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      • KCI등재

        생활무용 참여형태에 따른 자아 존중감과 지속적 참여의사와의 관계

        신혜숙(Hea Sook Sin) 한국여가레크리에이션학회 2008 한국여가레크리에이션학회지 Vol.32 No.2

        The objective of the present study was to obtain basic materials for expanding opportunities for and accessibility to dance for people in various classes, and for this purpose, we surveyed 772 women participating in Korean dance, dance sports, aerobics, jazz dance, etc. on their self-esteem and intention for continuous participation according to life dance participation pattern, analyzed collected data, and drew conclusions as follows. First, with the diversification of leisure activities, people`s participation in life dance is increasing and there are many private institutions public welfare centers that offer such programs. In addition, life dance participants` self-esteem was found to be very high. Self-esteem was high in those who participated in Korean dance at a sports center 4~5 times a week according to participation pattern, those who replied `Generally satisfied` according to satisfaction with the contents of education, those who replied `Satisfactory` according to facility level, and those who replied `50,000 won or higher` according to tuition fee. Second, life dance participants had the intention to participate in life dance continuously, and their self-esteem affected their intention for continuous participation.

      • KCI등재

        GX프로그램 참여자의 서비스 품질 인식, 참여극복 및 소비자 행동의 관계

        신혜숙(Sin, Hye-Sook),하재필(Ha, Jae-Pil) 한국체육과학회 2017 한국체육과학회지 Vol.26 No.5

        The purpose of this study was to examine relationships among service quality, participant countermeasure, and customer behavior of GX program participants. Data for this study were collected from 349 people who participated in GX program for more than six months. Frequent analysis, confirmatory factor analysis, and structural equation modeling was used to analyze the collected data using SPSS 22.0 and Amos 18.0. The major findings of this study were as follows. First, the value, convenience, amenity that are sub-factors of service quality had influence on time constrains that are sub-factors of participant countermeasure. In addition, value, trust, and amenity had influence on interpersonal relationships that are sub-factors of participant countermeasure. Second, value, kindness, and trust have directly influence on sport consumption behavior related to GX program. Lastly, kindness, value, trust, and convenience influenced sport consumption behavior either directly and indirectly.

      • KCI등재

        무용수들의 체형지각에 따른 자아 존중감

        신혜숙(Hea Sook Sin) 한국무용과학회 2008 한국무용과학회지 Vol.16 No.-

        본 연구는 예술적 표현에 대한 해석과 이해를 신체적 움직임에 많은 비중을 두고 있는 무용 특성상 무용수의 체형과 자신감은 우선적 과제이므로 무용수들의 체형 지각과 자아존중감은 어떠한 관계가 있는가를 조사하여 무용수들의 체형지각에 의한 심리적 현황과 체형관리의 기초 자료로 제공하고자 대학 무용수 225명을 대상으로 조사 분석한 결과 다음과 같은 결론을 얻었다. 첫째, 무용 전공별 체형지각에서 하위요인인 신체적 지각은 현대무용이 한국무용과 발레보다 높게 나타났으나 유의한 차이는 보이지 않았다. 둘째, 무용 전공별 체형지각의 하위변인인 사회적 지각에서는 한국무용이 발레와 현대무용보다 유의하게 높게 나타났다. 셋째, 전공별 자아존중감은 한국무용이 발레와 현대무용보다 유의하게 높게 나타났다. 넷째, 무용수들의 체형지각 하위변인인 신체적 지각 및 사회적 지각과 자아 존중감과의 회귀분석 결과 사회적 지각은 자아존중감에 7%의 유의한 영향을 미치는 변인으로 나타났다. 무용수의 불만족한 신체적 지각과 낮은 사회적 지각에 의한 낮은 자아존중감은 관객과 타인 앞에서의 자신감 결여, 무대불안 등의 정서적 문제로 발전 될 우려가 있으므로 전공의 특성을 고려한 과학적인 체형 관리지도가 요구된다. The objective of the present study was to examine the relation between dancers' body shape perception and their self-esteem and to provide basic materials for managing dancers' psychological state and body shape. For this purpose, we surveyed 225 dancers and drew conclusions as follows. First, as to body shape perception by major, physical perception, one of the sub-factors of body shape perception, was higher in those majoring in contemporary dance than in those majoring in Korean dance or ballet, but the difference was not significant. Second, another sub-factor social perception was significantly higher in those majoring in Korean dance or ballet than in those majoring in contemporary dance. Third, as to self-esteem by major, self-esteem was significantly higher in those majoring in Korean dance than in those majoring in ballet or contemporary dance. Fourth, when regression analysis was made on the relation between the sub-factors (physical perception and social perception) of dancers' body shape perception and their self-esteem, social perception was found to be a significant variable explaining 7% of the variation of self-esteem.

      • KCI등재

        무용수의 상해에 따른 스트레스와 무용수행

        신혜숙 ( Hea Sook Sin ),김석란 ( Sulk Lan Kim ) 대한무용학회 2006 대한무용학회논문집 Vol.49 No.-

        In order to analyze the relationship between stress and dancing performance according to dancers` injuries, this study has carried out a survey with university students majoring in traditional Korean dance (91), ballet (91), and modern dance (95) as its subjects. The results of this study are as follows. First, as for experience of injuries by major, the most frequent situation where an injury occurs is the private practice, and class and performance follow it. As for main factors of injuries, the personal factor is the most frequent in traditional Korean dance, the technical factor and the personal factor in ballet, and the technical factor in modern dance. Second, as for frequently injured body parts by major, traditional Korean dance has the neck, the coccyx, the patella, the nervous sense paralysis, cramps in muscles, and bruised muscles as the most frequent injuries. Blisters, ripped off toenails, and Achilles` tendon damages are the most frequent injuries in Ballet, and thighbone damages and abrasions in modern dance. Third, the more experience with injuries a dancer, the higher stress has. Fourth, due to stress by dance injuries, dancers feel weary most frequently, and weakened will and a sense of burdening next most frequently. Through this study, we can realize that stress most greatly builds up when a dancer is injured, which causes to feel weary in dance performance. Thus, a dancer should always limber up before practicing in order not to be injured, and it is important for dancer to try to put himself at ease in order not to be stressed. Much research should be done on obviation of dancers` injuries.

      • KCI등재

        재즈댄스 참여여성의 참여만족에 따른 사회적 지지와 자기 존중감과의 관계

        신혜숙(Hea Sook Sin),오수일(Su Il Oh) 한국사회체육학회 2009 한국사회체육학회지 Vol.0 No.37

        This study surveyed and analyzed the relation between social support and self-esteem according to satisfaction with jazz dance participation in 300 jazz dance participant women, and drew conclusions as follows. First, jazz dance participation satisfaction was in a significant correlation with social support, and among the factors of participation satisfaction, emotional stability had a higher effect than physical competence on membership among the factors of social support. On the contrary, physical competence had a higher effect than emotional stability on confidence among the factors of social support. And jazz dance participation satisfaction was in a significant correlation with self-esteem. Among the factors of jazz dance participation satisfaction, emotional stability had a significant effect on self-esteem but physical competence did not. Second, social support and self-esteem according to jazz dance participation showed a significant correlation with each other, and social support worked as a variable with a significant effect on self-esteem.

      • KCI등재

        가정에서 수돗물 사용 중에 방출되는 chloroform에 대한 흡입노출

        신혜숙 ( Sin Hye Sug ),김희갑 ( Kim Hui Gab ) 한국물환경학회 2004 한국물환경학회지 Vol.20 No.2

        Exposure to volatile disinfection by-products (DBPs) such as chloroform included in chlorinated tap water can occur during household activities via inhalation as well as ingestion and dermal absorption. This study was conducted to examine the significance of inhalation route of exposure since humans are unintentionally exposed to volatile DBPs while staying home. Two sets of experiments were carried out in an apartment to measure: 1) the variation of chloroform concentrations in the living room air following kitchen activities (cooking and dish-washing); and 2) the variation of chloroform concentrations in the bathroom and living room following showering. Cooking, dish-washing, and showering all contributed to the elevation of household chloroform levels. Even a few minutes of natural ventilation resulted in the reduction of the chloroform levels to the background. Estimates of daily chloroform doses and lifetime cancer risks suggested that inhalation of household air during staying home be a major route of exposure to chloroform and that ingestion be a minor one in Korean people. It is also suggested that ventilation be a simple and important measure of mitigating human exposure to volatile DBPs indoors.

      • KCI등재

        생활무용 참여에 따른 중년여성의 사회적 지지와 참여만족과의 관계

        신혜숙 ( Hea Sook Sin ) 대한무용학회 2007 대한무용학회논문집 Vol.51 No.-

        The present study surveyed 464 middle aged women who were participating in life dances in order to analyze differences in social support and participation satisfaction according to the state of participation and the relation between social support and participation satisfaction and ultimately to obtain basic materials for expanding middle aged women`s opportunities for and accessibility to life dances. Conclusions drawn from this study are as follows. First, in the results of ANCOVA on social support according to the state of participation using personal characteristics as covariants, social support was significantly high when the place was a sports center and when the monthly fee was over 50,000 won, but did not show any significant difference according to the quality of facility. Second, in the results of ANCOVA on participation satisfaction according to the state of participation using personal characteristics as covariants, satisfaction was significantly high when the place was a women`s center or a sports center, when the quality of facility was satisfactory and when the monthly fee was 10,000~30,000 won. Third, in the results of multiple regression analysis on participation satisfaction using the sub factors of social support - evaluative support, self-esteem support and belonging support - as intervening variables, social support explained 40.2% of participation satisfaction. In their old age, people`s happiness can be found in satisfying their desires for social relation and the value of their existence. In this sense, life dance is highly valuable leisure culture mentally, physically and socially. Particularly as a leisure activity creating aesthetic value of art through bodily motions, it is recommendable to women in middle or old age in order to strengthen their confidence through the practice of aesthetic expression and to enhance their sense of well being and social support.

      • KCI등재
      • KCI등재

        무용수들의 관객인지에 따른 상태불안

        신혜숙 ( Hea Sook Sin ),손주희 ( Joo Hee Sin ) 대한무용학회 2008 대한무용학회논문집 Vol.56 No.-

        The objective of the present study was to survey dancers` awareness of audience, and their state anxiety according to the awareness, and by doing so, to obtain data for improving the communication and the effect of dancers` performances. For this study, we surveyed and analyzed state anxiety according to audience awareness in 255 dancers including 108 students majoring in Korean dance, 72 in ballet, and 75 in contemporary dance, and drew conclusions as follows. First, as to audience awareness and state anxiety according to personal characteristics, audience awareness according to major was higher in students majoring in ballet but the difference was not significant. On the other hand, state anxiety was significantly higher in students majoring in contemporary dance, followed by Korean dance and ballet. According to school year, audience awareness was highest in sophomores but the difference was not significant. State anxiety was highest in sophomores, followed by freshmen, seniors, juniors and graduate students, and the difference was significant. According to the frequency of performances, audience awareness was significantly higher in students performing once a month, followed by once in every six months, once a week, and once a year. On the other hand, state anxiety was high in students performing once a week, but the difference was not significant. Second, in the results of correlation and multiple regression analysis on audience awareness and state anxiety, audience awareness showed a significant correlation with state anxiety. As to state anxiety according to the sub-factors of audience awareness, the "dancer-centered" factor of audience awareness had a significant effect on strain and overstrain of state anxiety, and the "conversation with audience" factor of audience awareness had a significant effect on arousal and strain of state anxiety. As presented above, dancers` audience awareness worked regardless of major and school year, but was very passive without flow and interaction with audience, and dancer-centered performance had an effect on dancers` state anxiety. Therefore, it is necessary to provide dance students with opportunities to attune themselves and interact with audience at least once a month even at a small theater so that they resolve anxiety about the stage and develop flow and confidence in performance. Furthermore, it is required to survey dance performers` perception on audience in order to get information for enhancing the quality of dance performances, developing art performances recognizing audience`s potential, and providing important socio-cultural materials.

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