattern and drawing. It is the most basic and simplest symmetry because a human being's figure and natural form take a right-to-left symmetry. 2. Most of symmetric patterns were used to draw animals. In its form the symmetric elements take an intermittence because it is fit to express animal's independence. Especially the mode of round-shaped symmetry is shown only in the animal pattern. 3. A bat pattern and sujamun (long life-invoking design) of kilsangumun (fortune-invoking letters design) show their possibilities of expression beyond the mere reapperance and are extremely simple and abstract. 4. The unsymmetric elements are used properly in the mode of symmetric pattern. An unsymmetry, a unique aesthetic sense of Chosun dynasty, was expressed in a Chinese phoenix and crane pattern. The parts of tail and neck were given a little transformation respectively to take a change and rhythem because of monotony of symmetry. Entirely it keeps its unity of symmetry and motion in control. 5. Even if the technique and space of drawing took a pattern of the same theme, there exists a little difference. Most of symmetric patterns were described by embroidery and foiling, and the daring omission, sketch and realistic picture took a main parts to express vividity in embroidery. It was so difficult for the technique of foiling to express the natural and realistic feeling, and it gave an importance meaning instead of figure. Also it took a regular form almost without changes. The dress, ornaments and necessaries gave a change an arrangement and mode of symmetric pattern.

전통조각보의 색채, 면구성을 응용한 패턴의 감성이미지 연구

최윤혜,은영자 한국의류산업학회 2004 한국의류산업학회지 Vol.6 No.3

This study is on the sensitive image of pattern expressed in the color & formative types of traditional Jokakbo(scraps of cloth). The object of this research is Korean traditional scraps of cloth in the latter period of Chosun Dynasty. This study is to be classified into 10 formative types like square type 1, square type 2, diagonal type, diamond type, many color striped type, concentric circle type, pinwheel type, vertical line type, cintamani pattern type, and free style type to apply the design of Jokakbo to Korean design. And color group is divided into vivid tone and pale tone. And it constitutes 17 patterns from the combination of these two types. As for the factors of constitution of scraps of cloth, it consists of factors like revelation, attraction, temperature sense, abstract, and rigidity. In the emotional image in the pat-terns, both vivid tone and pale tone showed dynamic and warm emotion together. Also, the factors of revelation and attraction were evaluated as opposite images, and it evaluated the plain and dim emotion as more attractive emotion. They preferred the pale tone to the vivid tone. "They preferred the cintamani pattern in the vivid tone, and the diamond pattern in the pale tone most. From the research result above, this study made the abstract image of scraps of cloth standardized and prepared for a basis to execute it essentially. This research will be used as basic data to make traditional Korean image spotlighted in the world fashion markets as well as it will be helpful to the development of pattern design for the scraps of cloth essentially.

조각보의 면구성과 색채를 응용한 의복의 이미지 연구

최윤혜,은영자 한국의류산업학회 2005 한국의류산업학회지 Vol.7 No.2

Through the formative analysis of the traditional jokakbo, we have composed surface composition that was made by a perfect square, triangle, a weather vane type, vertical type, cintamani type, and a mixed rectangular. And we have composed that was made by vivid tone, pale tone, and so on, and finally analyzed image, preference rate of them. First, the cause of composition for the image of stimulant was composed by the cause of simplicity characteristics, interesting characteristics, rigid-flexibility characteristics, and modern characteristics. Secondly, the image of clothes was revealed as a simple image of perfect square, a feminine image of c intarnani type, a modern image of mixed rectangular in the case of large pattern. And in the case of small pattern, perfect square was revealed as a simple image, cintamani type was revealed as a feminine image, triangle with achromatic colored weather vane type and pale tone was revealed as an interesting image, achromatic colored and pale toned a weather vane type, vivid toned vertical type was revealed as a modern image. Lastly, it revealed that the preference rate against clothes is related with the cause of simplicity characteristics, interesting characteristics, and rigid-flexibility characteristics in the case of large patterns, and especially in the case of large patterns and small patterns, the clothes of pale tone are more preferred. And achromatic colored mixed rectangular and chromatic colored cintamani type are more preferred by the large patterns, and chromatic colored and pale toned weather vane type is more preferred by the small patterns.

동양 복식의 연구 동향 분석

은영자,최윤혜,형승희 啓明大學校 生活科學硏究所 1999 科學論集 Vol.25 No.-

In this study, we investigate the transition of studies in the history of the Eastern costume every 5 years from 1959 to 1998 by sorting the researches into 8 classes in accordance with their topics, in order to grasp earlier and current trends in the discipline and seek a desirable direction to future research. The results of this study are summarized as follows. 1. Research papers in costume are published steadily since 1970, but it appears that the quantity of papers has increased since 1990. Master's theses make the majority of the total researches, occupying 44.8%. 20.4% of the papers appear in college periodicals or else, and 19.6% in Journal of the Korean Society of Costume. The rests are 4.5% in Journal of the Korean society of Clothing and Textiles, 3.7 % in Journal of Korean economic association, and 2.1% in Research Journal of the Culture in order. 2. Based on the classification of the topics of the papers, we have loamed that studies in materials such as patterns, textile, and colors occupy 19.5% making themselves the majority. Other topics are presented in similar frequency. 3. The most frequent topic in Men's costume is the study on Simuy, a Korean traditional jacket and Topho, a Korean traditional coat. The researches in Men's costume, focusing on historical changes, morphology, and colors, are generally performed in bibliographic historical methodology or through analyses of archaeological materials such as relics and paintings. Some papers present ways of draft from the viewpoint of clothing construction. And others include studies on variations of life emotion reflected in local properties and costume and the comparative study of the aspects of costume appeared in Confucian books and I-Ching (易經). 4. The majority of researches on Women's costume are concerned with the Korean traditional jacket Chogori, in which the focus is put on the form of Chogori and some other details. Then, the Korean traditional dress Chima-Chogori, ceremonial dresses, and the Buddhist costume are major research subjects in Women's costume in order. They analyze types and forms of the above mentioned clothes, and hence characterize contemporary aesthetic senses to corroborate the cultural inherence and beauty of the Korean traditional costume. 5. Researches on accessories, in general, concentrate on the diversity of the sorts of them, but lack enough varieties and independence in that they tend to only review the earlier work. Therefore, they need be more diverse and varied in subjects. Nonetheless, it has been found from the papers on accessories that the accessory is not so much a part of costume as an independent object of the discipline. 6. Of the subjects of Studies on materials such as patterns, textile, and colors, the pattern is the most prominent, and the researches on the pattern applied to design and the comparison with other nations' patterns has been increasing, from which we have learned that those researches will be important references in future research. In the case of textile, much work on that in Corye, a Dark Age in the field of costume study has been presented currently, which seems to signify a new breakthrough should be open. 7. Most papers on military and police uniforms have to do with history of changes based on bibliographic data, and investigations into dancing clothes, musicians' costume, and the shamanist costume are also mainly concerned with changes or systems of costume. On the other hand, studies on Kisaeng' Clothes discuss the Chosun Kisaeng's Costume and idiosyncrasies of their status. 8. About a half of papers on archaeological costume and paintings deal with exhumed clothes and textile and record paintings, from which we can tell that the researches in these topics take part in the positivistic study of the history of costume. 9. In the field of the comparative study of costume, researchers have most frequently compared the Korean costume with the Chinese costume, especially concentrating on clothes rather than on ornaments and accessories. On the other hand, it is expected that more interest should be taken in the Japanese costume, because it is not sufficiently investigated in comparison with the Chinese costume. Moreover, it is desirable to extend research interest to countries other than those in the Northeastern Asia since the tendency of the discipline has been to give more attention to the Northeastern Asia than other areas. Needless to say, the comparative study requires the researchers to have enough knowledge of historical backgrounds and local characteristics of other countries. 10. Researches on the costume in the enlightening period and the post-independence era are different than those on other periods' costume in that they are generally interested in the change of costume and the factors of the change.