부산피아노연주회 현황과 분석(1987-1989) = The History of Piano Performance in Busan(1987-1989)

다국어 초록 (Multilingual Abstract)

The history of Western music in Busan started in 1892 and has been over 110 years today. Studies on the history claims their significance as they try to develop insights into the musical situations of Busan today and promote its music culture. This study set out to focus on the piano in the history of Busan's Western music and on the middle Third Period. In the previous studies, the investigator divided the history into three periods; the First Period is 81 years from 1892 to 1972, the Second Period from 1973 to 1982, and the Third Period from 1983 and 1986.
In the study, I mainly reviewed the piano performances of each domain through newspaper articles in the middle Third Period(1987-1989). By checking the facts, I categorized the data according to recitals, piano concertos, duos, accompaniments, chamber music, disciples' presentations, and others and put them in a diagram. There were 27 records about recitals, 21 about joint performances, 47 about accompanies, 8 about duos, 8 about chamber music, and 24 about disciples' presentations and others. The middle Third Period witnessed an increase to the number of music majors including the piano in colleges. In addition, the students of the piano major did many activities, and the piano professors put on many research performances. In particular, the interest in high quality music rose after a professional performance hall was set up.
The number of piano performances went up. The music culture of a higher level led to the explosion of performances to promote friendship around the 1990s. Conducting the research, I developed interest in the artistic aspects and trends of one piano and four hands and two pianos, which are two types of piano duo performance, which attracted interest in the early days of duo performance. The two types will present another task for my future study. And I will continue to invest my research efforts into the end of the Third Period and the Fourth Period of the piano performance history in Busan's Western music history in order to complete my whole study project.

다국어 초록 (Multilingual Abstract)

The history of Western music in Busan started in 1892 and has been over 110 years today. Studies on the history claims their significance as they try to develop insights into the musical situations of Busan today and promote its music culture. This study set out to focus on the piano in the history of Busan's Western music and on the middle Third Period. In the previous studies, the investigator divided the history into three periods; the First Period is 81 years from 1892 to 1972, the Second Period from 1973 to 1982, and the Third Period from 1983 and 1986.
In the study, I mainly reviewed the piano performances of each domain through newspaper articles in the middle Third Period(1987-1989). By checking the facts, I categorized the data according to recitals, piano concertos, duos, accompaniments, chamber music, disciples' presentations, and others and put them in a diagram. There were 27 records about recitals, 21 about joint performances, 47 about accompanies, 8 about duos, 8 about chamber music, and 24 about disciples' presentations and others. The middle Third Period witnessed an increase to the number of music majors including the piano in colleges. In addition, the students of the piano major did many activities, and the piano professors put on many research performances. In particular, the interest in high quality music rose after a professional performance hall was set up.
The number of piano performances went up. The music culture of a higher level led to the explosion of performances to promote friendship around the 1990s. Conducting the research, I developed interest in the artistic aspects and trends of one piano and four hands and two pianos, which are two types of piano duo performance, which attracted interest in the early days of duo performance. The two types will present another task for my future study. And I will continue to invest my research efforts into the end of the Third Period and the Fourth Period of the piano performance history in Busan's Western music history in order to complete my whole study project.

참고문헌 (Reference)

1 부산광역시사편계원회, "항도부산"

2 제갈삼, "초창기 부산음악사" 세종출판사 2004

3 최재천, "지식의 통섭 학문의 경계를 넘다" 이음 2007

4 윤성원, "음악하기에 기초한 통합음악교육연구" 경성대 2008

5 최해군, "부산항" 지평 1992

6 서심미, "부산피아노연주사(1973-1982)" 민족음악학회 29 (29): 209-231, 2005

7 "부산일보. 1983-1992"

8 윤선, "부산의 지사(地史)와 경관" 1994

9 부산시내무국문화재과, "부산의 역사"

10 최해군, "부산의 맥" 지평 1990

11 조선우, "부산음악사 서술을 위한 시론" 2000

12 최지영, "부산음악비평문화 총람 및 분석" 동아대 1991

13 조선우, "부산음악문화를 진단한다" (2-3) : 1990

14 부산시시사편찬위원회, "부산시사"

15 부산발전연구원, "부산사회문화의 이해"

16 최화수, "부산문화이면사" 한나라 1991

17 부산직할시시사편찬위원회, "부산문화"

18 최해군, "부산700年 그 영욕의 발자취" 지평 1997

19 강영만, "부산 피아노연주문화 총람 및 분석" 동아대 1990

20 이미라, "부산 창작․전통음악 연주문화 총람 및 분석" 동아대 1990

21 조선우, "부산 음악문화의 현주소" 2001

22 장익주, "부산 성악연주문화 총람 및 분석" 동아대 1990

23 곽근수, "부산 서양음악 30년사" 2001

24 이정아, "부산 관현악 실내악 연주문화 총람 및 분석" 동아대 1990

25 "국제신문. 1989-1992"