한·중·일의 대문경계를 통해서 본 타자에 대한 환대 특성 연구 - 레비나스의 타자윤리적 측면을 중심으로 -

안은희,박종구,An, Eun-Hi,Park, Chong-Ku 한국실내디자인학회 2017 한국실내디자인학회논문집 Vol.26 No.4

Just as the front gate is located at the meeting point between the house and the street, the Subject and the Other face each other the same way. This study examines the relationship between House(subject) and Stree (other) at the boundary of the Front Gate-Face. Pursuing the aspects of the changing Front Gate-Face accordingly to the attitude of the Subject facing the Other, this study tries to analyze the possibilities and significance of the hospitality Front Gate-Face with the ethical point of view of Levinas. As architectural instance, results of examining the Front Gate-Face of traditional houses in Korea, China and Japan are as follows. Front Gate-Face of China is characterized by self-centered introversion to interact with the external world (the other). Front Gate-Face of Japan is characterized by a humble submission to the group. Front Gate-Face of Korea shows however more flexible relationship orientations in terms of hospitality, compared to Japan or China. When looking through hospitality factors, accordingly to the above mentioned Korean hospitality characteristics, the possibilities seem not be exclusively bordered inside the conceptual category perimeter suggested by Levinas' concept of hospitality. It is almost impossible for the nowadays ever-strong privacy culture to not allow room for the architectural structure of an absolute hospitality toward others. However, this impossibility not being absolute, still yields a space for a significant possibility to explore.

관광 빅데이터 기반의 용인시 관내 관광 활성화 방안: 이동통신과 신용카드 데이터를 결합한 지리정보시스템 분석을 중심으로

안은희,안정국,An, Eunhee,An, Jungkook 한국융합학회 2021 한국융합학회논문지 Vol.12 No.4

최근 지역경제 활성화를 위해 관내 관광객 유치에 관한 관심이 높아지고 있으며, 이에 관내 관광객들을 이동경로 및 소비 패턴 분석에 기반한 맞춤형 관광 전략이 중요하다. 하지만 기존의 연구들은 한정된 주류 관광객 분석에 초점을 두어, 관광객들의 행위 기반 데이터 관점의 분석이 부족하였다. 이에 본 연구는 빅데이터 분석과 지리정보시스템을 결합하여 관내 관광객들의 이동 경로 및 소비 패턴을 분석하여 빅데이터 기반의 관광 전략을 제시하고자 한다. 본 연구는 용인시에서 발생한 카드 지출 데이터 및 통신 데이터를 바탕으로 관내 관광객들의 이동 패턴 및 소비 패턴을 분석하여 시각화하였다. 2017년 7월부터 2018년 6월까지 1년간의 데이터 분석을 통해 여성보다 남성이 다양한 지역에서 소비하는 경향이 있고, 나이별로는 30대와 40대가 소비지역이 비슷하게 나타나는 것을 알 수 있었다. 본 연구는 관광 및 소비 패턴을 지리정보시스템을 활용하여 가시화함으로써 관광, 행정 및 정책의 실무자들에게 전략적 방안을 제시하는데 시사점이 있다. Recently, there is increasing interest in attracting local tourist in the city to revitalize the local economy. For this purpose, customized tourism strategies based on the analysis of travel routes and consumption patterns are becoming important. However, existing studies either focused on limited mainstream tourist analysis or lacked analysis of tourists' behavior-based data perspectives. Therefore, this study aims to present a big data-based tourism strategy that provides customized information by analyzing the demand of individual travelers in details based on mobile service data and card expenditure data generated by the travelers in Yongin city. By tracing those data, this study visualized the tourists' itinerary and their expenditure patterns. The analysis of data from July 2017 to June 2018 shows that men tend to consume in various areas compared to women. It also shows consumption areas for people in their 30s and 40s are similar, whereas those in their 20s do not vary. Using the big data based on Geographic Information system, this study provides strategic insights to administrative personnel who are in charge of tour policy.

집의 안과 밖의 타자성을 통해서 본 거주의미 - 요코미조 시즈카의 〈타인〉과 김애란의 〈입동〉을 중심으로 -

안은희(An, Euh-Hi),이근혜(Lee, Keunhye) 한국실내디자인학회 2020 한국실내디자인학회논문집 Vol.29 No.5

The Covid-19 pandemic impacts and changes our homes, and it raises a significant issue in a contemporary context. In this sense, this study focuses on the term ‘alterity’ as an existing condition of the housing to reconsider the meaning of ‘home’; people might think they know already, but do not consider an essential meaning of the home. Although the house as the subject is a space where the subject dwells, it is also a space of others that receive the other into the subject’s realm. This study concentrates the aspects and features of alterity that include the implicit meaning of inside and outside of the house through analysing literature and artworks. In particular, this paper focuses on Yokomizo Shizuka"s photography series, 〈Stranger(1999-2000)〉, and Kim Ae-ran"s short story, 〈Ipdong〉. In these two works, the house is demonstrated as a place of confrontation, staring at one another, and the loss of a home, invaded by others. As those works presented, the house provides its possibility of communication and recovery beyond its confrontation and loss; it represents that the house can be understood as a residential space. The home presents the qualitative difference of the subject to us and connects the difference between inside and outside of the house; it allows the subject can exist as a being named rather than as an anonymous. This study examined a significant aspect of the house; the house can become a kind of vessel where our existence contains when the inside and outside of the house is connected with others, not only for the subject.

실내디자인 서비스러닝 교육프로그램 운영 사례 및 효과

안은희(An, Euh-Hi),박종구(Park, Chong-Ku) 한국실내디자인학회 2020 한국실내디자인학회논문집 Vol.29 No.5

In recent years, interest in personality education and social service education programs linked thereto is increasing in general. However, most universities have not yet been able to professionally develop or operate curriculum or educational programs related to service. Therefore, this study presented the possibility and direction of a service-learning instructional model suitable for the interior design major through an actual case. Service-learning in the field of interior design can be defined as an educational volunteer activity that helps the socially underprivileged in need of space improvement by cooperating with various organizations in the local community based on the design ability and construction technology of the interior space. The case of service learning education of competency-based in the Department of Interior Architecture at G University is a case in which service and education are ideally combined. This was confirmed through the satisfaction survey of participating students. College students who are struggling to collaborate naturally learn the meaning of teamwork and communication, receive feedback on the direction of learning by checking the utility of their majors in the field, and gain pride that their efforts have substantially contributed to the local community. If there is such an educational program, it will be worthwhile to implement despite the difficulties of operation. In the field of interior design, service learning is a program that can create the above educational effects, so the development of instructional models within the subject is also required in the future.

시각과 청각 모델의 제시가 복잡한 타이밍 동작과제의 학습 및 효과기 전이에 미치는 영향

안은희 ( Eun Hee An ),문창일 ( Chang Il Mun ),박진훈 ( Jin Hoon Park ) 한국스포츠심리학회 2007 한국스포츠심리학회지 Vol.18 No.2

프로젝트 기반의 협력적 CPS를 적용한 실내디자인 서비스러닝 교과 운영 사례 및 교육효과

안은희(An, Euh-Hi),박종구(Park, Chong-Ku) 한국실내디자인학회 2021 한국실내디자인학회논문집 Vol.30 No.6

A key task for universities to prepare for the future in the face of rapidly social changes after the decline of the school-age population and the COVID-19 outbreak is the development of innovative curriculum. While the development of class in majors is becoming more important, this study looked at the case of experience-oriented education that can be growed self-directed creative talents in the field of interior design through specific curriculum operation. The interior design service learning using project-based cooperative CPS curriculum at Gachon University highlighted the various educational effects required for interior design majors. The characteristics and educational effects of the class are summarized as follows. First, it was possible to systematize the educational performance that was easy to miss in the non-course as the service learning class was operated as a subject in which individual interests and public purposes create mutual value. Second, as the class was organized based on projects, students were able to develop practical skills while solving and operating practical problems. In addition, they were able to reflect on their future improvement points by using their existing major knowledge. Third, through the class, students were able to learn the process of creatively exploring problems and solving cooperatively. Professors and university were also able to implement the goal of cultivating creative talents in cooperation through this class. In conclusion, this class provides students with project-based practical courses, experiences to collaborate creatively and problem-solving, and provides opportunities to contribute to society through their efforts. In this respect, the class can be evaluated as one of the meaningful class models.

대학가 주변 1인가구의 주거환경 실태조사 및 범죄불안감 연구

안은희(An, Eun-Hee) 한국주거학회 2018 한국주거학회 논문집 Vol.29 No.4

들뢰즈에서 "가능적인 것"의 의미

안은희 ( Eun Hui An ) 한국미학회 2014 美學 Vol.80 No.-

본고는 들뢰즈의 ‘가능적인 것(le possible)’에 대한 서술의 변화를 고찰함으로써 그에 대한 사상적 심화 과정을 밝히고자 한다. 들뢰즈는 『차이와 반복』에서 ‘가능적인 것’에 대해 비판적 시각으로 일관하나, 마지막 두 저서인 『주름, 라이프니츠와 바로크』, 『철학이란 무엇인가『에서는 그에 대한 긍정적 이해의 계기들을 보여준다. 전기의 들뢰즈는 존재론적 운동 양상과 실존의 존재 근거를 설명하기 어렵다는 점에 근거해서 가능적인 것을 비판하는 데 비해, 후기에서는 ‘잠재적인 것의 현실화’로 칭하던 존재론적 운동에 ‘가능적인 것의 실재화’ 운동을 덧붙인다. 『주름』에서 들뢰즈는 세계를 영혼 안에서 현실화 되어야 할 잠재적인 것인 동시에 신체 안에서 실재화 되어야 할 가능적인 것으로 상정하며, 『철학이란 무엇인가』에서는 예술을 잠재적이 아닌 가능적인 것의 실재화로 분류, 미적 범주로서의 가능적인 것을 요청한다. 들뢰즈 후기사유에서 ‘가능적인 것’의 문제는 존재론적 운동의 세분화 및 세계에 대한 표현 체제의 완결을 보여주며, 감성론과 예술론으로 분리되었던 미학의 영역을 통합하는 데 기여한다. This paper aims to illuminate Deleuze``s philosophical intensification on the meaning of le possible. While he criticized the notion of le possible throughout Difference and Repetition, in his last works, The Fold, Leibniz and the Baroque, What is Philosophy? he turns to exhibit affirmative understanding about le possible. In the former, Deleuze criticizes the notion of le possible based on the mode of ontological exercise and inexplicability of the existential foundation, yet in the latter he expands the ontological exercise, entitled "the actualization of le virtuel," by adding the exercise of "the realization of le possible." In The Fold, Deleuze thinks that the world is both le virtuel to be actualized in the soul and le possible to be realized in the body. In What is Philosophy?, he classifies art into the realization of le possible rather than le virtuel, and thus demands le possible as aesthetic category. In Deleuze``s late thoughts, the notion of le possible not only represents the completion of both the division of ontological exercise and the expression system towards the world, but contributes to the realm of aesthetics that has been separated into Theory of la sensibilite and Theory of art.

감각 존재로서의 리토르넬로

안은희 ( Eun Hui An ) 한국미학예술학회 2015 美學·藝術學硏究 Vol.43 No.-

본고는 들뢰즈의 철학에서 리토르넬로 개념이 지니는 의미를 밝힘으로써, 그가 만들어낸 사유의 이미지 전체에서 리토르넬로의 지위와 역할이 무엇인지를 드러내고자 한다. 리토르넬로는 지층 체계와 공속의 평면 사이에서 형성되는 배치와 그 변환을 통해 생성의 구체적인 양상들을 보여주는 개념이다. 하부-배치, 내부-배치, 사이-배치는 리토르넬로 구성하는 세 측면이며, 각각 카오스로부터 환경을, 환경으로부터 영토적 배치물을, 배치물들의 이행과 변환을 보여준다. 들뢰즈는 표현과 구성을 통해 영토화를 설명함으로써 영토적 배치물로서의 리토르넬로를 감각 존재로 만든다. 감각 존재로서의 리토르넬로 개념은 예술의 기원을 자연의 모든 종과 더불어 시작되는 것으로 만들며, 예술의 외연을 미학적 구성과 표현을 통해 생성되는 모든 것으로 확장한다. 자신의 환경에서 삶의 양식을 형성하는 에토스의 문제는 자신의 삶을 예술작품으로 만드는 과정과 다르지 않다. 들뢰즈에게 있어 리토르넬로는 삶 안에서 존재의 생성과 창조를 보여주는 개념이자, 존재론과 미학이, 삶과 예술이 동근원적임을 보여주는 장치이다. This paper elucidates the notion of ritournelle in Deleuze``s philosophical system, and the exact position and functional role of ritournelle in the image of thought that he proposed. Ritournelle exhibits the concrete modes of ‘becoming’ in terms of the ‘agencement’ and its conversion formed between the ‘stratigraphic system’ and the ‘plan of consistence’. Also ritournelle has three aspects of infra-agencement, intra-agencement, and inter-agencement: The first displays the transformation from chaos to environment, while the second shows the conversion from environment to ‘territorial agencement’, and the third exhibits the conversion and transformation between agencements. Ritournelle as territorial agencement becomes being of sensation in Deleuze’s explication of ‘territorization’ by expression and constitution. The notion of ritournelle as being of sensation not only renders the origin of art to initiate simultaneously with all the natural kinds, but also expands the extension of art to all becomings through aesthetic expression and constitution. The question of ethos, forming one``s mode of life in the given environment, is not different from the process of making one``s life as artwork. As for Deleuze, ritournelle is a concept showing the becoming and creation of beings in their lives, as well as a conceptual apparatus demonstrating that ontology and aesthetics along with art and life are originated from the same roots.

현대실내건축의 미장센적 특이성에 관한 연구

안은희(An, Eun-Hee),이정욱(Lee, Jung-Wook) 한국실내디자인학회 2008 한국실내디자인학회논문집 Vol.17 No.5