http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
상해(上海) 신천지(新天地) 주거지 및 '석고문이농주택(石庫門里弄住宅)'의 재생 특성에 관한 연구
장유경,유재우,박창배,Chang, You-Kyoung,Yoo, Jae-Woo,Park, Chang-Bae 한국주거학회 2012 한국주거학회 논문집 Vol.23 No.2
Cities developed by prosperity of industrial activities are inflated due to the rapid influx of the urban population. In the process, their structure was reorganized with overall urban redevelopment methods. As the a results from the propulsion of overall redevelopment plan, the city environment exposed uniform urban landscapes, absence of sense of place for permanent abodes and other urban problems. At the beginning of the 21st century, people with introspections on the problems focused their attention on making their places attractive using their place's unique identity so that people could feel like to stay there for a long time. They tried to regenerate buildings and cities while still maintaining spatial and historical context of their living environment. This study looks into the regeneration of Shikumen Linong House as a fine example of such a redevelopment in order to provide with a practical resource for urban redevelopment plans in Korea. The study in the first content examines the formation processes of the city of Shanghai as the gateway of the modern China. In the second, it looks into the formation processes and characteristics of Shikumen Linong House in the Xintiandi complex between 1920 and 1930's. In the end, it analyses spatial and formational characteristics and the applied dwelling regeneration method for the of Shikumen Linong House in the Xintiandi complex.
상하이(上海) 티엔쯔팡(田子坊)의 형성과 공간 변용 연구
장유경(Chang, You-Kyoung),오광석(Oh, Kwang-Suek),유재우(Yoo, Jae-Woo) 대한건축학회 2013 대한건축학회논문집 Vol.29 No.2
This study is targeted at Tianzifang among city regeneration district in Shanghai in China attempts to analyze physical, characteristics of space appeared on Tianzifang after middle of 20th. For this study, we had three times site survey and experimental study. As a results of this study, Tianzifang, residential District, formed in 1920’s hold together with factories and modern buildings through the period of innovation in Shanghai, and a singular residential district added artistic creating space with cultural and commercial function. Thus, Tianzifang was changed as mixed-used residential district. Tianzifang is a specific case that was regenerated as ‘Horizontal’ high-density commercial culture district in contrast of vertical high-density commercial area.
장유경(You Kyung Chang),최윤영(Yun Young Choi),김소연(So Yeun Kim) 한국아동학회 2005 아동학회지 Vol.26 No.1
Korean infants` use of gesture was examined with 45 10-to 17-month olds. The mothers of infants were asked to check each word in the MacArthur Communicative Development Inventory-Korean (MCDI-K) vocabulary checklist if their infant had a gesture for a given word and to indicate what kind of early communicative behavior she showed in 5 different situations. The results show that infants in this study have 11 gestures, of which many are learned within the context of routines or games. Referential gestures were rarely reported. There was no positive correlation between the number of gestures and the number of expressive words. However, more qualitative measures on early communicative behaviors show that there was a positive correlation between frequent use of gestures and try to communicate by verbal means.
장유경 ( Chang Yoo Kyung ),이종희 ( Lee Jong Hee ) 한국무용교육학회 2010 韓國舞踊敎育學會誌 Vol.21 No.2
The purpose of this report is to examine the precedent studies on the east-coast Byulshin-Gut and the dances and rhythms performed by the east-coast Byulshin-Gut to understand the dances and rhythms used for each geori of the east-coast Byulshin-Gut, and to realize and restore the meaning and value of the various dances through the study on the Puneori-Chum, the representative dance of the east-coast Byulshin-Gut. Puneori-Chum is the dance performed wearing queja with normal attire (skirt, jeogori) and using fan and cloth as the mugu (shamanic tools), performed first when the gut begins, and is the most representative dance of the east-coast Byulshin-Gut performed at almost every geori. This dance is composed of 3-fold structure of cheongshin, oh-shin, and songshin, and each step serves to connect and close the 3-fold structure of each geori. As for dance moves, there are galmae-mugwan, gyeodeurang-mugwan, dolmori-mugwan (dolmeori-mugwan), yang-sawichigi-mugwan (yang-sawuchigi-mugwan), doriggae-mugwan, buchae-sawi, unjeun-sawi, anyou-jjagi, ggachi-ditgi, lifting one foot, jumping off one foot (ggaggeum-jil), and jumping on both feet (ddeuim-ddeuigi), and the movement is composed of the upper motion beginning from head and shoulder and made up with the movement of the arms and the hand holding the mugu, and the lower motion made with the knee, ankle, step, and foot movement. The upper/lower motions form the most common movements in the form of gut dance, which is cross-shaped flow, vertical leap, and the flow alternating between rotation, advance, and retreat, and moreover, form a dance performed at the geori, and the Puneori-Chum of each geori. From this perspective, the Puneori-Chum is the most standardized Korean dance and at the same time, possess the musical and improvisational qualities to serve as the elementary resource for studying Korean shamanic dance. Therefore, this study on Puneori-Chum is believed to initiate resource development regarding Puneori-Chum, progress the resource development of various mumu (shamanic dances) in the east-coast Byulshin-Gut and the restoration of each dance, and more over, establishment of dance moves of Korean shamanic dances and development of dance moves among the creative process of Korean dance for which this study can be provided as a theoretical and practical resource.