http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
- 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
- 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
RISS 인기검색어
- 검색키워드
- 저자 : 조원창(Cho Weon Chang) (검색결과 40 건)
- 무료
- 기관 내 무료
- 유료
-
-
조원창(Weon-Chang Cho) 원광대학교 마한백제문화연구소 2022 馬韓, 百濟文化 Vol.40 No.-
부연와는 부연의 끝단에 못을 박아 고정시킨 특수 기와로 연목와(서까래기와)와 함께 겹처마에 사용된다. 연목와가 서까래의 생김새처럼 단면 원형인 것에 반해 부연와는 단면 사각형을 이루어 형태상의 차이를 보인다.부연와는 시기에 따라 그 형태가 약간씩 변화하고 있으며, 문양 또한 다르게 조각된다. 예컨대 백제 시기의 경우는 단면 방형으로 귀면을 조각해 놓고 있다. 그러나 통일신라시기에 이르면 형태면에서 단면 방형을 유지하나 문양은 연화문(7세기 말)이나 보상화문(9세기) 등으로 바뀌게 된다. 그리고 8세기에 이르면 방형의 부연와는 장방형으로 변화하게 되고, 이러한 형태는 고려 후기인 13세기 이후까지계속하여 등장하게 된다. 다만, 문양에 있어서 연화문 외에 국화문이나 화문, 보상화문, 귀목문 등도 조각된다. 그리고 13세기 이후가 되면 부연와의 형태는 위가 넓은 사다리꼴 형태로 변화하게 되고, 문양은 귀목문계 복합문으로 조각된다. 이러한 부연와의 시기적 변화는 한편으로 부연 단면 말구의 시기적 변화를 의미한다. 최근 들어 목조건축물에 대한 복원이나 수리가 전국에서 일어나고 있다. 부연의 설치에 있어 시기적 변화를 고려하여 그 형태 및 문양 등이 조정되기를 기대해 본다. Additional rafter tile is a special tile fixed by driving a nail onto the end of additional rafter and is used for double eaves together with rafter tiles. While the rafter tiles are circular in cross-section like the appearance of rafters, the additional rafter tiles are square in cross- section, showing a difference in shape. The shape of the additional rafter tile changes a little, depending on the period, and the pattern is also carved differently. For example, in the case of the Baekje period, the ghost face is carved in a cross-sectional square. However, in the Unified Silla period, the shape of the cross-sectional square remained the same, but the design was changed to lotus pattern (late 7th century) or floral medallion motif (9th century). In the 8th century, the additional rafter tile of the square was changed to rectangle and this shape continued to exist until after the 13th century, the late Goryeo Dynasty. However, in addition to the lotus pattern, chrysanthemum pattern, floral pattern, floral medallion motif, and Ghost eye design are also carved. And after the 13th century, the shape of the additional rafter tile was changed into a trapezoidal shape with a wide upper part, and the design was carved into a complex design of Ghost eye design. Such a periodic change of the additional rafter tile means a periodic change of the end of additional rafter tile. Recently, restoration or repair of wooden buildings has been carried out throughout the country. It is expected that the shapes and patterns shall be selectd correctly in consideration of the periodic change when building the additional rafter tile.
-
-
-
-
-
조원창(Cho Weon-Chang) 한국고대학회 2005 先史와 古代 Vol.23 No.-
King Seong of Baekje transferred the capital from Wungjin to Sabi in 538 and named the country Southern Buyeo. As it is today, it was not easy to move a capital of a country. In addition to dealing with the political interests, they must have got the people to perform engineering and construction work, and made public notices to the people because they had to build the palace, walls, and government offices. Judging from the archeological evidences that have been excavated and researched so far, that is the roof tiles(including Wadang), we can conclude that they started to manage Sabi, with Wungjin as their capital, some time between the late 5th century and the early 6th century. We can infer this from the Northern Wi(or Goguryeo) style of roof tiles excavated from the remains of a ruined temple of Buyeo in Yongjeongri. However, we can presume that they practically moved their capital in the early period of King Seong, judging from the Daetongmyeong Ingack tile and the Dongbeom Wadang of Daetong Temple Remains which were found in the majority of relics, such as Buso mountain fortress, the assumed palace site in Kwanbukri, the remains of Dongnamri, and the previous Cheonwang temple site in Guari. And the location might be the southern hilly districts including the present Buso mountain fortress, and the Guari and Dongnamri disctirts in the west. Through more advanced research into the earthen wares and flat roof tiles, we need to make clearer about the management of Sabi in the Wungjin period.
-
-
-
趙源昌(Cho, Weon-Chang) 백산학회 2005 白山學報 Vol.- No.71
After Baekjae transferred its capital to Sabi, Jeongam-ri kiln supplied main remains of Baekjae, such as Hwaji Mountain near Buso mountain fortress wall, ruined temples site in Gunsu-ri, Jeongrim-sa temple site, Dongnam-ri relics, and Neung-sa temple site, with its products. These kiln sites can be classified into underground flat kilns and tunnel kilns based on their construction methods. The underground flat kilns are thought to have been influenced by the Southern Kingdoms of China, and the time of influence can be seen around 542 with the reference to the description on ‘the artisans’ of Article of King Seong in History of the Three Kingdoms. We cannot state definitely which school these artisans belonged to, but we can guess some tile makers were included. The traditional kiln brazier techniques of Baekjae were added to these flat kilns, too. The underground chamber kilns were made by traditional kiln brazier techniques from the Proto-Three Kingdoms Period and Baekjae, which were unique and different from those in China. In particular, bag wall was established between the furnace chamber and the firing chamber. In case of Japan, this style of kiln sites are observed in kiln site of Geongok tile(乾谷瓦窯蹟), kiln site of Gukbun tile(國分瓦窯蹟), etc. On the other hand, the equipped chamber kilns are subdivided according to the existence of mud stair(土段) in earthenware table of firing chamber(燒成室窯床), or tiles in a horizontal row. The chamber kilns with tiles in a horizontal row are judged to be the kilns firing tile and earthenware together (瓦陶兼業窯). The underground chamber kilns with mud stair(土段) had a great influence on the relics of tile kiln of Bijo and Baekbong Period from the tile kiln of Bijo-sa temple. In the background, the four roof tile doctors accredited from Baekjae played an important role. In other words, Soamaja(蘇我馬子), the person in authority in the later half of Daewha political power(大和政權), was in essential need of help from Buddhist temples in order to stay in power and stabilize the society after he came to power after the war with the family of Mulbu(物部氏) who was against Buddhism. In particular, roof tile doctors, whom Japan hadn’t had before, were necessary above all the other tile makers in other areas to realize Soamaja(蘇我馬子)’s will. Therefore the fact that more roof tile doctors were sent to Japan than other artisans is closely related to the political and social situation at that time.
스콜라
KCI연관 검색어 추천
이 검색어로 많이 본 자료
활용도 높은 자료
