텍스트 하위 구조와 상위 구조의연결에 대한 일고찰미자나빔과 시퀀스 구조를 중심으로

김휘택 중앙대학교 외국학연구소 2018 외국학연구 Vol.- No.45

In this paper, we have analyzed one text through mise en abyme and sequence structure. The mise en abyme is one of the ways to analyze text in three dimensions. The text had to be analyzed through sentence structures because of its linearity. In order to impart stereoscopicity to the analysis of texts, it was only possible to define micro-structures and macro-structures. Another difficulty is that the structural analysis of the text should be able to show the meaning of the text at least on a linguistic level that does not take into account the context outside the text. In such a dimension, it is noticed that this structure of storytelling can deal with the problem of meaning naturally, in the process of explaining the relationship between story and story rather than by unit. From the above analysis, we can see that the mise en abyme structure and the sequence structure are somewhat similar. We present in this paper the text structure of mise en abyme as being "gradual". The sequence structure clearly shows the relationship between the stories compared to the mise en abyme structure and can show how different stories work in each part of the story.

사건 전개에서 등장인물 기술(description)의 역할에 관한 연구: 텍스트 언어학을 중심으로

김휘택 중앙대학교 외국학연구소 2019 외국학연구 Vol.- No.47

In this paper, we examined the role of character description in event development. A study on the description of text linguistics led by Jean-Michel Adam focuses primarily on identifying the qualities of the description in text. Adam also tried to explain the role of description through the relationship between the descriptive sequence and other sequences. In this paper, we focused especially on character description. The description of characters should be seen in the overall characteristic dimension of description, rather than dealing with the description itself. However, portraits have a great impact on the overall meaning of text. Most of the research on description deals with this portrait. In this regard, It seems that more research for the character description is needed in the field of text linguistics. In this paper, I analyzed structurally the anecdotal part of Jeong Myung - soo in Kim Hun's novel Namhansanseong. Through this analysis, we have found that description plays an important role in constructing narrative structure by superimposing on stories. The analysis also revealed that the nature of the description is not just static, but can also act dynamically to lead the development of event.

텍스트 구조화에서 문장의 역할 재조명

김휘택 중앙대학교 외국학연구소 2017 외국학연구 Vol.- No.41

This article aims to notice problems arising from textual analysis that takes the sentence for its basic unit. From this study, we can also recheck the new status of the sentence in the analysis of the text. We favor the nonlinearity of the structure of the text that is formed by the intermediate units rather than the linearity that is constituted by the sequence of sentences. As for this non-linearity, we emphasize the role of organizational plans in structuring the text. The grammar of the text found important the roles of the connectors, the scope of the meaning of the ready-made expressions, the cohesion of the text through the anaphoric phenomenon, and so on. She also thought that these kinds of elements defined the structure of the text. On the other hand, theories which consider the sentence as a minimal unit, not as a unit of analysis, emphasize the intermediate units. Thus, by describing the structure of the text, they use these units as constituent units. Finally, in this theoretical position, we try to find the value of the role of sentences as minimal units and organizational plans in structuring the text.

텍스트 내 인물 기술과 시퀀스 분석

김휘택 프랑스학회 2020 프랑스학연구 Vol.0 No.92

본 논문의 목표는 이야기 시퀀스가 사건 전달뿐만 아니라, 텍스트 내에서 인물 제시의 역할을 한다는 것을 밝히는 데 있다. 본문에서 우리는 텍스트의 분류가 텍스트의 역할과 밀접한 관련이 있다는 점에 착안하여, 장르에 대한 논의를 일부 살펴본다. 본 논문은 장르라는 기준에서 벗어나, 텍스트의 분석 단위인 시퀀스의 역할에 주목한다. 분석을 위하여 기욤 뮈소의 Je reviens te chercher의 일부를 시퀀스로 분석하여, 주인공이 이야기, 즉 사건으로 제시되는 모습을 제시하고자 한다. 이와 더불어 이야기 시퀀스의 인물 제시가 유효하다는 점을 검증하기 위하여, 주네트의 시간 순서에 대한 논의와 정념 도식을 시퀀스 분석과 대조할 것이다. 주네트의 이론에서 우리는 과거의 사건이 주된 이야기와 하나의 서사 구조로 결합된다는 논의에 주목한다. 정념 도식은 상태 주체를 기술하는 데 유효하기 때문에, 시퀀스 분석과의 대조를 통해서 이야기 시퀀스가 충분히 인물의 내적 감정까지 제시할 수 있다는 것을 보이고자 한다. Le but de cet article est de clarifier que la séquence narrative transmet non seulement des événements, mais sert également de personnage du récit. Dans cet article, nous avons examiné une partie de la discussion des genres, en nous concentrant sur le fait que la classification des textes est étroitement liée aux rôles des textes. Cet article s'écarte de la norme du genre et se concentre sur le rôle de la séquence, l'unité d'analyse du texte. Pour l'analyse, une partie de Je reviens te chercher de Guillaume Musso a été analysée en séquence, et le personnage principal a été présenté à travers des événements. De plus, afin de vérifier que la présentation des personnages dans la séquence d'histoire est valide, nous avons contrasté l’analyse de séquence avec la discussion de l’« ordre » de G. Genette et du schéma passionnel. Pour la théorie de Genette, nous avons prêté attention à la discussion selon laquelle les événements passés sont combinés en le récit principale, à savoir la structure syntaxique narrative. Étant donné que le schéma passionnel est efficace pour décrire le sujet d'état, nous avons examiné qu'à travers la comparaison avec l'analyse de séquence, la séquence narrative peut suffisamment présenter les sentiments intérieurs du personnage.

기술description과 기술의 텍스트 분석에서의 가치: 기술 시퀀스를 중심으로

김휘택 중앙대학교 외국학연구소 2016 외국학연구 Vol.- No.38

This article aims to illustrate the particularity of description as one of the types of text and study the conditions under which description becomes the narrative sequence. As we saw in the first half of the article, there was "almost unanimous rejection" of description in the field of literature and rhetoric. Description is not simply an enumeration of the properties of an object. However, we cannot deny that enumeration is a privileged way for description. So, in order to clarify the distinctive features of description as a type of text, for text linguistics it is necessary to find the characteristics of enumeration that can be applied exclusively to description and to establish a model able to explain systematic description. Even though it is only a partial presentation, we traced the various criteria of enumeration as it relates to description: four seasons, five senses, alphabetical or numerical order, cardinal or simple temporal succession, frontal spatial plans (up-down), side (left-right) and flying (front-back). In any case, all the empirical criteria for enumeration cannot also become those for description. So from the point of view of the study of description, we must look at the enumeration features that allow us to realize a descriptive sequence. Finally, in this article, we propose the features of descriptive sequence as follows: operation of anchoring, of aspectualization, of relating and of sub-theming. From these characteristics, we can examine the values ​​and pragmatic roles of descriptive sequence.

텍스트의 구조 분석과 이야기 정체성

김휘택 중앙대학교 외국학연구소 2020 외국학연구 Vol.- No.52

The purpose of this paper is to examine the relationship between the structural analysis of text and the narrative identity. To this end, two parts of Kim Hoon's novel Heuksan were extracted and analyzed. We first explained the concept of identity-ipse and identity-idem proposed by P. Ricoeur. In addition, we confirmed that the identity of the story that we pay attention to in this paper comes from identity-ipse. In the analysis, we revealed that the development of identity-ipse through mutual understanding between Yaksoni and Hwang Sa-young is more clearly presented through the dual narrative sequence structure. We also explained with the structure of the narrative sequence and the nature of the descriptive sequence that Park Cha-dol, Gae-dong Kim, and Yaksoni had no relationship with each other. The descriptive sequence, organized in a partial presentation, only shows the signs used to distinguish the two from others. And the religions and beliefs of these two characters are also their charges to Park Cha-dol. In other words, Park Cha-dol recognizes these two people only with the identity-idem. The first text, with the emphasis on the story sequence, and the second text, with a prominent description sequence, contrast sharply with each other in terms of identity.

기질 범주 개념과 시퀀스 이론을 통한 텍스트 분석

김휘택 중앙대학교 외국학연구소 2021 외국학연구 Vol.- No.57

The aim of this thesis is to apply the concept of thymic category and value differentiation of semiotics to actual texts, and to understand that semiotic theory and structural analysis of texts are complementary to each other. For this study, we analyzed a part of Kim Hoon’s the novel Kaleu Norae. In the above excerpt, Yi Sun-sin is the state of the pre-subject prior before the act stage. Yi Sun-sin contemplates death and honor. In the process, Yi Sun-shin senses his own fate. That fate is further embodied through the case of Kim Deok-ryeong and Kwak Jae-woo. Rather than being killed by the king, Yi Sun-sin considers it acceptable for him to be killed by the enemy. That was the least honor that Yi Sun-sin could protect. In this paper, this scene was analyzed using sequence analysis and semiotic square. In the sequence analysis, this text was defined as an argumentative sequence. Next, this text was analyzed semiotically, focusing on the concept of thymic category and value differentiation. Finally, the meaning of the text was checked by contrasting the semiotic analysis with the sequence analysis.

설명(explication)의 논리 구조시퀀스 이론을 중심으로

김휘택 중앙대학교 외국학연구소 2015 외국학연구 Vol.- No.33

This article aims to show that the explanatory sequence can adopt the logic of the answer from the narrative and argumentative sequences, positioning them as subsequences of the explanatory sequence. For the content of an explanation to be persuasive, strategies that make an admissible speech to the caller are necessary. This is one strategy suggested by the theory of the sequence: to place the narrative or argumentative sequence as a subsequence of the explanatory sequence. The significance of this study lies in the attempt to overcome the definitions of particular sequences and illustrate the relationships between them. Clarifying the relationship of combinatorial sequences is important to understand not only the structure of the text but also the textual meaning. As research on the relationships between the sequences has proceeded, we have arrived at the need to methodologically classify these results. If this classification clarifies the sequential relationships and their effects on meaning in the text, we can establish a new grammar of the text.

텍스트 내 함축의미에 관한 연구- 문화콘텐츠에 대한 의미작용을 중심으로

김휘택 중앙대학교 외국학연구소 2021 외국학연구 Vol.- No.55

The goal of this paper is to examine the patterns and roles in which individual signification, that is, connotation, appear within the text. For this study, we looked at the status of denotation, myth, connotation in the category of signification. Based on Barthes’s research, we can see that denotation, myth, and connotation are an individual's selective signification. In other words, denotation and myth can be broadly included in the connotation. Connotation is the act of the subject who significations the world. It is not possible to define the nature of semantic action as only personal. These connotations are subject to double limitations. The fixedness of linguistic signs and the collective nature of myths violate the individuality of the connotations. Human thinking that gives meaning continues to seek new meanings while constantly referring to denotations and myths. If the semiosis, which combines signifier and signified, is an act of giving meaning to the world and interpreting it, then signification can be said to be a key mechanism to make the world symbolized and meaningful. Through this semantic action, the subject lives verbally, socially, and culturally as a member of a group. However, not all of the subjects of society live the way the group defined or intended. Therefore, every individual has an individual worldview through its connotations. We confirmed this through Kim Hoon's novel Heuksan.

텍스트의 구조분석과 이야기

김휘택 중앙대학교 외국학연구소 2014 외국학연구 Vol.- No.28

This article aims to define the narrative sequence and to present its scheme. Since long ago, the "story" has been the subject of various theories which have gained much success. These studies have attempted to prove that there are certain models that can be applied to texts that are not stories. Although such efforts have not produced any groundbreaking outcomes, they have surely provided us the generalized criteria for the narrative analysis. As the story is often seen as a part of the text, the narrative sequence plays an effective role when analyzing texts as it maintains relationships with other sequences. In order to define the narrative sequence, we first try to grasp the characteristics of a narrative text. After, taking all of these into consideration, we may identify the exact dimension of the narrative sequence. In this article, we analyzed an extract from That Which Falls Has Wings, a novel written by Moonyeol Lee. Through this analysis, we actually found that the narrative sequence is useful for text analysis, and that it has various relationships with other sequences.