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강희정(姜熺靜) 한국미술연구소 2009 美術史論壇 Vol.- No.28
The first illustrated art catalogues in Japan, the Selected Relics of Japanese Art(Shinbi Taikan, 『眞美大觀』) was published from 1899. Until 1908, the publisher Shimbi shoin(審美書院) had completed all 20 books in the set. This set of the illustrated art catalogues can be highly valued as the first publication in Japan, which had established the foundation of Japanese art history during the Meiji(明治) period. These series presented almost every significant art works from the earliest times to the end of the Tokugawa(德川) period. The publisher said in the introductory remarks that they collected the important art relics from the Buddhist temples in Nara(奈良) and Kyoto (京都) and the private collections. All the books which bound Japanese style, have two types of plates, the foldout collotype plates on thick paper and the non-foldout collotype plates on thin woven paper folded over a sheet of thicker backing paper. And each plates are protected by a very thin paper like a tissue on which is printed the description and explanation on the plate in Japanese and English. The pictures in the books were photographed and collotyped by Ogawa Kazumasa(小川一眞) who participated in 'the survey and investigation of treasures in Ginki province(近畿寶物調査)' from 1888 with Ernest E. Fenollosa and Okakura Tenshin(罔倉天心). The photographs that Ogawa had taken during those periods were used several times in the publications including the Selected Relics of Japanese Art and the Histoire de l'Art du Japon. The publications with the collotyped photographs of Ogawa show us the first photographic reproduction of cultural property and the visual popularization through those photographs. From the Meiji period, the Japanese bureaucrats and intellectuals who served the government thought that the Buddhism and its art were equal to the Christianism. Therefore they argued the most important culture in Asia was the Japanese Buddhist art which the Japanese had preserved for a long time. In this point of view, the editors of the series, the Selected Relics of Japanese Art, chose the image of the Shakya(釋迦) triad in Kondo(金堂) of Horyuji(法隆寺) as the first plate in the book, volume one. Whether the art works could be a model for the artists was the only significant standard for the selection of the art works for the books. And the editorial boards regarded the ancient ones as the classic, which could be worth while for the scholars to investigate. Shimbishoin informed that the Selected Relics of Japanese Art was awarded the Gold Prize for printing in the 1900 Paris World Exposition. The series, which were the first illustrated art catalogues that fitted with the policy of the Meiji government, were the publication that opened the beginning of reproduction and distribution of cultural assets by photographs. Also the series projected by semi-governmental management were a visual embodiment of the Japanese art history constructed in the Meiji period.
Performance Analysis of Reed-Solomon Coded M-ary FSK Modulation in Nakagami Fading Channels
강희조,Kang Heau-Jo The Korea Institute of Information and Commucation 2006 한국정보통신학회논문지 Vol.10 No.7
In this paper we analyze the performance improvement of the M-ary FSK systems for low power and low data rate applications. This contribution presents a unified analysis of its MRC diversity, uncoded and performance in A WGN, m=2, m=3, Rayleigh and one sided Gaussian fading channels using optimum noncoherent demodulation with Reed-Solomon(RS) codes. The results of this paper should be useful as benchmarks of obtainable performance and as a reference for validating the results of simulation studies when slow fading models are applicable. 본 논문에서는 낮은 전력과 낮은 데이터 율의 M-ary FSK 시스템의 응용하고 성능 개선에 관해서 분석한다. 제안 시스템에서는 최대비 합성 다이버시티, 부호화와 비 부호화 일 때 가우시안 잡음, m=2, m=3, 레일리, 반가우신안 페이딩 채널에서 리드솔로몬 부호화를 이용하여 최적의 변조 값을 구하였다 . 시뮬레이션 분석 결과로부터 슬로우 페이딩 모델에 응용이 적당함과 웅용시스템에 유용함을 확인하였다.