문화관련법 개정의 실 사례와 산업과 정책의 상관관계

조한기,이노아(편집자) 글로컬창의산업연구센터 2013 글로컬창의문화연구 Vol.- No.2

두개골 골절 환자의 두부 전산화 촬영에 대한 고차

조한기 대한영상의학회 1988 대한영상의학회지 Vol.24 No.6

CT scan has been inevitable method for patient with head trauma. CT scans of 94 cases which were com-firmed skull fracture by plain film were reviewed for better and useful dealing oc CT. The results were as follows: 1.Car accident was the most frequent cause of head injury. 2. No evidence of intracranial abnormality in CT scan of skull fractures on plane film was 45.7% and alert men-tality was 46.8% of skull fracture on skull fracture on simple film. 3. Detection rate on CT scan to skull fractures was 27.7% but detection rate to depression fractures of skull fracture was 70.2% 4. Motality rate of patients with skull fracture was 10.6% 5. Associated CT findings were pneumocephalus on CT scan 3.2% contusion or edema 4.2% epidural hematoma 16.0% subdural hematoma 17.0% subdural hygroma 2.1% intracerebral hemorrhage 4.9% and subarachni-od hemorrhage 2.0%.

우리 사회의 윤곽, 그 안과 밖의 마주침

조한기 한국영화평론가협회 2019 映畵 評論 Vol.31 No.-

추억과 현실을 횡단하는 여행자 : <소공녀>론

조한기 한국영화평론가협회 2018 映畵 評論 Vol.30 No.-

악마의 손에 키스를 : <엘리자의 내일>론

조한기 한국영화평론가협회 2018 映畵 評論 Vol.30 No.-

캐릭터 중심의 스토리텔링 분석 방법론 연구- 드라마 <D.P.>를 중심으로 -

조한기 건국대학교 글로컬문화전략연구소 2022 문화콘텐츠연구 Vol.- No.25

The purpose of this study is to propose a methodology for analyzing andexploring the process in which plots are formed through characters in narrativeworks and verify its effectiveness. This study explores the compositionprinciples of characters that appear in general narrative works and proposeseight basic character types and three layers of change according to changesin psychological state. Character types provide a framework for a consistentunderstanding of characters’ psychological trajectory and continuity of behavior. This paper classifies the narrative stages of characters into starting (complication),transition (reinforcement), climax, and ending and summarizes the narrativecharacteristics of these stages to reveal the inner and outer changes thatoccur to characters in the story world. Characters form and experience specific situations while driving the story,and they sharpen their goals as they undergo this process. This paper explainsthat the practicing process of characters in the story world is equal to theformation process of the story, established largely on four narrative layers:given situation; deficiency-desire; character type; and problematic situation. The story is embodied from dialectic moments of memories and expectations,which are accumulated by the practices of characters. The consistent behavior of characters produces a narrative drive. In a strict sense, the plot developmentprocess becomes meaningless unless the practices of characters fail to createa narrative drive. The character types proposed by this paper are limited in that they cannotcover all characteristics of fundamentally diverse narrative works. Nonetheless,this study presents a significant point of discussion on a practical level bycategorizing the customary characteristics of characters. This study can providea meaningful reference for studying storytelling and characters. 본 연구는 서사물에서 캐릭터를 통해 플롯이 형성되는 과정을 탐구하는 분석 방법론을 제시하고 그 실효성을 검증하는 데 목적을 둔다. 이를 위해 보편적인 서사물에서 나타나는 캐릭터의 구성 원리를 탐색하고 8가지의 기초적인 캐릭터 유형과 심리상태의 변화에 따른 3가지 변화 층위를 제시했다. 캐릭터 유형은 캐릭터의 심리궤적과 행위의 연속성에 관한 일관성 있는 이해의 틀을 제공한다. 본고는 이야기세계 속에서 그러한 캐릭터의 내적․외적 변화 국면을 밝히기 위해 캐릭터의 서사단계를 출발(분규)-전환(강화)-결정-결말의 단계로 구분하고 그 서사적 특성을 정리했다. 캐릭터는 이야기를 추동시키며 특정한 국면을 형성․체험한다. 이러한 과정을겪으며 캐릭터는 목표를 첨예화한다. 본고가 파악하기에 이야기세계 속 캐릭터의실천 과정은 이야기의 형성 과정과 등치되며 크게 네 가지 서사적 층위에서 성립된다. ‘주어진 상황’, ‘결핍-욕망’, ‘캐릭터 유형’, ‘문제적 상황’이다. 이야기는 캐릭터의 실천을 통해 집적되는 기억과 기대의 변증법적인 순간들로부터 형상화되며, 캐릭터의 일관된 행위가 서사적 추동력을 발생시킨다. 엄격한 의미에서 캐릭터의 실천이 서사적 추진력을 얻지 못한다면 플롯의 발전 과정은 무의미한 것이 된다. 본고가 제안하는 캐릭터 유형은 근본적으로 다종다기한 서사물의 모든 특성을수렴할 수 없다는 데서 한계점을 지닌다. 그럼에도 캐릭터의 관습적인 특성을 범주화함으로써 실천적인 차원에서 의미있는 논점을 제공할 수 있으리라 판단했다. 본연구가 스토리텔링과 캐릭터 연구에 유의미한 참조점을 제공할 수 있길 바란다.

1940-1950년대 할리우드 B무비와 ‘기술적 타자’ - ‘프랑켄슈타인’ 소재의 영화를 중심으로 -

조한기,안숭범 글로벌 문화콘텐츠학회 2019 글로벌문화콘텐츠 Vol.0 No.38

지금까지 ‘프랑켄슈타인’에 관한 학술적 논의는 원작 소설을 중심으로 활발히 다뤄져왔다. 그러나 다양한 매체로 확대 재생산되어 온 프랑켄슈타인 관련 문화콘텐츠에 관한 연구는 크게 주목받지 못한 형편이다. 영화는 프랑켄슈타인 소재를 가장 빈번하게 수용해온 매체이며, 당대 사회의 분위기와 대중의 욕망을 매우 순발력 있게 포착해 왔다. 이에 착안해 본고는 당대에 대중적인 인기를 끈 프랑켄슈타인 B무비를 대상으로 스토리텔링 방식에 내재된 반영론적 의미를 검토해 보고자 한다. 특히 이 글은 제2차 세계대전 참전과 매카시즘 열풍 등 1940-1950년대 미국의 사회사적 사건들이 영화 내 서사맥락 안에 어떤 형태로 반영되어 있는지를 살피고자 한다. 분석 결과 프랑켄슈타인 캐릭터에는 당대 사회 대중의 불안 심리를 반영하는 타자의 형상이 구체적으로 나타났다. 한편 프랑켄슈타인이 사회적 욕망의 결과이자 불안의 원인으로 묘사되는 바, ‘기술적 타자’에 대한 양가적 관점을 읽어낼 수 있었다. 궁극적으로는 인간의 생명을 수단화하는 기술 숭배자에 대한 저항이 여러 갈래로 성격화되고 있음을 확인할 수 있었다. 본 연구를 통해 상대적으로 조명 받지 못한 프랑켄슈타인 캐릭터와 B무비에 대한 반영론적 연구가 활성화되길 기대한다. Until now, scholarly discussions about 'Frankenstein' have been dealt fully according to the original novel. However, currently the research on cultural contents of Frankenstein, that has been expanded and reproduced in various media, is still lacking. Among the medias, the film has been the media that most actively accepted the contents of Frankenstein, and it has a tendency to reflect the mood of society and the public’s desire of the day in an instant and a direct manner. In this regard, I would like to examine the storytelling aspect of Frankenstein B movie, which has become popular in the present day. In particular, the United States of the 1940s and 50s was a period that underwent some significant social events like World War II and quite a few significant changes in the movie industry environment. As a result of the analysis, Frankenstein character showed the shape of the other person reflecting the anxiety of the social masses of the present day. On the other hand, in the process of describing Frankenstein as the cause of social desire and anxiety, we were able to grasp the ambivalent view of 'technical others'. Ultimately, it was confirmed that the resistance to the techno-worshiper who uses human life as an instrumental means is manifested in a different way. Through this research, I hope that research on the character which was relatively not in the spotlight, Frankenstein, and the 'B movie' gets revitalized.

캐릭터 중심의 매체전환 분석 연구: 웹툰 기반 영화 <아파트>를 중심으로

조한기 한국영상문화학회 2023 영상문화 Vol.- No.43

This study aims to present a new approach to understanding media transformation and adaptation by examining the inflection points of Films based on webtoons from a character-driven perspective. Compared to plot- and event-centred analyses, such a perspective can better reveal the storytelling strategies of Adaptation works. This study is expected to play a complementary role in areas that have been neglected in existing plot-centred studies of media transformation and adaptation. It is based on the assumption that certain character elements can have a significant impact on story value. To confirm this, this paper examines the characteristics of the protagonist in the first Films based on webtoons ‘Apartment’ and the original webtoon ‘Apartment’. In terms of research methods, we used Stanislavski's theories on character construction and character realisation. Accordingly, we explored the protagonist's ‘Super-objective’, which reflects the story's proposition, and reorganised the character's ‘given circumstance’ and motivation formation. From this perspective, we analysed how the character's changes affect the narrative in the process of Adaptation. The results showed that the change in the protagonist's ‘given circumstance’ in the film ‘Apartment’ affected his motivation and ‘Super-objective’, and significantly influenced the reader's acceptance of the plot and the formation of his expectation horizon. Accordingly, we found that the transitions of character and plot must necessarily be homologous in order for a cross-media work to gain narrative momentum. In the future, we will continue to explore the narrative strategies of story content while refining the character-driven research methodology.

드럼세탁기의 Weight Balance 최적설계

조한기,노양환,권호철 (사)한국CDE학회 1996 한국CAD/CAM학회학회지 Vol.2 No.2

뇌결핵의 전산화단층촬영 소견

조한기 대한영상의학회 1983 대한영상의학회지 Vol.19 No.4

In intracranial tuberculosis, the Computed Tomography (CT) is a new radiological technique which is helpful in diagnosis and determing the location, extents of the lesion. It can also make it possible to asscess the presence and degree of the complications and to evaluate the effectiveness of treatment. 25 cases of clinically proven intracranial tuberculosis were studied by CT, in Soonchunhyang hospital from Jun. 1980 to Jun. 1983. The results were as follows ; 1. 4 cases were normal in CT finding, despite of the clinically proven tuberculous meningitis. 2. Total or partial obliteration of cisterns were observed in 13 cases. 3. Intense abnormal contrast enhancement of the cisterns were observed in 8 cases. 4. 19 cases show moderate to marked ventricular dilatation. 5. 2 cases of cerebral infarction were observed. 6. One case of tuberculoma was observed.